Episode 1431 - Tituss Burgess

Lily Gladstone knows that people project all manner of emotions and intentions onto her when she gives a performance. Lily and Marc talk about why that happens, including the reaction to her Oscar-nominated performance in Killers of the Flower Moon. They also talk about the time Lily was thinking about giving up acting just as Kelly Reichardt cast her in Certain Women, why it was so important for her to play an incarcerated mother on Reservation Dogs, and why she believes every role she takes becomes an Indigenous role, regardless of the original intent. Hosted on Acast. See acast.com/privacy for more information.

26 Feb 20241h 23min

Rodrigo Prieto is the cinematographer of two of last year's most celebrated films: Barbie and Killers of the Flower Moon, for which he is Oscar-nominated. Rodrigo talks with Marc about finding the right look for multiple Martin Scorsese movies as well as his strategy for achieving what Greta Gerwig called "artificial authenticity." They also talk about Rodrigo's work with Spike Lee, Alejandro González Iñárritu, Ang Lee, Julie Taymor, Oliver Stone, Cameron Crowe, Pedro Almodóvar, and Ben Affleck, his visual contributions to films like Babel, Frida, Brokeback Mountain, and Argo, as well as his own film which he just directed. Hosted on Acast. See acast.com/privacy for more information.

22 Feb 20241h 45min

America Ferrera didn't expect that her performance in Barbie would lead to an Oscar nomination but few things in life have gone in a straight line for the daughter of working class immigrants from Honduras. America and Marc talk about how she encountered stereotypical typecasting even at a young age but saw that her work was making a tangible difference in how people saw themselves on the screen. They also talk about how America satisfied her desire for a career in international relations, her feelings about being part of cultural conversations dictated by others, and that Barbie monologue. Hosted on Acast. See acast.com/privacy for more information.

21 Feb 20241h 3min

Before Mark Ruffalo became the Hulk, he deeply understood what it felt like to be two people in the same skin. A high school wrestler and a member of the drama club, a surfer and a punk rocker, a person with a family history of bipolarity. Mark and Marc talk about how he used this duality in many of his roles, including his Oscar-nominated turn in Poor Things. They also talk about his recent testimony to Congress, his fear of doing SNL, and the terrifying health scare that turned his life upside down just as his career was taking off. Hosted on Acast. See acast.com/privacy for more information.

19 Feb 20241h 36min

Da’Vine Joy Randolph is in the midst of the highly competitive Hollywood award season, but the competitive fire always burns strong within her. From high school basketball to her time on a track scholarship to her foray into opera to the theater program at Yale, Da’Vine is always aiming for the top spot. She talks with Marc about nailing her Boston accent for The Holdovers, the reason she stopped singing, and the opportunities she’s making for herself in light of all the award talk. Hosted on Acast. See acast.com/privacy for more information.

15 Feb 20241h 21min

Ed Zwick’s career as a director, writer and producer in Hollywood lends itself to the full memoir treatment, complete with stories about stars behaving badly and development disasters. But Ed’s new book also serves as a guide to mentorship in a business where every bit of help counts. Ed and Marc discuss some of his most successful productions, like Glory, The Last Samurai and thirtysomething, as well as some of the lumps he took along the way. Plus, Marc pays tribute to the late Mojo Nixon. Hosted on Acast. See acast.com/privacy for more information.

12 Feb 20241h 24min

John Oliver is one of those people who just gets Marc. It’s not surprising, considering John has become one of the sharpest observers of the American way of life. Back in the garage after almost twelve years, John talks with Marc about having what he calls a functional version of a nervous breakdown during the pandemic, finding hope in a painting of rat erotica, and the process of putting together Last Week Tonight as it returns for its eleventh season. Hosted on Acast. See acast.com/privacy for more information.

8 Feb 20241h 23min

Laurie Kilmartin can make comedy out of the darkest situations in her life, from her father’s hospice care to her mother dying of Covid to being targeted by Fox News and the right wing for making an abortion joke. The latter became the foundation for her latest special, Cis Woke Grief Slut, and Laurie talks with Marc about how comedy can survive information bubbles and the lack of a shared national dialogue. They also talk about getting to a point in their lives where it’s time to let things go. Hosted on Acast. See acast.com/privacy for more information.

5 Feb 20241h 13min