How “Sinners” Revives the Vampire

How “Sinners” Revives the Vampire

The vampire has long been a way to explore the shadow side of society, and “Sinners,” Ryan Coogler’s new blockbuster set in the Jim Crow-era South, is no exception. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss what “Sinners,” which fuses historical realism with monster-movie-style horror, illuminates about America in 2025. They trace the archetype from such nineteenth-century texts as “The Vampyre” and “Dracula” to the “Twilight” moment of the aughts, when Edward Cullen, an ethical bloodsucker committed to abstinence, turned the vampire from a predatory outsider into a Y.A. heartthrob. What do he and his ilk have to say today? “The vampire is the one who can unsettle our notions, and maybe give us new notions,” Cunningham says. “The vampire comes in and asks, ‘But have you considered this?’ ” Read, watch, and listen with the critics: “Sinners” (2025)“Black Panther” (2018)“The Vampyre,” by John Polidori“In the Blood,” by Joan Acocella (The New Yorker)“Dracula,” by Bram Stoker“Dracula” (1931)“Love at First Bite” (1979)“The Lost Boys” (1987)“True Blood” (2008–14)“Twilight” (2008)“What We Do in the Shadows” (2019–24) New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Episoder(141)

Critics’ Cult Classics: Hannah Goldfield on the Food World’s Secret Tastemakers

Critics’ Cult Classics: Hannah Goldfield on the Food World’s Secret Tastemakers

In the second in a series of Critics at Large interview episodes devoted to the topic of cult classics, Naomi Fry talks with the New Yorker staff writer Hannah Goldfield about how that designation app...

13 Aug 39min

Critics’ Cult Classics: Hanif Abdurraqib on Camp Lo’s “Uptown Saturday Night”

Critics’ Cult Classics: Hanif Abdurraqib on Camp Lo’s “Uptown Saturday Night”

When it dropped in January of 1997, Camp Lo’s “Uptown Saturday Night” thrilled some listeners and confounded others. On the first in a series of Critics at Large interview episodes devoted to resurfac...

6 Aug 46min

The Irony and the Ecstasy of Colson Whitehead

The Irony and the Ecstasy of Colson Whitehead

Colson Whitehead’s ascent in the literary world has seemed, like much of what he does, impressively effortless. Though he’s best known for “The Underground Railroad” and “The Nickel Boys”—both of whic...

30 Jul 50min

The Golden Age of the American Idiot

The Golden Age of the American Idiot

The new game show “Nation’s Dumbest,” flips the classic “Jeopardy!” script on its head. The format: twelve famous-ish contestants are peppered with basic logic and trivia questions. The twist is that ...

23 Jul 52min

Who Owns the Odyssey?

Who Owns the Odyssey?

In its nearly three-thousand-year history, the Odyssey has undergone as many twists and turns as its protagonist does on his journey home to Ithaca. Its origins as oral poetry suggest countless revisi...

16 Jul 50min

An American Playlist

An American Playlist

This week, to commemorate two hundred and fifty years of the American experiment, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz present an American playlist. On this special episode, the hosts ...

2 Jul 59min

From The Political Scene: The Politics of the Big Game

From The Political Scene: The Politics of the Big Game

Critics at Large will be back next week. In the meantime, you can hear Vinson Cunningham and Naomi Fry on a recent episode of The New Yorker’s Political Scene, hosted by Tyler Foggatt, where they cons...

25 Jun 37min

Steven Spielberg’s Blockbusters

Steven Spielberg’s Blockbusters

When “Jaws” hit theatres in 1975, no one—neither the studio executives involved nor the film’s twenty-six-year-old director, Steven Spielberg—was betting on its success. But it dominated at the box of...

18 Jun 55min

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