Critics at Large | The New Yorker18 Des 2025

The Year of the Broken Mirror

Many of this year’s most talked-about releases were, in some sense, diagnostic: from Ryan Coogler’s “Sinners” to Paul Thomas Anderson’s “One Battle After Another,” films offered up assessments of the nation’s ills. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss these and other reflections of American life, which arrive at a time when reality itself feels more nebulous than ever. Then, the hosts consider the “broken mirror” of A.I., and how the second Trump Administration’s effort to erase unflattering chapters of U.S. history has further muddied the distinction between fact and fiction. Despite these dark developments, the art that’s emerged from this moment, much of it focussed on activists and renegades seeking change, also functions as a warning against stasis. Cunningham says, of the cultural shift: “This fixation on democracy on the ground—whether it’s violent or not, whether it’s misguided or not—I hope describes a yearning for more action. A move away from the mirror, and out into the streets.” Read, watch, and listen with the critics: “Sinners” (2025)“Fruitvale Station” (2013)“ ‘Sinners’ Is a Virtuosic Fusion of Historical Realism and Horror,” by Richard Brody (The New Yorker)“Eddington” (2025)“ ‘Eddington’ and the American Berserk” (The New Yorker)“Gimme Shelter” (1970)“One Battle After Another” (2025)“One Paul Thomas Anderson Film After Another” (The New Yorker)“Bugonia” (2025)“Art in the Age of Artificial Intelligence” (The New Yorker)“Our Fads, Ourselves” (The New Yorker) New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Episoder(141)

Critics’ Cult Classics: Hannah Goldfield on the Food World’s Secret Tastemakers

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13 Aug 39min

Critics’ Cult Classics: Hanif Abdurraqib on Camp Lo’s “Uptown Saturday Night”

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6 Aug 46min

The Irony and the Ecstasy of Colson Whitehead

Colson Whitehead’s ascent in the literary world has seemed, like much of what he does, impressively effortless. Though he’s best known for “The Underground Railroad” and “The Nickel Boys”—both of whic...

30 Jul 50min

The Golden Age of the American Idiot

The new game show “Nation’s Dumbest,” flips the classic “Jeopardy!” script on its head. The format: twelve famous-ish contestants are peppered with basic logic and trivia questions. The twist is that ...

23 Jul 52min

Who Owns the Odyssey?

In its nearly three-thousand-year history, the Odyssey has undergone as many twists and turns as its protagonist does on his journey home to Ithaca. Its origins as oral poetry suggest countless revisi...

16 Jul 50min

An American Playlist

This week, to commemorate two hundred and fifty years of the American experiment, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz present an American playlist. On this special episode, the hosts ...

2 Jul 59min

From The Political Scene: The Politics of the Big Game

Critics at Large will be back next week. In the meantime, you can hear Vinson Cunningham and Naomi Fry on a recent episode of The New Yorker’s Political Scene, hosted by Tyler Foggatt, where they cons...

25 Jun 37min

Steven Spielberg’s Blockbusters

When “Jaws” hit theatres in 1975, no one—neither the studio executives involved nor the film’s twenty-six-year-old director, Steven Spielberg—was betting on its success. But it dominated at the box of...

18 Jun 55min