Finding Ourselves Lost In A Dark Wood: INFERNO, Canto I, Lines 1 - 9

Finding Ourselves Lost In A Dark Wood: INFERNO, Canto I, Lines 1 - 9

We take the first steps with our pilgrim, Dante, as he finds himself in a dark wood and starts his walk . . . through hell? No, across the known universe.

He's also in a mid-life crisis. Curiously, not his. Instead, ours.

It's a bad spot--so bad that he quakes even as he tries to write about it years later.

Join me, Mark Scarbrough, to discover the opening lines of Dante's masterwork.

If you'd like to read my English translation or dip deeper into this passage, there's a full study guide on my website, markscarbrough.com or walkingwithdante.com. Look for the header link to INFERNO, Cantos I - IV at the top of the site, then scroll or page down to the episode.

Here are the segments for this episode of WALKING WITH DANTE:

[01:39] Why would you want to walk with Dante?

[04:09] Who am I? This podcast has been brewing for years.

[06:26] At first glance, why are the opening lines so strange, even off-putting?

[14:42] Does Dante's poem open "in medias res"? That is, "in the middle of things"?

[17:03] Who's journey is this? Who is this "I"? And how can this "I" write this journey into the wilds of the universe?

[22:27] What's the point of Dante's COMEDY? To walk across the known universe.

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Episoder(498)

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Aug 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Aug 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Jul 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Jul 37min

Final Thoughts On PURGATORIO

Final Thoughts On PURGATORIO

We've reached the end of our time on the great mountain of Purgatory . . . and in the great second canticle of COMEDY.Here are some final thoughts, an attempt to bring our time with this part of the p...

26 Apr 19min

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