Where Is My Son? A Thematic And Structural Overview Of INFERNO, Canto X

Where Is My Son? A Thematic And Structural Overview Of INFERNO, Canto X

Why is Farinata in the sixth circle of the heretics in hell? And why is he damned in the first place?

The answers may lie in the structure of Canto X of INFERNO. It may also lie in the nature of the self as Dante understands it.

Join me, Mark Scarbrough, in this interpolated episode of WALKING WITH DANTE. I'll step back from the weeds of Canto X to talk about Farinata, Cavalcante, the thematics of this wild canto, all in a way to get at the central problems of this canto, Dante's art, and the nature of the self for Dante.

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Here are the segments for this episode of WALKING WITH DANTE:

[01:04] Why is Farinata damned? Posthumously, he was accused of the Cathar heresy.

[10:12] A look at the difference between Farinata and Cavalcante in Canto X.

[12:39] The structure of Canto X: a chiasmus. Dante hides something from Virgil--Farinata arises--Cavalcante arises--Farinata continues--Dante tells Virgil everything. That means that Cavalcante is the fulcrum of the canto.

[19:36] Farinata isn't the only one who tells the future. Back in Canto VI, Ciacco did, too. What's the difference?

[24:40] Shame, vendetta, and the nature of the self for Dante.

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Episoder(498)

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Aug 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Aug 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Jul 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Jul 37min

Final Thoughts On PURGATORIO

Final Thoughts On PURGATORIO

We've reached the end of our time on the great mountain of Purgatory . . . and in the great second canticle of COMEDY.Here are some final thoughts, an attempt to bring our time with this part of the p...

26 Apr 19min

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