Walking With Dante26 Sep 2021

Swearing The Truth About The Beast Of Fraud: Inferno, Canto XVI, Lines 124 - 136

Well, we've come to it. The moment of truth. Or fraud. And what if they're the same thing? Or similar things?

Join me, Mark Scarbrough, for a corker of a passage, the last bits of Canto XVI of INFERNO, in which our poet Dante steps out from behind the plot and swears on the fragments of his own text that he really did see a beast that no one has ever imagined in the depths of hell.

Get ready for meta-poetry. Get ready for irony. Get ready for a complex stance of a writer taking charge of his own text. This passage has been lurking the wilds of the text for a while. And here it is. And here are the segments of this episode:

[01:00] My English translation of Inferno, Canto XVI, lines 124 - 136. If you want to find this passage and read along, it's on my website, markscarbrough.com.

[02:34] To speak about lies before you name the work you're writing so that you can swear on the truth of your lie. Wow, complicated.

[05:00] The poet steps out from behind the text and speaks directly to us: "I can't keep quiet." Were you trying to keep quiet? Has that been a problem?

[06:40] What is "comedy" for Dante? A matter of style.

[11:18] The figure swims up out of the murky air. "Una figura"--a very artistic word, which brings up the nature of the artistic process--as does the poet's use of the word "reader," indicating to us that he's writing a text to be read, not read aloud. Which means, yes, that the poem has become fully meta.

[15:30] The figure becomes a simile before it becomes a beast. A curious turn of rhetorical events in the poem.

[18:41] Why name the work here? What is the poet doing? Here are some answers given from the 1500s up to today.

Denne episoden er hentet fra en åpen RSS-feed og er ikke publisert av Podme. Den kan derfor inneholde annonser.

Episoder(511)

Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

Beatrice begins to take apart the two questions (or doubts) that she has intuited the pilgrim Dante is holding in silence.She first takes on the one with more "poison" in this passage, in which she re...

4 Okt 28min

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Piccarda may have vanished but questions remain. The pilgrim Dante is caught between them, unable to voice them.Beatrice to the rescue! She voices what he cannot say . . . or perhaps what he is afraid...

30 Sep 28min

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Sep 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Sep 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Sep 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

At long last, the first soul--or "shade"--steps forward in Paradise. She's Piccarda Donati, a figure we've already encountered once (maybe even twice) in COMEDY.Dante flatters her to speak and she beg...

13 Sep 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Sep 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

Beatrice concludes her explanation for moon spots by veering away from them specifically to talk about the nature of the universe.Blessed movers turn the spheres. Or perhaps inhabit them. Or are bound...

6 Sep 27min