The Moldiest, Muckiest, And Grossest Bits Of Inferno (So Far): Inferno, Canto XVIII, Lines 100 - 114

The Moldiest, Muckiest, And Grossest Bits Of Inferno (So Far): Inferno, Canto XVIII, Lines 100 - 114

Inferno is getting grosser. Coarser. And maybe more human?

We're getting ready to cross over the second of the evil pouches of fraud in the eighth circle of hell.

Join me, Mark Scarbrough, for a short episode of WALKING WITH DANTE as we explore the brief opening description about this second pouch of fraud and ask a couple of speculative questions that lie around and even under this passage.

Here are the segments of this podcast on INFERNO, Canto XVIII, lines 100 - 114:

[01:08] My English translation of this passage. If you'd like to read along with INFERNO, Canto XVIII, lines 100 - 114, you can find this passage on my website, markscarbrough.com.

[02:44] Dante and Virgil have become ridge runners. They're also in a more precarious place on these spiny ridges. Which may tell us something about the poetics as well. (You know how I love meta points!)

[05:37] The language in the poem is coarsening dramatically. Why? I have several possible answers.

[11:37] The first of two speculative bits for this podcast episode. Sometimes, it's necessary to say "no" to Dante, even to a poet of his stature.

[14:23] Why are there two pouches in one canto (Canto XVIII)? I have several answers and I'll let you make your own decisions among the speculations.

Denne episoden er hentet fra en åpen RSS-feed og er ikke publisert av Podme. Den kan derfor inneholde annonser.

Episoder(499)

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

After Dante's warning to his readers (or perhaps some of his readers), we return to the plot, ascending through the heavens to arrive at the moon . . . or really, in the moon.Dante and Beatrice find t...

19 Aug 28min

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Aug 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Aug 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Jul 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Jul 37min

Populært innen Fiksjon

snipp-snapp-snute
uvirkelig
litteraturhusets-podkast
erotikkpodden
den-siste-hytteturen
rss-smaltalk
rss-kokosbananas
skrem-deg-bort
jorgen-og-nina-prater-om-manus
rss-nilsons-verden
jediradet-en-star-wars-podcast
edgar-allan-poes-skrekkverden
rss-skrekk-norske-noveller
hort-pa-reddit
rss-privatgranskeren-2
hvite-menn-som-pusher-80
rss-lovecraft-pa-norsk
basil-maaruds-podkast
rss-rollespillpodden
rss-snorksnakk