Grifters 1, Demons 0: Inferno, Canto XXII, Line 118 - Canto XXIII, Line 3

Grifters 1, Demons 0: Inferno, Canto XXII, Line 118 - Canto XXIII, Line 3

Our nameless grifter has proposed a game for the demons: Let's see how many more of my damned ilk I can call out of the boiling pitch for you to torment. The demons back off, he gets ready, and he leaps away to his safety. The demons then go nuts, while Dante, our pilgrim, and Virgil, his guide, sneak away.

Join me, Mark Scarbrough, as we explore this dramatic passage at the end of Inferno Canto XXII and as we move on into Canto XXIII.

We are still among the barrators, the political grifters, those on the take with their hands out for bribes. But nothing's as it seems in Dante's COMEDY. This passage of INFERNO is full of inversions, including perhaps the greatest inversion of them all: a meta-literary inversion as Canto XXII flips all of COMEDY on its head.

Here are the segments for this episode of WALKING WITH DANTE:

[01:40] My English translation of the passage: Inferno, Canto XXII, Line 118 through Canto XXIII, Line 3. If you'd like to read along, you can find this translation on my website, markscarbrough.com.

[04:46] The many inversions inside this passage.

[15:54] The dominant imagery in this passage--and the way imagery degrades and then is regenerated over the course of COMEDY.

[22:29] The passage starts out with an address to the reader: You're going to hear a new game. But what game?

[27:41] Dante and Virgil escape--under a full tonal shift in the passage.

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Episoder(499)

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

After Dante's warning to his readers (or perhaps some of his readers), we return to the plot, ascending through the heavens to arrive at the moon . . . or really, in the moon.Dante and Beatrice find t...

19 Aug 28min

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Aug 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Aug 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Jul 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Jul 37min

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