A Review And Reading Of The Entire Fifth Evil Pouch Of Fraud: Inferno, Canto XXI, Line 1 - Canto XXIII, Line 57

A Review And Reading Of The Entire Fifth Evil Pouch Of Fraud: Inferno, Canto XXI, Line 1 - Canto XXIII, Line 57

We've been through the circle of barratry, of political grift--and now it's time to look back over this vast landscape of text in Dante's INFERNO.

Join me, Mark Scarbrough, as I read the entire passage: from Inferno, Canto XXI, line 1 all the way through Canto XXIII, line 57.

This is my translation. You can find it in bits and pieces on my website, markscarbough.com. But I'd rather you just sit back and listen to the story. You'll hear Dante's narrative craft and feel his art at work in his text.

Here are the segments of this episode of the podcast WALKING WITH DANTE:

[02:06] My reading the full passage of the fifth evil pouch, the fifth of the malebolge, in the eighth circle of hell, the circle of INFERNO's fraud: Canto XXI, line 1, through Canto XXIII, line 57.

[19:26] Can you feel the narrative arc?

[20:49] Some thoughts. First, the larger story goes over the canto breaks.

[21:19] Second, the arc moves from what's left out of COMEDY to the literary analysis of other texts.

[22:16] Third, there are long similes that start and end this sequence--and most of those similes are very downscale, very homey, even folkloric.

[24:03] Fourth, at the front of the sequence, Virgil alerts Dante the pilgrim to the danger. At the end, Dante alerts Virgil.

[25:03] Fifth, the demons' wings are open at the beginning and ending of the sequence.

[25:25] Sixth, everyone is at one point or another made into a fool--or perhaps, a mark.

[27:35] Seventh, the characters in the sequence of barratry all have clear motivations--which are actually (or providentially?) fulfilled.

[29:51] Dante the pilgrim is changing--and Dante the poet hopes you are, too.

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Episoder(499)

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

After Dante's warning to his readers (or perhaps some of his readers), we return to the plot, ascending through the heavens to arrive at the moon . . . or really, in the moon.Dante and Beatrice find t...

19 Aug 28min

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Aug 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

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12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

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5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Aug 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Jul 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

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From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Jul 37min

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