Beware Of Classical Figures, Modern Politicians, And Maybe Poets: Inferno, Canto XXVII, Lines 1 - 30

Beware Of Classical Figures, Modern Politicians, And Maybe Poets: Inferno, Canto XXVII, Lines 1 - 30

Ulysses leaves and a second flame shows up in the eighth of the malebolge, the evil pouches of fraud in Dante's INFERNO. Ulysses may be the great tragic figure, but this one is muttering, sputtering. He's a whining politician (and a local Romagna warlord).

In other words, we're leaving epic and moving to comedy--as always with Dante.

Join me, Mark Scarbrough, as we slow-walk through Dante's incomparable COMEDY. We're down in lower hell, toward the bottom of the eighth (or next-to-the-last) circle of hell. And we're about to meet someone right out of Dante's own world.

Here are the segments of this episode of WALKING WITH DANTE:

[02:32] My English translation of INFERNO, Canto XXVII, lines 1 - 30. If you'd like to follow along, you can find my translation and even drop a comment on my website, markscarbrough.com.

[04:40] Two clues about how to judge Ulysses: his upright flame and the "sweet poet" who is Virgil.

[08:00] The introduction of a comic figure: Guido da Montefeltro.

[12:09] The historical background of the simile about the Sicilian bull.

[14:58] Possible interpretations for the simile of the Sicilian bull: infernal speech or meta-poetics?

[19:05] The fabulous explanation for how a flame can speak.

[21:24] The open acknowledgment that Virgil is speaking in the Lombard dialect.

[25:38] Language cues in Guido's first speech.

[28:55] Back to the local after the global--as always with Dante.

Denne episoden er hentet fra en åpen RSS-feed og er ikke publisert av Podme. Den kan derfor inneholde annonser.

Episoder(499)

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

After Dante's warning to his readers (or perhaps some of his readers), we return to the plot, ascending through the heavens to arrive at the moon . . . or really, in the moon.Dante and Beatrice find t...

19 Aug 28min

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Aug 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Aug 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Jul 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Jul 37min

Populært innen Fiksjon

snipp-snapp-snute
uvirkelig
litteraturhusets-podkast
erotikkpodden
den-siste-hytteturen
rss-kokosbananas
rss-smaltalk
skrem-deg-bort
jorgen-og-nina-prater-om-manus
rss-nilsons-verden
hort-pa-reddit
basil-maaruds-podkast
edgar-allan-poes-skrekkverden
rss-skrekk-norske-noveller
jediradet-en-star-wars-podcast
rss-lovecraft-pa-norsk
rss-snorksnakk
god-natt
rss-rollespillpodden
rss-privatetterforskeren