Virgil Returns To Center Stage: PURGATORIO, Canto VII, Lines 1 - 15

Virgil Returns To Center Stage: PURGATORIO, Canto VII, Lines 1 - 15

Please help support WALKING WITH DANTE to keep it sponsor-free. You can make a donation in any currency using this PayPal link.

We've come out of the invective against Italian strife and returned to the plot of COMEDY--and Dante the poet clearly wants to return Virgil to the center of the narrative's stage.

But can he? How is Virgil's position negotiated and renegotiated as the damned Virgil walks on into the redeemed landscape.

Join me, Mark Scarbrough, as I explore our return to storytelling in a passage in which Dante the pilgrim seems to fall through the cracks of Dante the poet's larger strategies.

Here are the segments for this episode of WALKING WITH DANTE:

[01:51] My English translation of this passage: PURGATORIO, Canto VII, lines 1 - 15. You can find it on my website, markscarbrough.com.

[03:24] The emotional space that opens PURGATORIO, Canto VII, and may re-establish Virgil's position in COMEDY.

[09:04] Virgil names himself for the first time in COMEDY and offers a rationale (maybe!) for his damnation. But isn't Cato always in the offing?

[15:59] Sordello suddenly becomes uncertain (no longer a crouching lion?) in the face of the great poet.

[18:27] The redeemed Sordello abases himself in front of the damned Virgil.

Denne episoden er hentet fra en åpen RSS-feed og er ikke publisert av Podme. Den kan derfor inneholde annonser.

Episoder(499)

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

After Dante's warning to his readers (or perhaps some of his readers), we return to the plot, ascending through the heavens to arrive at the moon . . . or really, in the moon.Dante and Beatrice find t...

19 Aug 28min

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Aug 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Aug 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Jul 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Jul 37min

Populært innen Fiksjon

snipp-snapp-snute
uvirkelig
litteraturhusets-podkast
erotikkpodden
den-siste-hytteturen
rss-kokosbananas
rss-smaltalk
skrem-deg-bort
edgar-allan-poes-skrekkverden
jorgen-og-nina-prater-om-manus
basil-maaruds-podkast
jediradet-en-star-wars-podcast
hort-pa-reddit
rss-privatetterforskeren
rss-nilsons-verden
rss-snorksnakk
god-natt
hvite-menn-som-pusher-80
rss-skrekk-norske-noveller
rss-rollespillpodden