The Kings Who Dodged What They Should Have Done, Part One: PURGATORIO, Canto VII, Lines 82 - 136

The Kings Who Dodged What They Should Have Done, Part One: PURGATORIO, Canto VII, Lines 82 - 136

Please help support this podcast. I have a great many hosting, streaming, licensing, journal, and royalty fees associated with this work. Anything you can give helps! Use this PayPal link here to make a contribution.

We finally get to see who is down in that beautiful dale in front of us on the lower slopes of Mount Purgatory--and it turns out to be a roster of rulers from the mid- to late-1200s.

These kings have mucked up the European landscape and left it in the mess that Dante finds it. They appear to be repenting their actions. But they were also excessively action-oriented figures, going to war with each other for dynastic and territorial control.

Join me, Mark Scarbrough, for the first of two parts on the end of PURGATORIO, Canto VII. This passage is tough--so this first time through it, we'll just fill in the historical details before we turn to questions of interpretation in the next episode of WALKING WITH DANTE.

Here are the segments for this episode:

[01:46] My English translation of the passage: PURGATORIO, Canto VII, lines 82 - 136. If you'd like to read along, print it off, or continue the conversation with me, please go to my website: markscarbrough.com.

[06:00] The passage again, this time glossed with all of its historical detail, a crash course in central and southern European politics of the mid- to late-1200s.

[23:44] The initial interpretive questions we should explore as we try to think through the problems this passage causes COMEDY as a whole and the ways it refocuses the poem Dante's growing political stance.

Denne episoden er hentet fra en åpen RSS-feed og er ikke publisert av Podme. Den kan derfor inneholde annonser.

Episoder(512)

Plato and Beatrice, Together At Last: PARADISO, Canto IV, Lines 49 - 63

Plato and Beatrice, Together At Last: PARADISO, Canto IV, Lines 49 - 63

Beatrice continues her rectification of Dante's doubts by using a passage from Plato's TIMAEUS to turn her argument from accommodation to free will.This passage contains perhaps the heart of Beatrice'...

11 Okt 26min

Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

Beatrice begins to take apart the two questions (or doubts) that she has intuited the pilgrim Dante is holding in silence.She first takes on the one with more "poison" in this passage, in which she re...

4 Okt 28min

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Piccarda may have vanished but questions remain. The pilgrim Dante is caught between them, unable to voice them.Beatrice to the rescue! She voices what he cannot say . . . or perhaps what he is afraid...

30 Sep 28min

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Sep 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Sep 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Sep 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

At long last, the first soul--or "shade"--steps forward in Paradise. She's Piccarda Donati, a figure we've already encountered once (maybe even twice) in COMEDY.Dante flatters her to speak and she beg...

13 Sep 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Sep 28min

Populært innen Fiksjon

snipp-snapp-snute
uvirkelig
erotikkpodden
rss-kokosbananas
litteraturhusets-podkast
den-siste-hytteturen
basil-maaruds-podkast
rss-smaltalk
rss-snorksnakk
hvite-menn-som-pusher-80
jediradet-en-star-wars-podcast
skrem-deg-bort
rss-kulturnorge
hort-pa-reddit
borte-i-boka
rss-skrekk-norske-noveller
rss-hemmelig-liga-av-dode-menn-lydbok
rss-privatetterforskeren
radioteatrets-paskekrim