Let's Compare The First Two Dreams In PURGATORIO

Let's Compare The First Two Dreams In PURGATORIO

We've had two dreams in PURGATORIO, one at Canto IX and one at Canto XIX (although it actually started in the last line of Canto XVIII).

Let's take a moment to compare and contrast these two dreams. What can they tell us about the changing nature of PURGATORIO, especially given my thesis that this is a poem in process, one in which the poet is learning how to write the poem as he moves forward?

Here are the segments for this episode of WALKING WITH DANTE:

[01:21] A reading of the first two dreams in PURGATORIO: Canto IX, lines 13 - 42; and Canto XIX, lines 1 - 13.

[05:11] Both dreams occur near dawn, startle the pilgrim awake, and rob the pilgrim of his free will.

[08:40] Both dreams are about (different versions) of the future.

[12:14] Both dreams have problems about who saves the pilgrim: the terrifying eagle or Virgil?

[14:20] Both dreams are full of classical imagery (with important differences in the placement of that imagery).

[16:15] Both dreams have songs: the first, outside the dream; the second, inside it.

[17:35] There are two characters in the first dream, four character in the second--allowing for a larger interpretive space in the second dream.

Denne episoden er hentet fra en åpen RSS-feed og er ikke publisert av Podme. Den kan derfor inneholde annonser.

Episoder(499)

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

After Dante's warning to his readers (or perhaps some of his readers), we return to the plot, ascending through the heavens to arrive at the moon . . . or really, in the moon.Dante and Beatrice find t...

19 Aug 28min

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Aug 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Aug 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Jul 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Jul 37min

Populært innen Fiksjon

snipp-snapp-snute
uvirkelig
litteraturhusets-podkast
erotikkpodden
den-siste-hytteturen
rss-smaltalk
rss-kokosbananas
skrem-deg-bort
jorgen-og-nina-prater-om-manus
rss-nilsons-verden
jediradet-en-star-wars-podcast
edgar-allan-poes-skrekkverden
rss-skrekk-norske-noveller
hort-pa-reddit
rss-privatgranskeren-2
hvite-menn-som-pusher-80
rss-lovecraft-pa-norsk
basil-maaruds-podkast
rss-rollespillpodden
rss-snorksnakk