Placing And Misplacing Your Classical Ancestors: PURGATORIO, Canto XXII, Lines 94 - 114

Placing And Misplacing Your Classical Ancestors: PURGATORIO, Canto XXII, Lines 94 - 114

At the end of their first conversation, Virgil and Statius reconstruct limbo. They transform it into a neighborhood where all the lost, classical writers live.

They also transfer limbo's sighs from the damned to the poet Dante and potentially to his reader. Where have these great authors gone?

And if their texts are one way to God, how many ways to redemption have then been lost with them?

Join me, Mark Scarbrough, for the ironic and complex conclusion to Virgil and Statius' conversation in PURGATORIO, Canto XXII. We end at a place of the final misreading and misquotation: that of COMEDY itself.

If you'd like to help underwrite the many fees and costs of this podcast, please consider making a one-time contribution or setting up a very small monthly stipend with this PayPal link right here.

Here are the segments for this episode of WALKING WITH DANTE:

[02:25] My English translation of the passage: PURGATORIO, Canto XXII, lines 94 - 114. If you'd like to read along or continue the conversation with me, please find the comment section for this episode on my website, markscarbrough.com.

[04:31] The reconception of limbo over the course of COMEDY.

[09:56] The Roman authors in the list of those lost.

[17:48] The Greek authors in the list of those lost;.

[21:02] The characters from Statius' poems who are apparently in limbo.

[24:55] The displacement of Manto in COMEDY: the final misreading and misquotation in a canto full of them.

[27:57] Rereading the passage: PURGATORIO, Canto XXII, lines 94 - 114.

Denne episoden er hentet fra en åpen RSS-feed og er ikke publisert av Podme. Den kan derfor inneholde annonser.

Episoder(511)

Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

Beatrice begins to take apart the two questions (or doubts) that she has intuited the pilgrim Dante is holding in silence.She first takes on the one with more "poison" in this passage, in which she re...

4 Okt 28min

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Piccarda may have vanished but questions remain. The pilgrim Dante is caught between them, unable to voice them.Beatrice to the rescue! She voices what he cannot say . . . or perhaps what he is afraid...

30 Sep 28min

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Sep 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Sep 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Sep 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

At long last, the first soul--or "shade"--steps forward in Paradise. She's Piccarda Donati, a figure we've already encountered once (maybe even twice) in COMEDY.Dante flatters her to speak and she beg...

13 Sep 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Sep 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

Beatrice concludes her explanation for moon spots by veering away from them specifically to talk about the nature of the universe.Blessed movers turn the spheres. Or perhaps inhabit them. Or are bound...

6 Sep 27min

Populært innen Fiksjon

snipp-snapp-snute
erotikkpodden
uvirkelig
rss-kokosbananas
rss-smaltalk
litteraturhusets-podkast
den-siste-hytteturen
basil-maaruds-podkast
rss-snorksnakk
skrem-deg-bort
jediradet-en-star-wars-podcast
rss-kulturnorge
22-juli-hvordan-kunne-det-skje
rss-hemmelig-liga-av-dode-menn-lydbok
borte-i-boka
hort-pa-reddit
rss-skrekk-norske-noveller
edgar-allan-poes-skrekkverden