Asleep In Eden: PURGATORIO, Canto XXXII, Lines 49 - 69

Asleep In Eden: PURGATORIO, Canto XXXII, Lines 49 - 69

The griffin pulls the chariot or cart up to the denuded tree--the "widowed" tree--and the tree regenerates into a color reminiscent of other moments in PURGATORIO. But which one exactly?

We're descending into the murk of mystery with new songs that can't be defined, with allegories that are becoming increasingly opaque, and even with classical references that seem somehow out of place in the overall arch of the glorious parade.

Join me, Mark Scarbrough, as we begin to approach the strange and incomprehensible mysteries that lie at the end of the second canticle of COMEDY.

To support this work, consider a one-time donation or a small monthly stipend using this PayPal link right here.

Here are the segments for this episode of WALKING WITH DANTE:

[01:24] My English translation of PURGATORIO, Canto XXXII, Lines 49 - 69. If you'd like to read along or continue the conversation with me with a comment on this episode, please find its entry on my website, markscarbrough.com.

[03:32] A correction perhaps: "Adam" may have been a murmured reassessment of the misogyny in the text.

[04:55] The pole, the chariot, and the tree: complicated translation problems.

[07:15] The pole as the cross or perhaps the ties of good human governance.

[11:49] The changing seasons as the tree regenerates.

[13:26] The ambiguous symbolism of purple.

[15:41] The unknown new song, a further mystery in the passage.

[18:48] A tense and perhaps off-pitch reference to Ovid.

[22:27] A knock against representative art before the apocalyptic vision just ahead.

[24:18] Rereading the text: PURGATORIO, Canto XXXII, lines 49 - 69.

Denne episoden er hentet fra en åpen RSS-feed og er ikke publisert av Podme. Den kan derfor inneholde annonser.

Episoder(498)

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Aug 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Aug 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Aug 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Aug 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Aug 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Jul 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Jul 37min

Final Thoughts On PURGATORIO

Final Thoughts On PURGATORIO

We've reached the end of our time on the great mountain of Purgatory . . . and in the great second canticle of COMEDY.Here are some final thoughts, an attempt to bring our time with this part of the p...

26 Apr 19min

Populært innen Fiksjon

snipp-snapp-snute
uvirkelig
erotikkpodden
litteraturhusets-podkast
rss-smaltalk
den-siste-hytteturen
rss-kokosbananas
jediradet-en-star-wars-podcast
skrem-deg-bort
jorgen-og-nina-prater-om-manus
rss-nilsons-verden
edgar-allan-poes-skrekkverden
rss-hemmelig-liga-av-dode-menn-lydbok
hort-pa-reddit
rss-skrekk-norske-noveller
radioteatrets-paskekrim
rss-rollespillpodden
god-natt
rss-privatgranskeren-2
rss-lovecraft-pa-norsk