The Cultural Cold War: Folk Music and Communism w/ Carsie Blanton
Upstream22 Sep

The Cultural Cold War: Folk Music and Communism w/ Carsie Blanton

In this episode, we're joined by Carsie Blanton for a conversation on communist folk music and the role of politics in art. Carsie Blanton is a songwriter, touring musician, and organizer with Artists Against Apartheid and People's Songs—an organization of musicians dedicated to adapting, distributing, and performing songs for liberation.

The conversation begins with Carsie giving us a sense of her experience as a Jewish, anti-Zionist musician after Oct 7th and how the repressive atmosphere and her experience on the Global Sumud Flotilla shaped the way she thinks about art and political discourse. She tells us how this experience led her to (re)launch an organization from the 1940s named People's Songs dedicated to adapting, distributing, and performing songs for liberation.

We discuss the ways that communist musicians organized historically and what the response from the FBI and repressive apparatus was to this organizing. We talk about the Congress for Cultural Freedom, for example, and other soft power approaches by the CIA to promote a noncommunist, compatible left in the sphere of art, music, and culture more broadly.

We discuss the repression that musicians faced, from Paul Robeson to Malvina Reynolds, and how the explicitly left, communist politics presentin folk music shifted and dissipated during neolberalism. We end by discussing the challenges facing musicians today in the context of the new Red Scare, how Carsie has navigated this, and how musicians and artists can get involved in organizing.

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Intermission music: "FBI" performed live by Carsie Blanton

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