Thomas Hardy's Poetry
In Our Time13 Jan 2022

Thomas Hardy's Poetry

After 27 years, Melvyn Bragg has decided to step down from the In Our Time presenter’s chair. With over a thousand episodes to choose from, he has selected just six that capture the huge range and depth of the subjects he and his experts have tackled. In this second of his choices, we hear Melvyn Bragg and his guests discuss one of his favourite poets.

Their topic is Thomas Hardy (1840 -1928) and his commitment to poetry, which he prized far above his novels. In the 1890s, once he had earned enough from his fiction, Hardy stopped writing novels altogether and returned to the poetry he had largely put aside since his twenties. He hoped that he might be ranked one day alongside Shelley and Byron, worthy of inclusion in a collection such as Palgrave's Golden Treasury which had inspired him. Hardy kept writing poems for the rest of his life, in different styles and metres, and he explored genres from nature, to war, to epic. Among his best known are what he called his Poems of 1912 to 13, responding to his grief at the death of his first wife, Emma (1840 -1912), who he credited as the one who had made it possible for him to leave his work as an architect's clerk and to write the novels that made him famous.

With

Mark Ford Poet, and Professor of English and American Literature, University College London.

Jane Thomas Emeritus Professor of English at the University of Hull and Senior Visiting Research Fellow at the University of Leeds

And

Tim Armstrong Professor of Modern English and American Literature at Royal Holloway, University of London

Producer: Simon Tillotson

Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world

Episoder(1082)

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26 Apr 201849min

Middlemarch

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Melvyn Bragg and guests discuss what Virginia Woolf called 'one of the few English novels written for grown-up people'. It was written by George Eliot, the pen name of Mary Anne Evans (1819-80), published in 8 parts in 1871-72, and was originally two separate stories which became woven together. One, 'Middlemarch', focused on a doctor, Tertius Lydgate and the other, 'Miss Brooke', on Dorothea Brooke who became the central figure in the finished work. The events are set in a small town in the Midlands, surrounded by farmland, leading up to the Reform Act 1832, and the novel explores the potential to change in matters of religion, social status, marriage and politics, and is particularly concerned with the opportunities available to women to lead fulfilling lives. The image above shows Rufus Sewell and Juliet Aubrey in the BBC adaptation, from 1994With Rosemary Ashton Emeritus Quain Professor of English Language and Literature at University College LondonKathryn Hughes Professor of Life Writing at the University of East AngliaAnd John Bowen Professor of Nineteenth-Century Literature at the University of YorkProducer: Simon Tillotson.

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George and Robert Stephenson

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12 Apr 201850min

Roman Slavery

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5 Apr 201850min

Tocqueville: Democracy in America

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22 Mar 201850min

Augustine's Confessions

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Melvyn Bragg and guests discuss St Augustine of Hippo's account of his conversion to Christianity and his life up to that point. Written c397AD, it has many elements of autobiography with his scrutiny of his earlier life, his long relationship with a concubine, his theft of pears as a child, his work as an orator and his embrace of other philosophies and Manichaeism. Significantly for the development of Christianity, he explores the idea of original sin in the context of his own experience. The work is often seen as an argument for his Roman Catholicism, a less powerful force where he was living in North Africa where another form of Christianity was dominant, Donatism. While Augustine retells many episodes from his own life, the greater strength of his Confessions has come to be seen as his examination of his own emotional development, and the growth of his soul.WithKate Cooper Professor of History at the University of London and Head of History at Royal HollowayMorwenna Ludlow Professor of Christian History and Theology at the University of Exeterand Martin Palmer Visiting Professor in Religion, History and Nature at the University of WinchesterProducer: Simon Tillotson.

15 Mar 201847min

The Highland Clearances

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Melvyn Bragg and guests discuss how and why Highlanders and Islanders were cleared from their homes in waves in C18th and C19th, following the break up of the Clans after the Battle of Culloden. Initially, landlords tried to keep people on their estates for money-making schemes, but the end of the Napoleonic Wars brought convulsive changes. Some of the evictions were notorious, with the sudden and fatal burning of townships, to make way for sheep and deer farming. For many, migration brought a new start elsewhere in Britain or in the British colonies, while for some it meant death from disease while in transit. After more than a century of upheaval, the Clearances left an indelible mark on the people and landscape of the Highlands and Western Isles.The image above is a detail from a print of 'Lochaber No More' by John Watson Nicol 1856-1926With Sir Tom Devine Professor Emeritus of Scottish History at the University of EdinburghMarjory Harper Professor of History at the University of Aberdeen and Visiting Professor at the University of the Highlands and IslandsAndMurray Pittock Bradley Professor of English Literature and Pro Vice Principal at the University of GlasgowProducer: Simon Tillotson.

8 Mar 201851min

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