The Last Message - Subject Kelsie Kimberlin (Co-directors Andrii Voloshyn & Oleksii Mykhailovych Liebiediev)
Cinemafile10 Okt

The Last Message - Subject Kelsie Kimberlin (Co-directors Andrii Voloshyn & Oleksii Mykhailovych Liebiediev)

In The Last Message, Kelsie Kimberlin travels to Ukraine to uncover why her 21-year-old cousin Andrii Rachok was killed by Russian forces during their full-scale invasion. Kelsie, a popular American-Ukrainian singer, struggles to record her song Star in his memory, realizing she must first seek absolution and witness Ukraine’s fight herself. Along the Ukrainian frontline, she meets soldiers, commanders, luminaries, and ordinary citizens enduring Russia’s unjust war, and visits Andrii’s gravesite amid drone and missile attacks. Through her journey, she discovers that Andrii has forgiven her and that every Ukrainian is a star and hero, defending their country with courage and resilience. We are joined my the subject of The Last Message Kelsie Kimberlin.

About the subject - Kelsie Kimberlin is a 27-year old singer-songwriter who has been involved with music her entire life, starting with children’s and church choirs and then recording her first song at age eight for Yoko Ono’s Peace Project, which won first prize and a $5000 award. She spent all of that money on music lessons and started recording her own music in the studio at age 12. Over the past several years, she has recorded more than 100 original songs.

About the filmmaker - Oleksii Mykhailovych Liebidiev is a Kyiv-based director, cinematographer, editor, and producer, and a graduate of the I. K. Karpenko-Karyi Kyiv National University of Theatre, Cinema and Television. Over more than a decade, he has built a body of work spanning documentary and narrative film, working alternately as director, cinematographer, or both. His documentary credits include Alchemy of the Word (2012), which he directed and shot, Krasna Malanka (2014), and Naive Painting of M. Onatsko (2017), both as director of photography. In fiction, he shot the shorts Cold Rain of Solitude (2018) and Stronger Than an Angel (2018), and the feature The Address on the Wall (2021). More recently, Liebidiev directed and served as director of photography on the documentary series Extraordinary Fascism (2022) and the feature documentary The Last Message (2025).

About the filmmaker - Andrii Voloshyn is a Ukrainian film director, producer and editor. He was born on July 27, 1980, in Chernivtsi, Ukraine. He began his professional career in audiovisual production as a production organizer and producer. A major stage in his professional development was his long-term collaboration with director and producer Serge Krutsenko. Working on concert, television, theatre and film projects, Voloshyn gradually moved from production into editing and directing. As an executive and line producer, he participated in cultural and film projects including the multimedia show The Little Prince for the ROSHEN fountain, projects of the Watch Ukrainian! initiative, the film anthology Everything Begins in Kyiv, the screen version of Yevhen Stankovych’s folk-opera When the Fern Blooms, the concert project Insha Rika by the band Druha Rika with NAONI, and the documentary film The Address on the Wall. He studied directing at the National Academy of Culture and Arts Management. At the beginning of 2022, Voloshyn joined the Ukrainian Cultural Foundation’s expert council in the field of audiovisual arts. After the beginning of Russia’s full scale invasion of Ukraine, he focused on documentary filmmaking. In 2022–2023, together with Oleksii Liebiediev, he worked on the documentary trilogy Extraordinary Fascism, examining contemporary Russian fascism, state propaganda and the ideological causes of Russia’s aggression against Ukraine. In 2023, as director and executive producer, he created the music videos Armageddon, Another Chance To Live Again and Turn Back with American singer Kelsie Kimberlin, focusing on Russia’s war against Ukraine. In May 2024, shortly after moving to the United States, Voloshyn proposed developing Kimberlin’s story as a feature-length documentary. This became The Last Message, on which Voloshyn served as co-director, co-author of the concept and screenplay, and editor.

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