Where Worlds Meet, Maha Ahmed (2023) (EMPIRE LINES x Leighton House)

Contemporary artist Maha Ahmed reconnects Asian art forms along the Silk Road, migrating between traditional Mughal and Persian miniature paintings, Japanese woodblock prints, and imported Islamic ceramics.

Where Worlds Meet captures both Maha Ahmed’s practice and life. Born in 1989 in Pakistan, she first studied Miniature Painting at the National College of Arts in Lahore from Imran Qureshi, pursuing her practice in that city, and also London, Tokyo, and Dubai, where she is currently based. Ahmed’s detailed paintings relate to her own migrations, each one populated with one or two birds in flight. Over time, her titles have shifted, from references to noise, towards solitude, emptiness, and meeting ‘a wall at every turn’. Ahmed speaks about her experience of isolation in Japan, and the loneliness shared by many during COVID lockdowns. But she also shares how Japan offered her many meeting points in her artistic journey, as displayed in her Leighton House exhibition.

Maha’s miniatures draw from traditional Persian and Mughal manuscripts, and classical Japanese forms. Though historically-informed, her application of colour is wholly contemporary, with rich greens and blues lent from her time working at an illustration studio in Tokyo. She talks about about artistic exchanges between Asia and East Asia, and how woodblock prints, pigments, and dyes were often traded along the Silk Road, inspiring interdisciplinary and multimedia artworks. These are cultural histories which decentre and exclude Western Europe entirely, often absent in the art historical canon.

The artist also combines historic and contemporary media; some are aged, with paint layered atop tea and coffee-stained paper, and some are stark and modern. She links back to London with ‘An Unfolding’ (2023), a work specially commissioned for Leighton House, which references the importance of colour in ‘non-representational’ art. Ahmed also details how she draws from the Blue Mosque in Istanbul, and how, as a Muslim, she feels ‘comfortable appropriating’ the colours of its 18th century Arab Hall, adorned with vivid ceramic tiles from Turkey and Greece, Egypt and Syria.

Maha Ahmed: Where Worlds Meet runs at Leighton House in London until 3 March 2024.For more, you can read my article in recessed.space: recessed.space/00156-Maha-Ahmed-Leighton-House

For more about Oneness (2022) at Leighton House, hear artist Shahrzad Ghaffari on EMPIRE LINES: pod.link/1533637675/episode/a8cb557e566005623d9ad59e8e0a3340

For more about Imran Qureshi, listen to Hammad Nasar in the EMPIRE LINES episode on Did You Come Here To Find History?, Nusra Latif Qureshi (2009): pod.link/1533637675/episode/f6e05083a7ee933e33f15628b5f0f209

And read more about the exhibition, Beyond the Page: South Asian Miniature Painting and Britain, 1600 to Now, at MK Gallery and The Box, in my article in gowithYamo: gowithyamo.com/blog/small-and-mighty-south-asian-miniature-painting-and-britain-1600-to-now-at-mk-gallery

WITH: Maha Ahmed, contemporary artist, whose works draw inspiration from traditional Persian and Mughal manuscripts and classical Japanese painting techniques. She has lived and worked in Lahore, London, and Tokyo, and is currently based in Dubai. She is represented by Kristin Hjellegjerde Gallery in London, and Galerie Isa in Dubai.

ART: ‘Where Worlds Meet, Maha Ahmed (2023)’.

EDITOR: Luke Matthews.

PRODUCER: Jelena Sofronijevic.

Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast

And Twitter: twitter.com/jelsofron/status/1306563558063271936

Support EMPIRE LINES on Patreon: patreon.com/empirelines