Queer Feet, Osman Yousefzada (2023) (EMPIRE LINES x Charleston)
EMPIRE LINES18 Jan 2024

Queer Feet, Osman Yousefzada (2023) (EMPIRE LINES x Charleston)

Interdisciplinary artist Osman Yousefzada crafts stories of working-class migration experiences, unwrapping the influence of his mother and many other textile makers in his diaspora community in Birmingham.

From large-scale textile works to prints and drawings, Osman Yousefzada’s practice considers representations and reimaginings of working class migration experience. Growing up in a British-Pakistani diaspora community in Birmingham in the 1980s, Yousefzada’s craft is grounded in his childhood experiences, watching his mother, ‘a maker’ of shalwar kameez and other textiles.

A new exhibition at Charleston in Firle draws connections between these domestic, private spaces, the Bloomsbury group and fashion, and the artist’s public practice. We look at a new series of works on paper, on public display for the first time, inspired by characters in the Falnama, a book of omens used by fortune tellers in Iran, India and Turkey during the 16th and 17th centuries. At the time, people seeking insight into the future would turn to a random page and interpret the text; Yousefzada transposes this to the present day, to tell stories of ‘good’ and ‘bad’ migrants, and recreate such talismans that protect or heal and work as guardians of the immigrant experience.

The artist describes his large-scale textile series, Queer Feet, Afghan rugs, topped with ceramic works, and embroidered with found objects that reference Islamic and Asian design histories. We discuss his expanded, Sufistic, spiritual practice. We also consider the healing potential of museums, and the various media used by the artist in storytelling, with his book, The Go-Between (2022). Osman Yousefzada runs at Charleston in Firle until 14 April 2024.

For more, you can read my article in gowithYamo: gowithyamo.com/blog/osman-yousefzada-at-charleston-in-firle


For more about the material power of embroidery, listen to curator Rachel Dedman on an UNRWA Dress from Ramallah, Palestine (1930s) at Kettle's Yard in Cambridge and the Whitworth in Manchester, on EMPIRE LINES: pod.link/1533637675/episode/92c34d07be80fe43a8e328705a7d80cb


WITH: Osman Yousefzada, interdisciplinary artist and research practitioner at the Royal College of Art, London. He is a visiting fellow at Cambridge University, and Professor of Interdisciplinary Practice at the Birmingham School of Art. His first book, The Go-Between (2022), is published by Canongate. Alongside his solo exhibition at Charleston, he exhibits in group exhibitions including Embodiments of Memory at the Potteries Museum and Art Gallery in Stoke-on-Trent and Design Museum’s REBEL, and his Migrant Godx can be found at Claridge’s Art Space, Blackpool’s Grundy Art Gallery, and soon, Camden Art Centre, as part of Bloomberg New Contemporaries 2023. He will exhibit at the 60th Venice Biennale, and the V&A in London, in 2024.

ART: ‘Queer Feet, Osman Yousefzada (2023)’.

SOUNDS: ‘Home Grown - Osman Yousefzada x Selfridges’.

PRODUCER: Jelena Sofronijevic.

Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast

And Twitter: twitter.com/jelsofron/status/1306563558063271936

Support EMPIRE LINES on Patreon: patreon.com/empirelines

Denne episoden er hentet fra en åpen RSS-feed og er ikke publisert av Podme. Den kan derfor inneholde annonser.

Episoder(171)

A Cutting: Songs of the Water, Kaajal Modi (2024) (EMPIRE LINES Live at If Trees Could Talk 2026, Eden Project)

A Cutting: Songs of the Water, Kaajal Modi (2024) (EMPIRE LINES Live at If Trees Could Talk 2026, Eden Project)

Find out more about Kaajal Modi’s collaborative work with audio, oral storytelling, and cultural preservation, through ⁠⁠Arts of Noticing⁠⁠, an independent symposium in Leeds, as part of If Trees Coul...

16 Jul 3min

The Deployment of Art: The Imperial War Museum’s Artistic Records Committee, 1968-1982, Clare Carolin (2026) (EMPIRE LINES Live at King’s College London)

The Deployment of Art: The Imperial War Museum’s Artistic Records Committee, 1968-1982, Clare Carolin (2026) (EMPIRE LINES Live at King’s College London)

In this special episode, author and contemporary art historian Clare Carolin joins EMPIRE LINES live, to discuss the British government’s deployment of art as an instrument of war in the North of Irel...

2 Jul 52min

Elevation (Chiltan), Suleman Aqeel Khilji (2025-2026) (EMPIRE LINES x White Cube Paris)

Elevation (Chiltan), Suleman Aqeel Khilji (2025-2026) (EMPIRE LINES x White Cube Paris)

Contemporary artist Suleman Aqeel Khilji recollects the landscapes of Balochistan, a mountainous region spanning present-stay Pakistan and Iran, and the influence of Urdu language and literatures on h...

18 Jun 16min

The Venice Lagoon, a legal person, Giovanni Pellegrini (2025) (EMPIRE LINES x Ocean Space, Venice Biennale 2026)

The Venice Lagoon, a legal person, Giovanni Pellegrini (2025) (EMPIRE LINES x Ocean Space, Venice Biennale 2026)

Researcher, artist, and curator Pietro Consolandi traces the ‘wetland turn’ in art, ecology, and environmental justice, via Giovanni Pellegrini’s 2025 documentary film, The Venice Lagoon, a legal pers...

4 Jun 21min

Nobody Told Me Rivers Dream, Superflux (2025) (EMPIRE LINES x Klima Biennale Wien 2026)

Nobody Told Me Rivers Dream, Superflux (2025) (EMPIRE LINES x Klima Biennale Wien 2026)

Festival director Sithara Pathirana considers climate justice and public space in Europe, tracing the rights of the river Danube through Austria, Central, Eastern, and Southeastern Europe, via the Kli...

7 Mai 17min

The Erasure of Palestine, Ahmad Al-Bazz (2026) (EMPIRE LINES x MuseumsEtc, Ibraaz)

The Erasure of Palestine, Ahmad Al-Bazz (2026) (EMPIRE LINES x MuseumsEtc, Ibraaz)

Journalist, photographer, and filmmaker Ahmad Al-Bazz captures the depopulation and destruction of Palestinian villages and towns, and the continuation of colonial histories into the present, through ...

23 Apr 24min

Human Being and Animals, Karel Appel (1949) (EMPIRE LINES x Galerie Max Hetzler)

Human Being and Animals, Karel Appel (1949) (EMPIRE LINES x Galerie Max Hetzler)

Curator Franz W. Kaiser considers the avant-garde paintings of Karel Appel, in relation to the historic CoBrA Movement and contemporary ecologies, via Human Being and Animals (1949).Karel Appel: Varia...

9 Apr 15min

The Thing About Making Rocks, Sovay Berriman (2026), with Marie-Anne McQuay (EMPIRE LINES Live at Flamm 2026, Liverpool Biennial 2025)

The Thing About Making Rocks, Sovay Berriman (2026), with Marie-Anne McQuay (EMPIRE LINES Live at Flamm 2026, Liverpool Biennial 2025)

In this special episode, artist Sovay Berriman and curator Marie-Anne McQuay join EMPIRE LINES live, to unearth histories of extractivism in Cornwall and Liverpool, and the relations between coloniali...

26 Mar 56min

Populært innen Samfunn

rss-spartsklubben
giver-og-gjengen-vg
konspirasjonspodden
aftenpodden
aftenpodden-usa
rss-nesten-hele-uka-med-lepperod
alt-fortalt
popradet
rss-henlagt-andy-larsgaard
wolfgang-wee-uncut
grenselos
fladseth
rss-dette-ma-aldri-skje-igjen
198-land-med-einar-trnquist
lydartikler-fra-aftenposten
rss-siktet
relasjonspodden-med-dora-thorhallsdottir-kjersti-idem
sophie-leser
rss-herrepanelet
rss-frekvens-med-anine-olsen