Spider's And Milestones With SCOOTER WARD From COLD

Spider's And Milestones With SCOOTER WARD From COLD

Interview by Kris Peters
Discovered by Fred Durst from Limp Bizkit early on in their career, US rock outfit COLD found themselves ahead of the game almost before they even started.
Following their self-titled debut album in 1998, COLD went on to release two now-classic albums in 13 Ways To Bleed and Year Of The Spider, striking gold with the singles Stupid Girl, Suffocate, No-One and Just Got Wicked and setting themselves on a path to rock immortality that has grown stronger by the year.
COLD will make their first-ever tour of Australia in October with fellow rock royalty ORGY, celebrating 20 years of Year Of The Spider and bringing their greatest hits Down Under for a long overdue run of three select shows.
Frontman Scooter Ward joined HEAVY to talk about the tour and longevity in the rock scene. We start by asking why the band have neglected us for nearly forty years.
"Honestly, it's been kind of hard to get over there," he smiled. "We were switched around on different labels, and we had always wanted to come, however, the powers that be want you to play in designated areas. So we had always wanted to be there, it just never turned around. Now we're more free to do what we want to do and we had the opportunity, so we took it."
As mentioned, COLD will be celebrating 20 years of Year Of The Spider, so does that mean the band will be playing the album in its entirety?
"I know we were going to talk to the ORGY guys about it," Ward nodded. "The thing about it is we've never played there before, and we have all this catalogue and music that people love from other records as well. So the hope would be to do Year of the Spider in its entirety and then do some extra songs as well for people. So that's the goal. We'll see how that works out."
Playing albums in full generally poses a whole new set of difficulties, mainly because when an album is first recorded, there is generally little thought given to ever playing it front to back. We ask Ward if COLD would come across any such obstacles should they decide to replicate Year Of The Spider.
"Not really," he said. "Throughout the years of touring, we've replicated those songs many times on different tours and different settings. Initially, when the record was put out, we did a Year of The Spider Tour, and we played all the songs so yeah, we're familiar. The band's familiar with all the songs and you know, we have just done a Year of The Spider Tour here in the States (where) we did 58 shows. So yeah, we're very in tune with that record right now."
There wouldn't be many places left in the world COLD haven't played in, but being their first trip to Australia will they be doing any research on what to expect or do they plan to discover as they go along?
"We have some friends from Saliva that have played over there," he offered, "and they said there's little things that are different without tour buses and flying from show to show and things like that. It's just basically the production parts of it all that we are unfamiliar with, but we're kind of excited about that. It's kind of nice, you know, cramming everything in. I mean, we're doing three shows, and basically it's a five day trip. So it's a long weekend. We do three shows, fly from place to place and bust it out."
The flip side to that is Australian fans won't know what to expect either.
"A COLD Show is like an emotional journey for people," he countered. "We take them to a place. When I wrote those songs, I was going through a hard time and they're all very honest songs. So I transport myself back into that place, and it translates to people that are watching the show, and it brings them… I try to bring them back to those moments when they needed that song to help them go through whatever they went through. Sometimes it becomes an over-emotional thing and the whole crowd sings all the songs with us and there's a lot of tears and a lot of joy. It's an experience when you come to a COLD show for sure."
COLD are coming out with fellow first timers ORGY, who themselves are celebrating a significant milestone with their breakthrough album Candyass hitting the quarter of a century mark. Aside from the fact these two bands are both cut from the same cloth, we ask Ward why they make good touring partners.
"We toured with ORGY back in the day," he replied, "back in the early 2000s when both bands were doing very well. And we've been friends for a long time. We have been touring again since 2018 and Orgy had just started back. They did some smaller tours, but they're getting back into it. We joined up together to do this."
COLD formed in Jacksonville, Florida back in 1986, born into a musical climate vastly different to that of today.
"We were kids in '86 when we started," Ward recalled. "The band was called Grundig at that point, and we were like a slow, grungy type of thing. The music was very slow and just heavy. We were trying to be like the Southern Black Sabbath kind of thing, but more Soundgarden who were doing it on the other side of the country. In Jacksonville, there was not really one type of music scene like there was in Seattle where everybody was in a grunge band. In Jacksonville, it was very diverse. We had Limp Bizkit, Shinedown, COLD and Puddle of Mud. A lot of the guys came from there. It was very diverse, with different kinds of sounds coming out of the place. Every band was a little different. It wasn't really a genre-based area."
COLD's two biggest albums were the aforementioned 13 Ways To Bleed and Year Of The Spider, so we put Ward on the spot by asking him which is his personal favourite out of the two.
"That's a hard one, man," he smiled. "Over time it changes with me and different songs from different records and different emotions come up when I'm hearing those songs. They're both a pleasure to play now. So they're both kind of intertwined with each other in a way."
COLD came in for criticism with their fourth album A Different Kind of Pain, with many feeling the album was more sombre and downbeat than anything they had put out before.
"Yeah, we got a lot of slack when that record first came out," he measured. "The narrative of that album was very personal. It was literally things that were happening with my sister and what was going on with my relationship, and it was definitely a sombre record. At the time, I knew it was different than the other records. That's the other thing about COLD. With every album that we make I don't try to make the same record. At the end of my life, I want my catalogue to be filled with a bunch of different styles of production, the sounds, all the things. There's a lot of bands that just keep making the same record over and over again, and that's a successful way to do a band. However, I'm going the opposite of that. I'm going to write whatever we want at whatever time we feel what we need to write."
Tickets on sale now from www.thephoenix.au


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MORTAL SIN Are Back: 40 Years, Vinyl Secrets, And A Tour Bus With No Brakes

MORTAL SIN Are Back: 40 Years, Vinyl Secrets, And A Tour Bus With No Brakes

Interview by Ali WilliamsStrap yourselves in, metalheads, because the legends in Mortal Sin are roaring back onto the scene, and they’re not tiptoeing in—they’re drop-kicking the door open and headbanging straight through it. HEAVY Mag’s Ali Williams caught up with frontman Mat Maurer for a chat. It’s been a minute (okay, a decade or so) since Mortal Sin hit the highways, but when Mat ran into Andy and Nathan at a Baby Animals gig, talk of the band’s 40th anniversary snowballed into what’s become the biggest tour in their history. They’re talking nine shows up and down the East Coast, Froth and Fury Festival in Adelaide, a Perth date, and even more to come with Part 2 hitting North Queensland, Tasmania, and (possibly) New Zealand. Hell, there might even be a Broken Hill pitstop, just to prove they’re covering every inch of Oz. And no, it’s not just the “old die-hards” crawling out of their man-caves—Mat reckons even the grandkids are getting in on the action. “All the grandkids,” he laughs. “That’s the cycle of heavy metal for you.” If you thought a mega-tour was enough, think again. Mortal Sin are celebrating with a special 40th anniversary vinyl reissue of their 1986 classic Mayhemic Destruction. But in true Mortal Sin style, there’s a twist: the cover art is so secret, only the band has seen it. “We’re even going to release it in a brown paper bag,” Mat teases. “You won’t see it till you crack it open—and trust me, you’re gonna lose your mind when you do.” Vinyl nerds, start queuing now—Mat’s even promising a splatter-wax collector’s edition.The guys are taking the mayhem global, with Germany’s Keep It True Festival on the cards, a month of shows across Europe in August, and the calendar jammed so tight they’re turning down offers from South America just to catch their breath. Locally, they’ll be headlining Shredfest in Brisbane on May 2 at The Mansfield Tavern, with more Gold Coast and regional shows in the pipeline. If you’re not planning on seeing Mortal Sin live in 2026, are you even trying? When HEAVY asked Mat for some of his most memorable highlights from decades of carnage, he rattles off support slots for Metallica’s ...And Justice For All tour and opening the main stage at Wacken in front of 60,000 maniacs. Not bad for a band that’s survived line up changes, pandemic boredom, and the rising cost of vinyl pressing (seriously, it’s not cheap). And just so you know, Mat collects PEZ dispensers—1,500 of the little suckers—Ali confesses she’s been hunting for the elusive Elvis model, and Mat says he’s still yet to find one himself. Metal never dies, and apparently, neither does novelty candy. There’s a lot of love in the air—between the band, their fans, and the sheer thrill of playing live again. There’s are weird magic that happens when artists and fans meet face-to-face, sober (usually), and sweating it out at the front of the stage. “Playing is always a highlight,” Mat says. “You can’t do that from your lounge chair.” Mortal Sin are back, bigger and rowdier than ever, serving up nostalgia with a side of fresh chaos. Don’t sleep on this—unless you’re too old to mosh, in which case, bring the grandkids and let them jump in the pit for you. Make sure you save the dates and find a local show for their 40th anniversary. Grab your tickets at www.churchesofsteel.com or hit up their Facebook page. See you on the road!Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

17 Des 202513min

Making A Sonic Statement With ELIAS SORIANO From NONPOINT - If It Ain't Broke...

Making A Sonic Statement With ELIAS SORIANO From NONPOINT - If It Ain't Broke...

The turn of the century was a significant period for the nu metal scene, with the genre building off the back of a string of breakout bands from the mid to late 90s onwards that saw the rap/metal hybrid style of music surge in popularity. Bands such as Korn, Limp Bizkit, System Of A Down and Linkin Park dominated headlines, but there was also an ever-growing list that included Sevendust, P.O.D, Drowning Pool and more that played just as big a role in the development of the genre.Two of those bands were hed (pe) and Nonpoint, both of whom released memorable albums in the height of nu metal's expansion. For hed (pe) it was their second album, Broke, and for Nonpoint it was their debut, Statement. Both albums elevated the respective bands' career trajectories, and that success led to numerous tours involving hed (pe) and Nonpoint that forged an unbreakable bond between the two bands that continues to this day.Both of those albums turned 25 this year, with both remaining as poignant and relevant today as they did upon release. So much so that both bands are uniting once more for a road trip from Hell, with Australia firmly in their sights early next year. Known for their legendary live performances and explosive tracks such as Bullet with a Name, What a Day, Ruthless, and more, Nonpoint has consistently captivated audiences with infectious riffs, compelling lyrics, and an uncompromising raw energy. Their discography and stagecraft have made them staples at rock radio and fixtures on festival line ups, earning them a dedicated international following.And now they have one more reason to celebrate, one more reason to tear up the stage, and one more reason to deliver Australian audiences a full-blown sonic assault rarely seen or heard on these shores.With anticipation for the February tour intensifying by the day, HEAVY accepted the offer to spend some time with Nonpoint frontman Elias Soriano to delve into the history of Nonpoint and what we can expect from their impending visit. One of the topics of discussion was the pairing of hed (pe) and Nonpoint on the same line-up and the sense of impending doom that has developed because of it."Yeah, those guys put on a great show," he smiled. "We're glad to team up with them again. The last run was really, really fun, so we're definitely going to be enjoying some good times on this one."The two bands have been touring and playing together since the turn of the century, and we asked Elias what his memories were of those early days and if the mentality of the earlier nu metal bands was more of an us-against-them feeling."At that time, everything was really moving in a big way," he recalled. "There were a lot of bands touring at that time. The big festivals and the touring festivals were really popular, especially with OzFest and Warped Tour and festivals like that. So being a part of that and being a part of the meld of hip-hop and rock that was happening at our time, that was an interesting culture that a different type of fan gravitated towards. So it's good to tour with bands like that, that share those types of fans and share that type of show."In the full interview, Elias talks more about the upcoming tour and what to expect, Nonpoint's first visit to Australia as part of Soundwave in 2010, the early days of nu metal and what it was like playing what was essentially a new cross-pollination of music to a non-existent fan base.He recalled his first reactions to hed (pe)'s album Broke and outlined similarities between that record and Nonpoint's release in the same year, Statement. Talk diverted to the early days of Nonpoint and the musical climate that gave birth to the band, the birth and sustainability of nu metal, new music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

17 Des 202511min

Earning Your Right Of Passage: Touring Australia And Beyond With NERGAL From BEHEMOTH

Earning Your Right Of Passage: Touring Australia And Beyond With NERGAL From BEHEMOTH

For 35 years, Poland's unholy giants Behemoth have flown the flag for blackened death metal not only in their home country, but in all corners of the world. Along with Vader and Hate, Behemoth have played an important role in establishing the Polish extreme metal underground with an uncompromisingly brutal attitude that burns brighter with each passing year.Fresh from releasing their most recent album – The Shit Ov God - in May this year on Nuclear Blast, Behemoth have set their sights on Australia in February 2026 to perform tracks from their storied discography alongside new material. Straddling the line between the sacred and profane, Behemoth has risen to become extreme metal’s most revered and provocative band, steeped in anti-authoritarian fire. Renowned for their elaborate live performances, the band continues to push boundaries with their fearless artistry and vision, and have vowed to bring their menacing glory to Australian fans on the upcoming tour.To celebrate the momentous occasion, HEAVY recently sat down with guitarist/vocalist Nergal to journey through the sordid world of Behemoth. We ask if his excitement levels remain as high despite touring most countries multiple times."Yes," he smiled warmly. "I don't want to sound arrogant here, because the fact is that from the first tour that we did in Australia to the next one, it just grew by a few per cent. But every time it was bigger and bigger crowds. We even did some like big festival appearances, so we played in front of really big crowds there as well. Mostly, it's club tours, but still, I don't want to be like, oh, Behemoth is coming back, everyone is just fucking bowing. No, no, you always have to earn that. You have to work hard. We have a new record called The Shit Ov God, and I don't know how it's going over there in Australia. So it's always a test.It's always a question of how many people would like to go and check it out again if they've seen us before? And I hope they will. And how many of the newcomers are going to show up? So it's always a question mark, you know. I don't want to sound too full of myself, like it's a royal return of Behemoth. No, no. We do work hard; we do care about it, and we would love to have the biggest run yet in Australia."In the full interview, Nergal discussed Behemoth's upcoming tour in Australia in greater detail, highlighting the band's strong connections and positive experiences in the country. Nergal expressed enthusiasm for returning to Australia, noting the growth of their audience and the importance of continually earning their place in the music scene. He shared personal reflections on his career, emphasizing the gradual success of Behemoth over 34 years and the evolution of their live performances into elaborate spectacles.He also mentioned the financial challenges of live show production, drawing inspiration from other bands like Rammstein while remaining committed to enhancing their stage presence. The conversation further explored Nergal's creative process, which he described as organic and akin to piecing together a puzzle. He emphasized the need to capture fleeting ideas through notes to avoid losing creative opportunities and the challenges that come with longevity in the music scene. Nergal also discussed Behemoth's latest album, The Shit Ov God, acknowledging its potential for mixed reactions while highlighting its philosophical significance. He talked about the themes of the album and the title, expressing his thoughts going into an album cycle and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

16 Des 202529min

THE BLOODY BEETROOTS Return: BOB RIFO Fills In The Blanks

THE BLOODY BEETROOTS Return: BOB RIFO Fills In The Blanks

Interview by Angela CroudaceAfter more than two decades of pushing boundaries, Bob Rifo or Sir Bob Cornelius Rifo from The Bloody Beetroots, remains committed to honesty, discipline and human connection. Speaking about his recently dropped EP Forever Part One, Bob explains that the project is a direct reflection of his life, shaped by a long creative journey that began after COVID and led to splitting the release into two parts.Looking back on 20-plus years in the industry, Bob says the time has flown, but credits discipline as the key to longevity, both creatively and personally. He reflects on early burnout, learning the hard way that sustainability requires balance and self-awareness.Bob also discusses his iconic mask, which allows him to protect his privacy while keeping the focus on the music.As he enters what he calls the most 'open era' of The Bloody Beetroots, Bob is finally able to articulate the ideas and emotions behind his work, rejecting conformity and embracing authenticity.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

16 Des 202521min

Backstage Chats With BAD NERVES At GOOD THINGS 2025

Backstage Chats With BAD NERVES At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Geoffro and Angela get up close and personal with Bad Nerves.Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

16 Des 202513min

Backstage Chats With PALAYE ROYALE At GOOD THINGS 2025

Backstage Chats With PALAYE ROYALE At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Angela catches up with Palaye Royale.Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

14 Des 202514min

Backstage Chats With SCENE QUEEN At GOOD THINGS 2025

Backstage Chats With SCENE QUEEN At GOOD THINGS 2025

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Angela tackles Scene Queen to get the low down.Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

14 Des 20256min

Backstage Chats With WARGASM At GOOD THINGS 2025

Backstage Chats With WARGASM At GOOD THINGS 2025

Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

14 Des 202513min

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