Hello Refusal, You’re Just the Same as Usual: Transmission 524, 2020 April 29

FAM. I am trying so hard to get back on the horse and process the last 39 months. I have to honor the muse when she appears..

I detect a weirdly naive positivity in this program’s energy despite what must have been happening in my life right around this time. Happy Mondays, Pia Fraus and The Room In The Wood seem like vestiges of an earlier sensibility. But who cares? So much of reception depends on frame of mind. I happened to be feeling good the morning I listened back to this, so…

Mrs. Miller seems like self-parody, though, emblematic of a show whose concept is exhausted.

OTOH I don’t care how many times we play never say never, it will not be enough.

This program was mostly smooth and pleasant, intermittently interesting; not a bad way to spend a hundred and twenty minutes, I guess, but can I not ask for more from these mixtapes?

BOMBAST playlist, 2020 April 29, 2100-2300:

• "ALB19 27" | Loraine James | FYAI Demos + Ditched Album | self-released
• "Subaquatic Swerves" | Tradition | Captain Ganja and the Space Patrol | Bokeh Versions
• "Within Reach" | Ultramarine | This Time Last Year | Real Soon
• "Weekend S" | Happy Mondays | Squirrel And G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out) [reissue] | London
• "Sweet Tart" | The Mystery Plan | Zsa Zsa | Ten Millimeter Omega
• "Blue" | The Room in the Wood | We're the Martians, Now | A Turntable Friend
• "Black Qualls (feat. Steve Lacy, Steve Arrington, & Childish Gambino)" | Thundercat | It Is What It Is | Brainfeeder
• "Shaft's Cab Ride" | Isaac Hayes | Shaft (Music From the Soundtrack) | Stax
• "The Passenger" | Brian | Dabbs Hill | self-released
• "Palermo's Grunch" | Los Pirañas | Glitterbeat_tak:til_2019 | Glitterbeat
• "Moth To The Flame" | Windy & Carl | Allegiance and Conviction | kranky
• "The Baader-Meinhof Always Look So Good In Photos" | Slum of Legs | Slum of Legs | Spurge
• "Alekum Salem" | Sea Urchin | Mutual Aid 2020 | Bokeh Versions
• "I'll Be Waiting" | Alton Ellis | Jamaica All Stars Vol. 1 & 2 | Studio One / Coxsone
• "II" | アレックス H O R R O R 666 (Tomie-13) | E​.​V​.​P. (Electronic Voice Phenomena) | Virtual Soundsystem
• "One For Ghost" / "Dilla Says Go" / "Walkinonit" / "The Factory" / "U-Love" / "Hi." / "Bye." / "Last Donut Of The Night" / "Welcome To The Show"" | J Dilla | Donuts [reissue] | Stones Throw
• "Eskrima" | Mx7 | Mutual Aid 2020 | Bokeh Versions
• "Uzume" | Mikael Fyrek | Further Asunder | Kahvi Collective
• "Folie Imposée" | Yves Tumor | Heaven to a Tortured Mind | WARP
• "FurdaMurda" | SEEKERSINTERNATIONAL | RunComeTest EP | Bokeh Versions
• "Whose Gonna Save My Soul" | Electric Sewer Age | Contemplating Nothingness | Hallow Ground
• "Fantôme Mélancolique" | Pause Longue | Come On Feel The NoiZe, Vol. 5 - Amour pour la France | The Blog That Celebrates Itself
• "A Lover's Concerto" | Mrs. Miller | Mrs. Miller's Greatest Hits | Capitol | "The Listening Parlour"
• "A Pace Far Different (Demo)" | Gladie | Don't Stand So Close To Me: A Lame-O Compilation For Self Isolation | Lame-O Records
• "Never Say Never" | Romeo Void | Never Say Never | 415 / Columbia"The Entity" | Cry Robot | The Entity In The Cosmos | Virtual Soundsystem

why must we wait to do the things we want to do

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