Staying in the Play

Staying in the Play

In this episode, we re-examine the concept of the given circumstances. Every play has its own set of given circumstances, from which all drama emerges. It’s helpful to look at your work from this perspective because it helps you understand what your character is fighting against. Milton’s objection to what is known as “substitution” or “emotional recall” is because these techniques exist in order to create an effect. And since they tap into our own lives, as opposed to the given circumstances, it pulls us out of the play we’re doing and into our own private play. “I object to it because I think it cheapens plays,” says Milton, “but also because it loses the fun for you. Part of the joy of acting is being able to live off of the play that you’re in.”

Episoder(233)

The Technique Works!

The Technique Works!

Actors have a tendency to abandon their technique as soon as they get an audition – and leap to a performance. Just taking a little time to really think about the text makes an enormous difference.

24 Feb 16min

Building a Character

Building a Character

There are many roads in to building a character and, unfortunately, there is no paint-by-number approach. It's great as an actor to play with several different techniques.

17 Feb 18min

Connecting Through Specifics

Connecting Through Specifics

When an actor does not connect, you catch them "acting". It doesn't matter if it's a television series or a play. Specificity helps us connect.

10 Feb 16min

Fighting Clichés through Specificity and Events

Fighting Clichés through Specificity and Events

We have a tendency to leap to clichés because the dialogue seems to lead us there. There's a way to fight this.

3 Feb 16min

An Encyclopedic Possibility of Choices

An Encyclopedic Possibility of Choices

It's very difficult to believe that there is not just one correct choice. As long as an actor is clear what the text is about, there are countless roads in to the experience of the world of the play.

27 Jan 17min

Your choices must feed the text

Your choices must feed the text

"Everything is something." It seems simple, but as actors we often skip over something that can give us the key we're looking for.

20 Jan 14min

Everything is Something

Everything is Something

The craft of acting is there to give us confidence. If we're not confident it's easy to see, especially for people casting. One of our problems is that we often throw away lines, – or parts of lines, ...

13 Jan 15min

There is no shortcut to learning to act

There is no shortcut to learning to act

There are all sorts of quick fix "schools" of acting, but it's an art form and it takes dedicated study to become confident in your technique.

6 Jan 5min

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