Exploration & Gestation

Exploration & Gestation

This week’s episode can be applied to any part of the process. You always want to give yourself permission to let your mind wander through, make discoveries and absorb information, be it about a character trait, their relationship to a certain fact, what is going on for them, or what the play is about. It’s okay not to know. In fact, “knowing” anything too quickly can be a hindrance to the creative process, the millions of possibilities that exist and the depth necessary to dig when building a human being. Brought to you by weaudition.com and anchor.fm I Don’t an Acting Class (the book!) is out November 1st. Pre-order at idontneedanactingclass.com

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Episoder(247)

Simplify Your Choices

Simplify Your Choices

There's a tendency to complicate our choices by inventing elaborate plots, when simplifying to something specific will bring us to life. Also being more specific allows you to dig deeper.

21 Jul 0s

Living Off Your Partner

Living Off Your Partner

Building a solid relationship with the partner gives you grounding. Knowing who I'm talking to and what my attitude is towards them opens up what's going on in a scene.

14 Jul 11min

Talking Out a Preparation

Talking Out a Preparation

In this video Milton works with Rashaud as he prepares a monologue from The Laramie Project.

12 Jul 7min

Specificity • a Key

Specificity • a Key

Not just unexperienced facts can deaden our work as actors, the need to explain or report the facts can get in the way of our most creative work. Digging down specifically can help this problem.

7 Jul 12min

Getting to Depth

Getting to Depth

It's not just enough to be functional or accurate or good enough. There's a road in to our actor work that helps us find extraordinary choices and frees us up to do our best work.

30 Jun 16min

Before the First Line

Before the First Line

If you think of the play as a continuation of what has already happened, it gives you a sense of how much work you have to do in order to earn the play. Excerpted from my New York class, we continue o...

23 Jun 17min

The Human Being Behind the Character

The Human Being Behind the Character

Continuing work on the Frank Gilroy play, The Subject Was Roses, this expert from Milton's in-person class begins to explore the road in to building a character with more depth.

16 Jun 16min

Working on Text

Working on Text

Working on a play begins to give actors the foundation of working on any text they get. These are excerpts from my Script Analysis class at The Actor Lab in New York.

12 Jun 12min

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