Be Believable AND Interesting

Be Believable AND Interesting

WANT MORE? Become a subscriber for bonus content!

https://podcasters.spotify.com/pod/show/actingclass/subscribe

One of the cornerstones of being believable is the ability to connect to the material. And we have to know what it feels like to be connected, so that when we’re not, we do more work to get there. But being believable is just one prerequisite. We also have to be interesting to watch and listen to. Milton shares a story about his former business partner, actress Lee Grant who came up with the most amazing stories as excuses for why she was late for Stanford Meisner’s class. They weren’t just believable, they were fascinating performances. Have an acting question for Milton? Email him at: questionsformilton@gmail.com


Denne episoden er hentet fra en åpen RSS-feed og er ikke publisert av Podme. Den kan derfor inneholde annonser.

Episoder(247)

Simplify Your Choices

Simplify Your Choices

There's a tendency to complicate our choices by inventing elaborate plots, when simplifying to something specific will bring us to life. Also being more specific allows you to dig deeper.

21 Jul 0s

Living Off Your Partner

Living Off Your Partner

Building a solid relationship with the partner gives you grounding. Knowing who I'm talking to and what my attitude is towards them opens up what's going on in a scene.

14 Jul 11min

Talking Out a Preparation

Talking Out a Preparation

In this video Milton works with Rashaud as he prepares a monologue from The Laramie Project.

12 Jul 7min

Specificity • a Key

Specificity • a Key

Not just unexperienced facts can deaden our work as actors, the need to explain or report the facts can get in the way of our most creative work. Digging down specifically can help this problem.

7 Jul 12min

Getting to Depth

Getting to Depth

It's not just enough to be functional or accurate or good enough. There's a road in to our actor work that helps us find extraordinary choices and frees us up to do our best work.

30 Jun 16min

Before the First Line

Before the First Line

If you think of the play as a continuation of what has already happened, it gives you a sense of how much work you have to do in order to earn the play. Excerpted from my New York class, we continue o...

23 Jun 17min

The Human Being Behind the Character

The Human Being Behind the Character

Continuing work on the Frank Gilroy play, The Subject Was Roses, this expert from Milton's in-person class begins to explore the road in to building a character with more depth.

16 Jun 16min

Working on Text

Working on Text

Working on a play begins to give actors the foundation of working on any text they get. These are excerpts from my Script Analysis class at The Actor Lab in New York.

12 Jun 12min

Populært innen Premium

papaya
giver-og-gjengen-vg
krimpodden-vg
big-5-med-nils-og-harald-2
storefri-med-mikkel-og-herman
harm-og-hegseth
konspirasjonspodden
topp-3-med-wold-og-fladseth
aftenpodden
tusvik-tnne
avhort
jeg-skulle-onske-jeg-visste
fastlegen
ida-med-hjertet-i-handen
podme-krim
fotballpodden-2
aftenpodden-usa
alt-fortalt
hovla
stopp-verden