The Ability to See

The Ability to See

One of Stella Adler’s fundamental exercises was a visualization exercise. This is something we can do anytime and anywhere— walking down the street, driving down the highway, standing in the shower. The more you train yourself how to see, the more specific your work will become, and the more the images will feed you emotionally. But this is not work you can do intellectually, deciding beforehand what the images are. It requires a leap of faith to be fully present and let the images come to you. Eventually, you will find specific things that make you come alive. Have an acting question for Milton? Email him at: questionsformilton@gmail.com

Episoder(232)

Working Slowly

Working Slowly

“Once you go to the script, all creative work stops” Milton says. It’s a provocative statement but it’s true if you consider how most actors jump straight to a performance or an intelligent rendering ...

16 Feb 202110min

Falling Back on “Performing”

Falling Back on “Performing”

WANT MORE? Become a subscriber for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe It’s something every actor can relate to: you walk in the room, onstage on in front of t...

9 Feb 202115min

Trial and Error

Trial and Error

Stanislavsky’s Method of Acting was born out of trial and error. He was not a natural talent. Had he been, we probably would not have been gifted with his discoveries of the craft. By analyzing his st...

2 Feb 202114min

The Action Changes

The Action Changes

As you gain a deeper understanding of the role you’re playing through analysis and rehearsal, it’s important that we give ourselves permission for our actions, or impulses, to change. It’s not somethi...

25 Jan 202111min

How Do I Know If It’s a Good Choice?

How Do I Know If It’s a Good Choice?

Today we revisit a question that actors never stop asking. The ability to know whether or not you’ve made a good choice is part your talent, and it’s a skill you can hone over time. A choice has to fe...

19 Jan 202111min

The Impulse to Begin

The Impulse to Begin

Stanislavsky never wanted a set vocabulary of acting. The words he used were an outgrowth of the creative work he was doing with actors. They pointed to ideas that brought actors to life, gave them so...

12 Jan 202113min

What Am I Trying to Say?

What Am I Trying to Say?

Our job, as actors is so much more profound than playing the part and getting applause. As Stella Adler’s father said to her: “We need to make it better for them.” When we understand what the play is ...

5 Jan 202116min

How Time Period Influences Character

How Time Period Influences Character

When building a character we can use the facts that are available to us in any way that will help us. Just as this is true for our character’s past, physical life or way of seeing the world, it is als...

29 Des 202014min

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