Your Character's Ethics

Your Character's Ethics

This episodes happens to contain more casual chat and personal anecdotes than usual, but there is a point to it. It’s about the need to look at your character’s character. Do they have a strong sense of morality? Do they have principals, and off so, what are they? This is a particularly important question when playing someone whose actions in the play reflect their moral character. Perhaps they take a stand and do so at great personal cost. This is such an integral part of a human being, one that deserves a lot of our time as actors.

Have an acting question? Send us a voice message (link below ⬇️), or an email at questionsformilton@gmail.com and Milton will send you a personal audio response.

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Episoder(232)

Building a Character

Building a Character

There are many roads in to building a character and, unfortunately, there is no paint-by-number approach. It's great as an actor to play with several different techniques.

17 Feb 18min

Connecting Through Specifics

Connecting Through Specifics

When an actor does not connect, you catch them "acting". It doesn't matter if it's a television series or a play. Specificity helps us connect.

10 Feb 16min

Fighting Clichés through Specificity and Events

Fighting Clichés through Specificity and Events

We have a tendency to leap to clichés because the dialogue seems to lead us there. There's a way to fight this.

3 Feb 16min

An Encyclopedic Possibility of Choices

An Encyclopedic Possibility of Choices

It's very difficult to believe that there is not just one correct choice. As long as an actor is clear what the text is about, there are countless roads in to the experience of the world of the play.

27 Jan 17min

Your choices must feed the text

Your choices must feed the text

"Everything is something." It seems simple, but as actors we often skip over something that can give us the key we're looking for.

20 Jan 14min

Everything is Something

Everything is Something

The craft of acting is there to give us confidence. If we're not confident it's easy to see, especially for people casting. One of our problems is that we often throw away lines, – or parts of lines, ...

13 Jan 15min

There is no shortcut to learning to act

There is no shortcut to learning to act

There are all sorts of quick fix "schools" of acting, but it's an art form and it takes dedicated study to become confident in your technique.

6 Jan 5min

Impulse instead of Action

Impulse instead of Action

The purpose of the technique is to help open your talent, not strangle it. I'm suggesting that you think in terms of what the impulse is for a scene, – or what's going on with your character.

30 Des 20254min

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