Monet in England
In Our Time25 Jul 2024

Monet in England

Melvyn Bragg and guests discuss the work of the great French Impressionist Claude Monet (1840-1926) in London, initially in 1870 and then from 1899. He spent his first visit in poverty, escaping from war in France, while by the second he had become so commercially successful that he stayed at the Savoy Hotel. There, from his balcony, he began a series of almost a hundred paintings that captured the essence of this dynamic city at that time, with fog and smoke almost obscuring the bridges, boats and Houses of Parliament. The pollution was terrible for health but the diffraction through the sooty droplets offered an ever-changing light that captivated Monet, and he was to paint the Thames more than he did his water lilies or haystacks or Rouen Cathedral. On his return to France, Monet appeared to have a new confidence to explore an art that was more abstract than impressionist.

With

Karen Serres Senior Curator of Paintings at the Courtauld Gallery, London Curator of the exhibition 'Monet and London. Views of the Thames'

Frances Fowle Professor of Nineteenth-Century Art at the University of Edinburgh and Senior Curator of French Art at the National Galleries of Scotland

And

Jackie Wullschläger Chief Art Critic for the Financial Times and author of ‘Monet, The Restless Vision’

In Our Time is a BBC Studios Audio Production

Producer: Simon Tillotson Studio production: John Goudie

Reading list:

Caroline Corbeau Parsons, Impressionists in London: French Artists in Exile 1870-1904 (Tate Publishing, 2017)

Frances Fowle, Monet and French Landscape: Vétheuil and Normandy (National Galleries of Scotland, 2007), especially the chapter ‘Making Money out of Monet: Marketing Monet in Britain 1870-1905’

Robert Gordon and Andrew Forge, Monet (Harry N. Abrams, 1983)

Paul Hayes Tucker, Monet in the ’90s: The Series Paintings (Yale University Press, 1990)

Paul Hayes Tucker, Monet in the 20th Century (Yale University Press, 1998)

Katharine A. Lochnan, Turner, Whistler, Monet (Tate Publishing, 2005)

Nicholas Reed, Monet and the Thames: Paintings and Modern Views of Monet’s London (Lilburne Press, 1998)

Grace Seiberling, Monet in London (High Museum of Art, 1988)

Karen Serres, Frances Fowle and Jennifer A. Thompson, Monet and London: Views of the Thames (Paul Holberton Publishing, 2024 – catalogue to accompany Courtauld Gallery exhibition)

Charles Stuckey, Monet: A Retrospective (Random House, 1985)

Daniel Wildenstein, Monet: The Triumph of Impressionism (first published 1996; Taschen, 2022)

Jackie Wullschläger, Monet: The Restless Vision (Allen Lane, 2023)

Episoder(1081)

Johnson

Johnson

Melvyn Bragg and guests discuss Samuel Johnson, a giant of 18th century literature. “There is no arguing with Johnson, for when his pistol misses fire, he knocks you down with the butt of it." The poet Oliver Goldsmith was not alone in falling victim to the bludgeoning wit of Samuel Johnson. The greatest luminaries of 18th century England, including the painter Joshua Reynolds, the philosopher Edmund Burke and the politician Charles James Fox, all deferred to him... happily or otherwise. Samuel Johnson was credited with defining English literature with his Lives of the Poets and his edition of Shakespeare, and of defining English language with his Dictionary. Yet despite those lofty acclamations he failed to get a degree, claimed he had never finished a book, was an inveterate hack who told his friend James Boswell, "No man but a blockhead ever wrote, except for money". How did an Oxford drop-out become England's most famous and well connected man of letters? How did generations of readers come to see him as the father of English Literature? And why is he so little read today? With John Mullan, Professor of English at University College London; Jim McLaverty, Professor of English at Keele University; Judith Hawley, Senior Lecturer in English at Royal Holloway, University of London.

27 Okt 200528min

Cynicism

Cynicism

Melvyn Bragg and guests discuss the Cynics, the performance artists of philosophy. Eating live octopus with fresh lupins, performing intimate acts in public places and shouting at passers by from inside a barrel is behaviour not normally associated with philosophy. But the Cynics were different. They were determined to expose the meaninglessness of civilised life by action as well as by word. They slept rough, ate simply and gave their lectures in the market place. Perhaps surprisingly, their ideas and attitudes were immensely popular in the ancient world. But how coherent was cynicism as a philosophy? What was its influence on literature and politics and is there any truth to the contention that Jesus himself was influenced by the Cynics? With Angie Hobbs, Lecturer in Philosophy, University of Warwick; Miriam Griffin, Fellow of Somerville College, Oxford; John Moles, Professor of Latin, University of Newcastle.

20 Okt 200528min

Mammals

Mammals

Melvyn Bragg and guests discuss the rise of the mammals. The Cenozoic Era of Earth's history began 65 million years ago and runs to this day. It began with the extraordinary 'KT event', a supposed asteroid impact that destroyed the dinosaurs, and incorporates the break up of Pangaea, the enormous landmass that eventually formed the continents we know today. It is known as the 'Age of the Mammals', and it is the period in which warm-blooded, lactating, often furry animals diversified rapidly and spread across the globe on land and in the sea. According to evolutionary theory, what conditions created the opportunity for mammals to thrive? What environmental factors lead to the characteristics they share - and the features they don't? And how did they become the most intelligent class of animals on the planet? With Richard Corfield, Senior Lecturer in Earth Sciences at the Open University; Steve Jones, Professor of Genetics at University College London; Jane Francis, Professor of Palaeoclimatology at the University of Leeds.

13 Okt 200541min

The Field of the Cloth of Gold

The Field of the Cloth of Gold

Melvyn Bragg and guests discuss the Field of the Cloth of Gold, an extraordinary international party. In the spring of 1520 six thousand Englishmen and women packed their bags and followed their King across the sea to France. They weren't part of an invasion force but were attendants to King Henry VIII and travelling to take part in the greatest and most conspicuous display of wealth and culture that Europe had ever seen. They were met by Francis I of France and six thousand French noblemen and servants on English soil in Northern France and erected their temporary palaces, elaborate tents, jousting pavilions and golden fountains spewing forth red, white and claret wine in the Val D'Or. For just over two weeks they created a temporary town the size of Norwich, England's second city, on the 'Camp du Drap D'Or', or Field of the Cloth of Gold. What drove the French and the English to create such an extraordinary event? What did the two sides do when they got there, and what - if anything - was achieved? With Steven Gunn, Lecturer in Modern History at Oxford University; John Guy, Fellow of Clare College, University of Cambridge; Penny Roberts, Senior Lecturer in History at the University of Warwick.

6 Okt 200542min

Magnetism

Magnetism

Melvyn Bragg and guests discuss the history of magnetism. Pliny the Elder, in his Historia Naturalis, tells a story of a legendary Greek shepherd called Magnes who, while guiding his flock on Mount Ida, suddenly found it hard to move his feet. The nails of his sandals held fast to the rock beneath them, and the iron tip of his crook was strangely attracted to the boulders all around. Magnes had stumbled across the lodestone, or 'Magnetite', and discovered the phenomenon of magnetism. Plato was baffled by this strange force, as were Aristotle and Galen, and despite being used in navigation, supposedly suspended over the body of Mohammed and deployed in the pursuit of medical cures. St Thomas Aquinas thought magnets had souls. it was not until the late 16th century that any serious scientific attempt was made to explain the mystifying powers of the magnet. Descartes developed a particle theory of magnetism but the great Isaac Newton fought shy of the problem of what caused magnets to attract and repelWho pioneered the study of magnetism? What theories did they construct from its curious abilities and how was the power of the magnet brought out of the realm of magic and into the service of science? With Stephen Pumfrey, Senior Lecturer in the History of Science at the University of Lancaster; John Heilbron, Emeritus Professor of History at the University of California, Berkeley; Lisa Jardine, Professor of Renaissance Studies at Queen Mary, University of London.

29 Sep 200541min

Marx

Marx

Melvyn Bragg and guests discuss Karl Marx. "Workers of the World Unite! You have nothing to lose but your chains", "Religion is the opium of the people", and "From each according to his abilities, to each according to his needs". That should be enough for most of you to work out whom Radio 4 listeners have voted as their favourite philosopher: the winner of the In Our Time Greatest Philosopher Vote, chosen from 20 philosophers nominated by listeners and carried through on an electoral tidal wave of 28% of our 'first-past-the-post' vote is the communist theoretician, Karl Marx.So, when you strip away the Marxist-Leninism, the Soviet era and later Marxist theory, who was Karl Marx? Where does he stand in the history of philosophy? He wrote in his Theses on Feuerbach, "Philosophers have only interpreted the world in various ways, the point, however, is to change it" - which begs the question, is he really a philosopher at all?With Anthony Grayling, Professor of Philosophy at Birkbeck College, University of London; Francis Wheen, journalist and author of a biography of Karl Marx; Gareth Stedman Jones, Professor of Political Science at Cambridge University.

14 Jul 200542min

Marlowe

Marlowe

Melvyn Bragg and guests discuss Christopher Marlowe. In the prologue to The Jew of Malta Christopher Marlowe has Machiavel say:"I count religion but a childish toy, And hold there is no sin but ignorance. Birds of the air will tell of murders past! I am ashamed to hear such fooleries.Many will talk of title to a crown. What right had Caesar to the empire? Might first made kings, and laws were then most sure When, like the Draco's, they were writ in blood."A forger, a brawler, a spy, a homosexual and accused of atheism but above all a playwright and poet, Christopher Marlowe was the most celebrated writer of his generation, bringing Tamburlaine, Faustus and The Jew of Malta to the stage and far outshining William Shakespeare during his lifetime. Then came his mysterious death at 29, days before he was due to appear on trial accused of heresy. Was he stabbed in an argument over a bill? Was he assassinated? And how does his work measure up to Shakespeare, a man who paid generous tribute and some say stole some of his best lines? Was Marlowe assassinated by the Elizabethan state? How subversive was his literary work? And had he lived as long as his contemporary Shakespeare, how would he have compared?With Katherine Duncan-Jones, Senior Research Fellow in the English Faculty of Oxford University; Jonathan Bate, Professor of English Literature, University of Warwick; Emma Smith, Lecturer in English, Oxford University.

7 Jul 200542min

Merlin

Merlin

Melvyn Bragg and guests discuss the legendary wizard Merlin. He was sired by an incubus and born of a virgin; he was a prophet, a shape-shifter, a king-maker and a mad man of the woods. Before Gandalf there was Merlin: the power behind Arthur and a literary sensation for centuries. In a literary career spanning 1500 years, Merlin, or originally Myrddin, put the sword in the stone, built Stonehenge, knew the truth behind the Holy Grail and discovered the Elixir of Life. "Beware Merlin for he knows all things by the devil's craft" say the poisoners in Malory's Morte D'Arthur; but he is also on the side of the good and is almost Christ-like in some of the versions of his tale, and his prophesies were pored over by the medieval Church. Who was Merlinus Ambrosius, as he is sometimes known? Where does his legend spring from and how has it been appropriated and adapted over time?With Juliette Wood, Associate Lecturer in the Department of Welsh at Cardiff University, Stephen Knight, Distinguished Research Professor in English Literature at Cardiff University, Peter Forshaw, Lecturer in Renaissance Philosophies at Birkbeck, University of London.

30 Jun 200528min

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