Monet in England
In Our Time25 Jul 2024

Monet in England

Melvyn Bragg and guests discuss the work of the great French Impressionist Claude Monet (1840-1926) in London, initially in 1870 and then from 1899. He spent his first visit in poverty, escaping from war in France, while by the second he had become so commercially successful that he stayed at the Savoy Hotel. There, from his balcony, he began a series of almost a hundred paintings that captured the essence of this dynamic city at that time, with fog and smoke almost obscuring the bridges, boats and Houses of Parliament. The pollution was terrible for health but the diffraction through the sooty droplets offered an ever-changing light that captivated Monet, and he was to paint the Thames more than he did his water lilies or haystacks or Rouen Cathedral. On his return to France, Monet appeared to have a new confidence to explore an art that was more abstract than impressionist.

With

Karen Serres Senior Curator of Paintings at the Courtauld Gallery, London Curator of the exhibition 'Monet and London. Views of the Thames'

Frances Fowle Professor of Nineteenth-Century Art at the University of Edinburgh and Senior Curator of French Art at the National Galleries of Scotland

And

Jackie Wullschläger Chief Art Critic for the Financial Times and author of ‘Monet, The Restless Vision’

In Our Time is a BBC Studios Audio Production

Producer: Simon Tillotson Studio production: John Goudie

Reading list:

Caroline Corbeau Parsons, Impressionists in London: French Artists in Exile 1870-1904 (Tate Publishing, 2017)

Frances Fowle, Monet and French Landscape: Vétheuil and Normandy (National Galleries of Scotland, 2007), especially the chapter ‘Making Money out of Monet: Marketing Monet in Britain 1870-1905’

Robert Gordon and Andrew Forge, Monet (Harry N. Abrams, 1983)

Paul Hayes Tucker, Monet in the ’90s: The Series Paintings (Yale University Press, 1990)

Paul Hayes Tucker, Monet in the 20th Century (Yale University Press, 1998)

Katharine A. Lochnan, Turner, Whistler, Monet (Tate Publishing, 2005)

Nicholas Reed, Monet and the Thames: Paintings and Modern Views of Monet’s London (Lilburne Press, 1998)

Grace Seiberling, Monet in London (High Museum of Art, 1988)

Karen Serres, Frances Fowle and Jennifer A. Thompson, Monet and London: Views of the Thames (Paul Holberton Publishing, 2024 – catalogue to accompany Courtauld Gallery exhibition)

Charles Stuckey, Monet: A Retrospective (Random House, 1985)

Daniel Wildenstein, Monet: The Triumph of Impressionism (first published 1996; Taschen, 2022)

Jackie Wullschläger, Monet: The Restless Vision (Allen Lane, 2023)

Episoder(1081)

The Restoration

The Restoration

Melvyn Bragg and guests discuss the Restoration. On 29th May 1660, on his thirtieth birthday, Charles II rode into London on horseback and was restored to the thrones of England and Wales, of Scotland and of Ireland. A ‘golden age’ descended on a people that had been ravaged by civil war, religious division, Cromwellian tyranny and puritanical laws: suddenly the theatres were re-opened, Christmas was celebrated once again, all Orange-sellers were beautiful and peace and prosperity reigned across the land. Or at least that’s one version of the Restoration story. But despite the architecture of Wren, the literature of Dryden, and the philosophy of Hobbes, can an era that is suffused in Plague and in Fire, and culminates in something called The Glorious Revolution, ever really have had it so good?With Dr Mark Goldie, lecturer in History, Churchill College, University of Cambridge; Richard Ollard author of The Image of the King: Charles I and Charles II; Dr Clare Jackson, lecturer and Director of Studies in History, Trinity Hall, Cambridge.

15 Feb 200128min

Humanism

Humanism

Melvyn Bragg and guests discuss Humanism. On the 3rd January 106 BC Marcus Tullius Cicero, lawyer, politician, Roman philosopher and the founding father of Humanism was born. His academy, the Studia Humanitas taught ‘the art of living well and blessedly through learning and instruction in the fine arts’, his version of ‘humanitas’ put man not God at the centre of the world.Centuries later, Cicero’s teachings had been metamorphosed into ‘Classical Humanism’, a faith in the soft arts of the Greek world. But how did Cicero’s ideas become Renaissance ideals? How did a small Greek curriculum later become a world philosophy? The human centred creed is credited with giving us human rights and democracy but has also been blamed for the most unspeakable horrors of the modern age. Have his ideas been distorted through the centuries for political ends? And why do some contemporary thinkers think the Humanist tradition is responsible for Elitism, Sexism and even Nazism? With Tony Davies, Professor and Head of the Department of English, University of Birmingham and author of Humanism; Lisa Jardine, Professor of Renaissance Studies, Queen Mary College, University of London and Honorary Fellow of Kings College Cambridge; Simon Goldhill, Reader in Greek Literature and Culture at Kings College Cambridge.

8 Feb 200128min

Imperial Science

Imperial Science

Melvyn Bragg and guests discuss what drove the British Empire, especially in Victoria’s century. Was it science, more specifically, the science of plants, of agriculture, a scientific notion of nature and the improvement of nature? Was this seemingly rather adjacent notion - that the source of Empire can be found in Kew Gardens, Royal, Botanical, rather than in the muzzle of a gun or in the purse of a plunderer or in the consciousness of a conqueror - was science “the force that was with us?” Francis Bacon said of the Irish in 1603, “We shall reclaim them from their barbarous manners…populate plant and make civil all the provinces of that kingdom ..as we are persuaded that it is one of the chief causes for which God hath brought us to the Imperial Crown of these Kingdoms”. Centuries later, at the height of the Empire, John Stuart Mill wrote in On Liberty: “Despotism is a legitimate mode of government in dealing with barbarians, provided the end be their improvement”. But - despotism aside - was this notion of ‘improvement’ really the driving force behind the Empire? And did the British Empire have any firm basis in believing that the ‘light of pure reason’ that it brought to its colonies was any brighter than the knowledge that existed before they came? With Richard Drayton, Professor of History at the University of Virginia and author of Nature’s Government: Science, Imperial Britain and the ‘Improvement’ of the World; Maria Misra, Lecturer in Modern History and fellow of Keble College Oxford; Ziauddin Sardar, Professor of Science and Technology Policy, Middlesex University.

1 Feb 200128min

Science and Religion

Science and Religion

Melvyn Bragg and guests discuss the areas of conflict and agreement between science and religion.What space should science leave to religion? What ground should religion give to science? Do they need to give ground to each other at all? The American palaeontologist Stephen Jay Gould tackles the old problem in his book Rocks of Ages: Science and Religion in the Fullness of Life. In it he writes: “Science tries to document the factual character of the natural world, and to develop theories that co-ordinate or explain these facts. Religion, on the other hand, operates in the equally important but utterly different realm of human purposes”. In other words ‘science studies how the heavens go, religion how to go to heaven’. But do the two realms really exclude each other? Can religion and science be so easily divided?With Stephen Jay Gould, Alexander Agassiz Professor of Zoology and Professor of Geology, Harvard University; John Haldane, Professor of Philosophy, University of St Andrews and Stanton Lecturer in Divinity, Cambridge University; Hilary Rose, sociologist and Visiting Professor of Social Policy, Bradford University.

25 Jan 200142min

The Enlightenment in Britain

The Enlightenment in Britain

Melvyn Bragg and guests discuss the Enlightenment. In Germany it's called Aufklarung, in France it's the Siecle De Lumieres, and in Britain it's called the Age of Enlightenment. It's the period around the eighteenth century when an intellectual movement committed to science and opposed to superstition, embraced the greatest minds of Europe and America; Descartes, Kant, Leibniz, Montesquie, Diderot, Voltaire, Thomas Jefferson, Benjamin Franklin. But where are all the British thinkers? According to the Encyclopaedia Britannica, 'ideas concerning God, reason, nature and man were synthesised into a world view that gained wide assent and that instigated revolutionary developments in art, philosophy and politics'. Some historians in the past have claimed that The Enlightenment passed these islands by, but in his new book Enlightenment: Britain and The Creation of The Modern World, Roy Porter says The Enlightenment was British first, and that the modern world started here. With Roy Porter, Professor in the Social History of Medicine, Wellcome Trust Centre of University College London, Linda Colley, Leverhulme Research Professor and School Professor of History, London School of Economics; Jeremy Black, Professor of History at Exeter University.

18 Jan 200142min

Mathematics and Platonism

Mathematics and Platonism

Melvyn Bragg looks at the deep claims made for mathematics, the discipline some believe to be the soul and true key to the understanding of all life, from the petals on the sunflower to the pulse in our wrists. The notion that mathematics is akin to theology might take some taking in at first. But from the first, in the West, they were. To Pythagoras, numbers were mystical and “prove” God. To Plato, who, it is claimed, has driven mathematics for over two thousand years, the ideals beyond the reality of our lives are to be found in mathematical perfections, immutable truth, God again in numbers. Are mathematics there in the universe, waiting to be discovered as the great ocean lying before Newton - or are they constructs applied by us to the universe and imposed rather than uncovered? It’s a long way from chalky sums on the blackboard and the first careless swing of the compass. Galilei Galileo wrote, “The Universe cannot be read until we have learnt the language and become familiar with the characters in which it was written. It is written in mathematical language, and the letters are triangles, circles and other geometrical figures, without which means it is humanly impossible to comprehend a single word”. But is he right that mathematics is the script in which the universe was written, or is it really just one of many possible systems that humankind has invented to interpret our world? Is mathematics is a process of invention or a voyage of discovery?With Ian Stewart, Professor of Mathematics and Gresham Professor of Geometry, University of Warwick; Margaret Wertheim, science writer, journalist and author of Pythagoras’ Trousers; John D Barrow, Professor of Applied Mathematics and Theoretical Physics, University of Cambridge.

11 Jan 200128min

Gothic

Gothic

Horace Walpole and then Anne Radcliffe appeared to have triggered an anti-enlightenment movement: the Gothic that swept in Coleridge, two Shelleys, Byron, the Brontés, Walter Scott and Dickens, innumerable painters and architects, and even designed the Palace of Westminster itself.In 1765 Horace Walpole bewitched an unprepared public with the first ever Gothic novel The Castle of Ottranto. The poet Thomas Gray complained the novel made him “afraid to go to bed o’ nights”, and wind swept battlements, mysterious apparitions and armour that goes clang in the night has haunted the dungeons of popular culture ever since. But Gothic is more that novels, and from under its swirling cassock the Gothic Revival in architecture became the state style for an Empire, and the high camp of The Monk reached the acme of seriousness under the influence of John Ruskin. So how did the Gothic style manage to both sensationalise the public and form, quite literally the pillars of the establishment? Any why does a style forged in the spectral shadows of the Ages of Enlightenment still hold so such a secure position in popular culture today.With Chris Baldick, Professor of English at Goldsmiths College, London and author of In Frankenstein’s Shadow; A N Wilson, novelist, biographer, journalist and author of God’s Funeral; Emma Clery, senior lecturer in the English Department at Sheffield Hallam University and author of The Rise of Supernatural Fiction.

4 Jan 200128min

Nihilism

Nihilism

Melvyn Bragg and guests discuss the history of Nihilism. The nineteenth-century philosopher, Friedrich Nietzsche, wrote, “There can be no doubt that morality will gradually perish: this is the great spectacle in a hundred acts reserved for the next two centuries in Europe”. And, with chilling predictions like these, ‘Nihilism’ was born. The hard view that morals are pointless, loyalty is a weakness and ‘truths’ are illusory, has excited, confused and appalled western thinkers ever since. But what happened to Nietzsche’s revolutionary ideas about truth, morality and a life without meaning? Existentialism can claim lineage to Nietzsche, as can Post Modernism, but then so can Nazism. With so many interpretations, and claims of ownership from the left and the right, has anything positive come out of the great philosopher of ‘nothing’?With Rob Hopkins, Senior Lecturer in Philosophy, University of Birmingham; Professor Raymond Tallis, Doctor and Philosopher; Professor Catherine Belsey, University of Cardiff.

16 Nov 200028min

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