Monet in England
In Our Time25 Jul 2024

Monet in England

Melvyn Bragg and guests discuss the work of the great French Impressionist Claude Monet (1840-1926) in London, initially in 1870 and then from 1899. He spent his first visit in poverty, escaping from war in France, while by the second he had become so commercially successful that he stayed at the Savoy Hotel. There, from his balcony, he began a series of almost a hundred paintings that captured the essence of this dynamic city at that time, with fog and smoke almost obscuring the bridges, boats and Houses of Parliament. The pollution was terrible for health but the diffraction through the sooty droplets offered an ever-changing light that captivated Monet, and he was to paint the Thames more than he did his water lilies or haystacks or Rouen Cathedral. On his return to France, Monet appeared to have a new confidence to explore an art that was more abstract than impressionist.

With

Karen Serres Senior Curator of Paintings at the Courtauld Gallery, London Curator of the exhibition 'Monet and London. Views of the Thames'

Frances Fowle Professor of Nineteenth-Century Art at the University of Edinburgh and Senior Curator of French Art at the National Galleries of Scotland

And

Jackie Wullschläger Chief Art Critic for the Financial Times and author of ‘Monet, The Restless Vision’

In Our Time is a BBC Studios Audio Production

Producer: Simon Tillotson Studio production: John Goudie

Reading list:

Caroline Corbeau Parsons, Impressionists in London: French Artists in Exile 1870-1904 (Tate Publishing, 2017)

Frances Fowle, Monet and French Landscape: Vétheuil and Normandy (National Galleries of Scotland, 2007), especially the chapter ‘Making Money out of Monet: Marketing Monet in Britain 1870-1905’

Robert Gordon and Andrew Forge, Monet (Harry N. Abrams, 1983)

Paul Hayes Tucker, Monet in the ’90s: The Series Paintings (Yale University Press, 1990)

Paul Hayes Tucker, Monet in the 20th Century (Yale University Press, 1998)

Katharine A. Lochnan, Turner, Whistler, Monet (Tate Publishing, 2005)

Nicholas Reed, Monet and the Thames: Paintings and Modern Views of Monet’s London (Lilburne Press, 1998)

Grace Seiberling, Monet in London (High Museum of Art, 1988)

Karen Serres, Frances Fowle and Jennifer A. Thompson, Monet and London: Views of the Thames (Paul Holberton Publishing, 2024 – catalogue to accompany Courtauld Gallery exhibition)

Charles Stuckey, Monet: A Retrospective (Random House, 1985)

Daniel Wildenstein, Monet: The Triumph of Impressionism (first published 1996; Taschen, 2022)

Jackie Wullschläger, Monet: The Restless Vision (Allen Lane, 2023)

Episoder(1081)

Human Origins

Human Origins

Melvyn Bragg and guests discuss the evolution of the human species. Where did we come from - we being Homo Sapiens? Let’s not go back to the Big Bang or in search of Genesis, but sift through the evidence from biology, palaeontology, climatology and anthropology.The story of human evolution is one that stretches back over five million years, and during that time there are reckoned to have been between fifteen and twenty species of hominid to have walked this planet. From the earliest (Genus) Australopithecus (Species) Anamensis through times when there have been several divergent pre-human species existing at once, we have now arrived at a period unique in the history of the earth when a sole human species, Homo Sapiens, is in evidence right across the globe.With Leslie Aiello, Professor of Biological Anthropology, University College, London; Robert Foley, evolutionary ecologist, writer and lecturer in biological anthropology at Cambridge University; Mark Roberts, Field Archaeologist, Project Leader of Boxgrove excavation and the discoverer of ‘Boxgrove Man’.

27 Apr 200028min

Englishness

Englishness

Melvyn Bragg and guests discuss the characteristics of the English identity. “An Englishman’s word is his bond”, “An Englishman’s home is his castle”. “England is a nation of shopkeepers”, but also “the most exclusive club there is”. To Cecil Rhodes to be an Englishman was to have “won first prize in the lottery of life” but to Jonathan Swift the English were “the most pernicious race of odious vermin that nature ever suffered to crawl upon the surface of the earth”. Organised, effete, cruel, brave, inventive, determined …Who are the English? And when, how and in what heat was their English identity forged? Britain has now the highest percentage of inter-racial marriages in the world. Does that say as much about the English as their previously branded characteristics of gravity, sense of order, domesticity and propriety? What was Englishness and is it possible now to define it in anything more than the loosest and baggiest terms?With Paul Langford, Professor of Modern History, University of Oxford; Peter Mandler, Professor of Modern History at London Guildhall University; Professor Lola Young Director of the National Museum and Archives of Black History and Culture.

20 Apr 200041min

New Wars

New Wars

Melvyn Bragg and guests discuss the history of modern warfare. In the early nineteenth century the Prussian General Karl von Clausewitz seemed to define war for all time when he called it “an act of violence intended to compel our opponent to fulfil our will” and “nothing but a continuation of politics with the admixture of other means”. But after the nuclear bomb, the Cold War and the brutal and perplexing recent wars in Africa and Eastern Europe does his definition still hold true? Or are we in a new era when the idea of a continuation of peacetime politics and the notion of a national will is increasingly irrelevant? Are the technologically billion dollar new wars, coupled with the wars on the ground which are more like crimes, revolutions or more organised violence than war, a way of following Clausewitz’s notion of war as a continuation of politics by other means or do they constitute something completely different?With Sir Michael Howard, Emeritus Professor of Modern History, Oxford University; Dr Mary Kaldor, Director of the Programme on Global Civil Society, London School of Economics; General Sir Michael Rose, former Commander of the United Nations Protection Force in Bosnia and author of Fighting for Peace: Lessons from Bosnia.

13 Apr 200027min

The Natural Order

The Natural Order

Melvyn Bragg examines the science of taxonomy. The Argentinean author Jose Luis Borges illustrated the problematic nature of scientific classification when he quoted from an ancient Chinese Encyclopaedia, the Celestial Emporium of Benevolent Knowledge. On these remote pages, in a complete absence of Phylum, Genus and Species, animals are divided into: “(a) those that belong to the Emperor, (b) embalmed ones, (c) those that are trained, (d) suckling pigs” and “those that tremble as if they were mad” ending with “those drawn with a very fine camel's hair brush”, “others”, “those that have just broken the flower vase” and “those that at a distance resemble flies.”Perhaps our own system of classifying the natural world might seem just as fantastical to a more knowing mind, and perhaps underlying the Linnaean system that homo sapiens currently finds useful there are prejudices of our own which distort the scientific truth. How does natural history classify the ‘natural order’?With Colin Tudge, writer, scientist and author of The Variety of Life: A Survey and a Celebration of all the Creatures that Have Ever Lived; Dr Sandy Knapp, Research Botanist, Department of Botany, Natural History Museum, London; Henry Gee, Senior Editor of Nature and author of Deep Time: Cladistics, the Revolution in Evolution.

6 Apr 200028min

History and Understanding the Past

History and Understanding the Past

Melvyn Bragg and guests discuss what can be learnt from history. Many of us were taught that an understanding of the past was essential to a knowledge of the present and, more excitingly, to a view of the future. Dig deep into the pockets of Greece and Rome, the Medievals and the Enlightened, drink deep at the well of history and from that sacred study, as from the Oracle at Delphi, would come prophecies, predictions, a sense of what is to come, based on a belief in the continuity of history. But in the 1980s reputable historians predicted the end of the American empire and the rise and rise of the Russian empire. And Lord Metroland, the old booby in Evelyn Waugh’s novel Put Out More Flags, was forever reading history wrongly. But the way we read history is a matter of key intellectual significance. The eminent historian Eric Hobsbawm’s book The New Century came out when the 21st century was but a few months old. Is it really possible for history to tell us something about an era which has hardly begun? Can we ever predict the future by understanding the past? Should we seek to understand the past because it holds important lessons for the future - or is history, as Henry Ford would have it, “more or less bunk”?With Richard J Evans, Professor of Modern History, University of Cambridge; Eric Hobsbawm, eminent historian and author of The New Century.

30 Mar 200028min

Materialism and the Consumer

Materialism and the Consumer

Melvyn Bragg examines materialism and the consumer. Does consumerism - as a cult, a fact, a need, a religion - threaten culture as we have known it, individuality as we desire it, life as we aspire to its best condition? Is the march of Mammon an army of jack-booted businessmen, using the propaganda of advertising and the seduction of the supermarket to trample us into submission, and into the worshipping of the great god - Buy? Or is the consumer the new source of power? A truer, more democratic individual freedom? Wordsworth prophesied much current criticism of consumerism when he wrote “The world is too much with us; late and soon,/getting and spending we lay waste our powers: Little we see in Nature that is ours:/We have given our hearts away, a sordid boon!”. How has ‘getting and spending’ come to enjoy the place of importance it holds in our lives, and why have we so often seen shopping as in opposition to some notion of our ‘true natures’?With Rachel Bowlby, Professor of English, University of York and author of Carried Away: The Invention of Modern Shopping; William Gibson, science fiction writer and author of Neuromancer and All Tomorrow’s Parties.

23 Mar 200028min

Lenin

Lenin

For some time, in some intellectual quarters in the West, Vladimir Ilich Ulyanov - also known as Lenin - was regarded as an understandable revolutionary, perhaps a necessary revolutionary given the actions of the Tsars, certainly a sympathetic revolutionary compared with his successor - Stalin. He became an icon in Russia - his body unburied, lying in Red Square in a state of permanent, imminent resurrection. The Russian Presidential Elections take place at the end of the month, and the Acting President, Vladimir Putin, promised that if he won he would finally take the body of Lenin from Red Square and bury him. But whether the country will be able to escape the extraordinary influence of the man, his ideas and his machinery of oppression is another matter. In his short period in power between 1917 and 1924 Vladimir Illyich Lenin invented the one party state, developed a model to export communism around the world and built a completely original political system that remained intact for over seventy years. What drove him and enabled him to achieve success?Robert Service, lecturer in Russian History and Fellow of St Anthony’s College, Oxford and biographer of Lenin; Vitali Vitaliev, author, columnist, broadcaster former Soviet Journalist of the Year.

16 Mar 200028min

The Age of Doubt

The Age of Doubt

Melvyn Bragg examines the spread of religious doubt over the last three centuries. Nietzsche proclaimed that God was Dead in 1882, Hegel in fact beat him to it apprising his Berlin students of God’s demise as early as 1827. By the end of the 19th century echoes of the death of God can be heard everywhere: in the revolutionary politics of Lenin, in the poetry of Tennyson and the psychoanalysis of Freud. The march of Science seemed to challenge the authority of the Bible at every turn and by the twentieth century almost all the great writers, artists and intellectuals had abandoned the certainty of their belief in God.So who or what was responsible for this sudden spread of religious doubt? If God could truly be said to be dead then who fired the first shot? Have we educated ourselves out of Christ only to embrace the bleaker creed of Mamon? Is God a human construct or did God construct us? Is there an argument from design, or was the Big Bang morally pointless, without what we could call a mind at all? Did Darwin and natural selection rebut the idea of a divine purpose? With A N Wilson, novelist, biographer, journalist and author of God’s Funeral; Victoria Glendinning, author, journalist and biographer of Anthony Trollope and Jonathan Swift.

9 Mar 200028min

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