Monet in England
In Our Time25 Jul 2024

Monet in England

Melvyn Bragg and guests discuss the work of the great French Impressionist Claude Monet (1840-1926) in London, initially in 1870 and then from 1899. He spent his first visit in poverty, escaping from war in France, while by the second he had become so commercially successful that he stayed at the Savoy Hotel. There, from his balcony, he began a series of almost a hundred paintings that captured the essence of this dynamic city at that time, with fog and smoke almost obscuring the bridges, boats and Houses of Parliament. The pollution was terrible for health but the diffraction through the sooty droplets offered an ever-changing light that captivated Monet, and he was to paint the Thames more than he did his water lilies or haystacks or Rouen Cathedral. On his return to France, Monet appeared to have a new confidence to explore an art that was more abstract than impressionist.

With

Karen Serres Senior Curator of Paintings at the Courtauld Gallery, London Curator of the exhibition 'Monet and London. Views of the Thames'

Frances Fowle Professor of Nineteenth-Century Art at the University of Edinburgh and Senior Curator of French Art at the National Galleries of Scotland

And

Jackie Wullschläger Chief Art Critic for the Financial Times and author of ‘Monet, The Restless Vision’

In Our Time is a BBC Studios Audio Production

Producer: Simon Tillotson Studio production: John Goudie

Reading list:

Caroline Corbeau Parsons, Impressionists in London: French Artists in Exile 1870-1904 (Tate Publishing, 2017)

Frances Fowle, Monet and French Landscape: Vétheuil and Normandy (National Galleries of Scotland, 2007), especially the chapter ‘Making Money out of Monet: Marketing Monet in Britain 1870-1905’

Robert Gordon and Andrew Forge, Monet (Harry N. Abrams, 1983)

Paul Hayes Tucker, Monet in the ’90s: The Series Paintings (Yale University Press, 1990)

Paul Hayes Tucker, Monet in the 20th Century (Yale University Press, 1998)

Katharine A. Lochnan, Turner, Whistler, Monet (Tate Publishing, 2005)

Nicholas Reed, Monet and the Thames: Paintings and Modern Views of Monet’s London (Lilburne Press, 1998)

Grace Seiberling, Monet in London (High Museum of Art, 1988)

Karen Serres, Frances Fowle and Jennifer A. Thompson, Monet and London: Views of the Thames (Paul Holberton Publishing, 2024 – catalogue to accompany Courtauld Gallery exhibition)

Charles Stuckey, Monet: A Retrospective (Random House, 1985)

Daniel Wildenstein, Monet: The Triumph of Impressionism (first published 1996; Taschen, 2022)

Jackie Wullschläger, Monet: The Restless Vision (Allen Lane, 2023)

Episoder(1081)

The Augustan Age

The Augustan Age

Melvyn Bragg and guests Mary Beard, Catharine Edwards and Duncan Kennedy discuss the political regime and cultural influence of the Roman Emperor Augustus. Called the Augustan Age, it was a golden age of literature with Virgil's Aeneid and Ovid's Metamorphosis among its treasures. But they were forged amidst creeping tyranny and the demands of literary propaganda. Augustus tightened public morals, funded architectural renewal and prosecuted adultery. Ovid was exiled for his saucy love poems but Virgil's Aeneid, a celebration of Rome's grand purpose, was supported by the regime. Indeed, Augustus saw literature, architecture, culture and morality as vehicles for his values. He presented his regime as a return to old Roman virtues of forbearance, valour and moral rectitude, but he created a very new form of power. He was the first Roman Emperor and, above all, he established the idea that Rome would be an empire without end. Catharine Edwards is Professor of Classics and Ancient History at Birkbeck College, University of London; Duncan Kennedy is Professor of Latin Literature and the Theory of Criticism at the University of Bristol; Mary Beard is Professor of Classics at Cambridge University.

11 Jun 200942min

The Trial of Charles I

The Trial of Charles I

Melvyn Bragg and guests Justin Champion, Diane Purkiss and David Wootton discuss the trial of Charles I, recounting the high drama in Westminster Hall and the ideas that led to the execution.Begun on 20th January 1649, the trial culminated in the epoch-making execution of an English monarch. But on the way it was a drama of ideas about kingly authority, tax, parliamentary power and religion, all suffused with personal vendettas, political confusion and individual courage. It was also a forum in which the newly-ended Civil War and the events of Charles's reign were picked over by the people who had experienced them. Melvyn and guests recount the events of the trial, explore the central arguments and see whether, 350 years later, we can work out who really won.Justin Champion is Professor of the History of Early Modern Ideas at Royal Holloway, University of London; Diane Purkiss is a Fellow and tutor at Keble College, Oxford; David Wootton is Professor of History at the University of York.

4 Jun 200941min

St Paul

St Paul

Melvyn Bragg and guests Helen Bond, John Haldane and John Barclay discuss the influence of St Paul on the early Christian church and on Christian theology generally. St Paul joined the Christian church in a time of confusion and wonder. Jesus had been crucified and resurrected and the Christians believed they were living at the end of the world. Paul's impact on Christianity is vast: he imposed an identity on the early Christians and a coherent theology that thinkers from St Augustine to Martin Luther have grappled with. Crucially, Paul is responsible for changing Christianity from a Jewish reform movement into a separate and universal religion.Helen Bond is Senior Lecturer in the New Testament at the University of Edinburgh; John Haldane is Professor of Philosophy at the University of St Andrews; John Barclay is the Lightfoot Professor of Divinity at Durham University.

28 Mai 200942min

The Whale - A History

The Whale - A History

Melvyn Bragg and guests Steve Jones, Bill Amos and Eleanor Weston discuss the evolutionary history of the whale. The ancestor of all whales alive today was a small, land-based mammal with cloven hoofs, perhaps like a pig or a big mole. How this creature developed into the celebrated leviathan of the deep is one of the more extraordinary stories in the canon of evolution. The whale has undergone vast changes in size, has moved from land to water, lost its legs and developed specialised features such as filter feeding and echo location. How it achieved this is an exemplar of how evolution works and how natural selection can impose extreme changes on the body shape and abilities of living things. How the story of the whales was pieced together also reveals the various forms of evidence - from fossils to molecules - that we now use to understand the ancestry of life on Earth.Steve Jones is Professor of Genetics at University College London; Eleanor Weston is a mammalian palaeontologist at the Natural History Museum, London; Bill Amos is Professor of Evolutionary Genetics at Cambridge University.

21 Mai 200942min

The Siege of Vienna

The Siege of Vienna

Melvyn Bragg and guests Andrew Wheatcroft, Claire Norton and Jeremy Black discuss the Ottoman siege of Vienna in 1683, when the Ottoman Empire tried to capture the capital city of the Hapsburg monarchs. The ensuing tale of blood and drama helped define the boundaries of Europe. In June 1683, a man called Kara Mustafa made a journey to Vienna. That a Muslim Turk should come to a Catholic city was not unusual, but Kara Mustafa did so at the head of the Ottoman Army. Vienna was the capital of the Hapsburg Empire and he intended to take it. The ensuing siege has been held responsible for many things, from the invention of the croissant to the creation of Viennese coffee. But most importantly, it has come to be seen as a clash of civilisations, one that helped to define a series of boundaries, between Europe and Asia, Christian and Muslim, Hapsburg and Ottoman, that influence the view between Vienna and Istanbul to this day. But to see the siege as a defining moment in east/west relations may be to read back into history an idea that was not true at the time.Claire Norton is Lecturer in History at St Mary's University College, London; Andrew Wheatcroft is Professor of International Publishing at Stirling University; Jeremy Black is Professor of History at the University of Exeter.

14 Mai 200941min

The Magna Carta

The Magna Carta

Melvyn Bragg and guests Nicholas Vincent, David Carpenter and Michael Clanchy discuss the Magna Carta, the oft-proclaimed foundation of English liberties.The Magna Carta has been cited ever since its issue in 1215 as a foundation stone of English liberties. It includes clauses of universal justice, some of which are still on the statute book, but also sorted out the fishing rights in the upper Thames. Whether Magna Carta is a genuine proclamation of universal liberty or a hotchpotch of baronial self-interest has been debated ever since. Melvyn and his guests examine the ideas contained within it, assess their legacy and find out what really happened all those years ago in a tent in Runnymede.

7 Mai 200942min

The Vacuum of Space

The Vacuum of Space

Melvyn Bragg and guests Frank Close, Jocelyn Bell Burnell and Ruth Gregory discuss the Vacuum of Space. The idea that there is a nothingness at the heart of nature has exercised philosophers and scientists for millennia, from Thales's belief that all matter was water to Newton's concept of the Ether and Einstein's idea of Space-Time. Recently, physicists have realised that the vacuum is not as empty as we thought and that the various vacuums of nature vibrate with forces and energies, waves and particles and the mysterious phenomena of the Higgs field and dark energy.

30 Apr 200942min

The Building of St Petersburg

The Building of St Petersburg

Melvyn Bragg and guests discuss the building of St Petersburg, Peter the Great's showcase city for a modern, European Russia. It is a city of ideas. of progress and the Baroque, of Russian identity and Tsarist power. The building of St Petersburg is a testament to Tsarist power but it is also a city of ideas; of progress, of the Baroque and Russian identity. Beset by fire and flood, the city was founded by Peter the Great in 1703 to symbolise a new Russia, one that faced away from the Slavic East and towards the European West. To this end Peter and his heirs imported European architects, craftsmen and merchants to fashion his new capital.The result is a grandiose European city set amidst the freezing swamps of the Baltic coast; a Venice or Rome of the North. Indeed, the Venetian art connoisseur, Francesco Algarotti called St Petersburg ‘a window through which Russia looks on Europe’. It is a city of beauty built upon the cruelty of a tyrant and to this day encapsulates many of the contradictions of Russia.With Simon Dixon, Sir Bernard Pares Professor of Russian History at University College London; Janet Hartley, Professor of International History at the London School of Economics; Anthony Cross, Emeritus Professor of Slavonic Studies at the University of Cambridge

23 Apr 200942min

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