Turtle Rhythms, Sloppy Unisons, and Physicality (ft. Carrie Frey)

Carrie Frey is a New York City-based violist, teacher, improviser, and composer focused on inquisitive collaborations and encouraging creativity in her students. An enthusiastic proponent of new music, she has premiered over 250 pieces. Frey is the violist of the Rhythm Method (“a group of individuals with distinct compositional voices and a collective vision for the future of the string quartet” - I Care If You Listen) and a founding member of string trio Chartreuse and string quartet Desdemona. She has performed with many of New York City’s notable contemporary ensembles, including Wet Ink Large Ensemble, AMOC*, Talea Ensemble, Wavefield, Cantata Profana, and the International Contemporary Ensemble. Frey improvises as a member of Simone Baron’s genre-bending Arco Belo ensemble and with electroacoustic trio Hierophant (with Alex van Gils and Alec Goldfarb). Her compositions, described as “a moldering compost heap” (I Care if You Listen), have been performed by the Rhythm Method, Arco Belo, Adrianne Munden-Dixon, and Kal Sugatski. Her debut sonata album, The Grey Light of Day, with pianist Robert Fleitz, was released in 2016, and her first solo album will be released on Gold Bolus in December 2023. Carrie is a graduate of Oberlin Conservatory and the Manhattan School of Music Contemporary Performance Program, and is currently pursuing a doctorate at the Graduate Center of the City University of New York.

🌐 https://freyaviol.tumblr.com/

💿 a chorus like distant screaming: https://youtu.be/paNHWcMPlvQ?si=dKhr80sRBL-XYrq2

💿 Seaglass/Pebble: https://www.youtube.com/watch?v=oeVIT8mKhTM

💿 Gone / Back: https://www.youtube.com/watch?v=1661SnhWKvk

📺 Saad’s main channel: https://www.youtube.com/@saadhaddadmusic

👨🏻‍🏫 BOOK a lesson with me here: https://www.saadnhaddad.com/lessons.html

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🕒 Timestamps

02:18 “a chorus like distant screaming,” for string quartet

14:35 “Gone / Back,” for string quartet

25:16 “Seaglass/Pebble,” for string quartet