The Chris Voss Show Podcast – Rachel Wellner, Author of Marsha Roo (Doctoroo) Children’s Book Series & Board Certified General Surgeon Doctor

You Can Go Home Now: A Novel by Michael Elias Interview Michaeleliaswriter.com In this smart, relevant, unputdownable psychological thriller, a woman cop is on the hunt for a killer while battling violent secrets of her own. “My name is Nina Karim. I am a single thirty-one-year-old woman who likes cats, Ryan Reynolds movies, beautiful sunsets, walking on a wintry beach holding hands with a tall, caring, lightly bearded third-wave feminist. Yeah, right.” Nina is a tough Queens detective with a series of cold case homicides on her desk – men whose widows had the same alibi: they were living in Artemis, a battered women’s shelter, when their husbands were killed. Nina goes undercover into Artemis. Though she is playing the victim, she’s anything but. Nina knows about violence and the bullies who rely on it because she’s experienced it in her own life. In this heart-pounding thriller Nina confronts the violence of her own past in Artemis where she finds solidarity with a community of women who deal with abusive and lethal men in their own way. For the women living in Artemis there is no absolute moral compass, there is the law and there is survival. And, for Nina, who became a cop so she could find the man who murdered her father, there is only revenge. About Michael Elias Michael Elias is an award-winning writer, actor and director who has written film, television, theatre and fiction. His upcoming novel, You Can Go Home Now, is a timely and addictive psychological thriller featuring a female cop on the hunt for a killer while battling violent secrets of her own. The book will be published by HarperCollins in the U.S. and by Editions du Masque in France in June 2020. He is also the author of The Last Conquistador, published by Open Road Media. Michael Elias was born and raised in upstate New York, moving to New York City after graduating from St. John's College in Annapolis to pursue a career in acting. He was a member of the Living Theatre (The Brig) and acted at The Judson Poets Theatre, La MaMa, and Caffé Chino. Elias transitioned to Hollywood and with Frank Shaw wrote the screenplay for The Frisco Kid starring Gene Wilder and Harrison Ford, then Envoyez les Violons with Eve Babitz and began a long partnership with Rich Eustis. Together, they wrote the screenplays for Serial, Young Doctors in Love and created Head of the Class a television series for ABC, partially based on Elias' experience as a high school teacher in New York City. Elias also worked with Steve Martin, a collaboration that included material for Martin's comedy albums, network TV specials, and the screenplay for The Jerk. Elias wrote and directed Showtime's Lush Life with Forrest Whitaker and Jeff Goldblum. He was nominated for best Director at The Cable Ace Awards that year, and the TV movie has become a jazz film classic. His semi-autobiographical play about a small hotel in upstate New York was directed by Paul Mazursky, ran for four months in Los Angeles, with the LA Weekly naming The Catskill Sonata one of the best ten plays of the year. Michael Elias lives in Los Angeles and Paris.

14 Okt 202044min

Lutron Electronics, Inc. - Dimmers And Lighting Controls Lutron.com Lutron is a technology-centered and people-driven company. As a private corporation guided by our founder’s simple but profound Five Principles, Lutron has a long history of significant growth and smart innovations. The Lutron story began in the late 1950s in Joel Spira’s makeshift lab in New York City. A young physicist fascinated by the aesthetic manipulation of light, Spira commandeered the spare bedroom in the apartment he shared with his wife, Ruth, and set out to invent a solid-state device that would enable people to vary the intensity of the lights in their homes. The very idea was radical. At that time, lighting control was a complicated and expensive affair, requiring bulky rheostats that used a lot of energy and generated a great deal of heat. Consequently, lighting controls were used primarily to dim stage lights in theaters. Most people would never think of having dimmers in their homes because they were just too difficult to install. That all changed in 1959, when Spira emerged from his lab with a solid-state dimmer that could replace the light switch in a standard residential wallbox. Spira’s key technical innovation had been to replace the rheostat with a thyristor. A thyristor is a type of transistor, which had been invented a few years earlier. The substitution was effective because rheostats and thyristors worked in completely different ways. Rheostats dimmed lights by absorbing electrical energy into the rheostat, meaning that electricity was converted to heat in the rheostat rather than to light in the lamp. By comparison, thyristors dimmed the light by interrupting the power flowing to the lamp. The use of a thyristor shrank the size of a dimmer until it could fit into a standard wallbox. Spira’s dimmer also generated much less heat than a rheostat and used much less energy. By 1961, when Joel and Ruth Spira incorporated Lutron Electronics, they knew that lighting control could contribute to society in multiple ways. Dimmers were both elegant and useful, and they allowed people to control their lights as never before. Dimmers were practical too. They saved energy, and the more you used them, the more energy they saved. With energy costs already going up, the Spiras believed that the energy-saving aspects of the new invention would ensure the long-term appeal of lighting controls.

14 Okt 202041min

Of Bears and Ballots: An Alaskan Adventure in Small-Town Politics Heather Lende Heatherlende.com The writer whom the Los Angeles Times calls “part Annie Dillard, part Anne Lamott” now brings us her quirky and compassionate account of holding local office. Heather Lende was one of the thousands of women inspired to take a more active role in politics during the past few years. Though her entire campaign for assembly member in Haines, Alaska, cost less than $1,000, she won! But tiny, breathtakingly beautiful Haines—a place accessible from the nearest city, Juneau, only by boat or plane—isn’t the sleepy town that it appears to be: from a bitter debate about the expansion of the fishing boat harbor to the matter of how to stop bears from rifling through garbage on Main Street to the recall campaign that targeted three assembly members, including Lende, we witness the nitty-gritty of passing legislation, the lofty ideals of our republic, and how the polarizing national politics of our era play out in one small town. With an entertaining cast of offbeat but relatable characters, Of Bears and Ballots is an inspirational tale about what living in a community really means, and what we owe one another. The writer whom the Los Angeles Times calls “part Annie Dillard, part Anne Lamott” now brings us her quirky and compassionate account of holding local office. Heather Lende was one of the thousands of women inspired to take a more active role in politics during the past few years. Though her entire campaign for assembly member in Haines, Alaska, cost less than $1,000, she won! But tiny, breathtakingly beautiful Haines—a place accessible from the nearest city, Juneau, only by boat or plane—isn’t the sleepy town that it appears to be: from a bitter debate about the expansion of the fishing boat harbor to the matter of how to stop bears from rifling through garbage on Main Street to the recall campaign that targeted three assembly members, including Lende, we witness the nitty-gritty of passing legislation, the lofty ideals of our republic, and how the polarizing national politics of our era play out in one small town. With an entertaining cast of offbeat but relatable characters, Of Bears and Ballots is an inspirational tale about what living in a community really means, and what we owe one another.

8 Okt 202058min

60 Stories About 30 Seconds: How I Got Away With Becoming a Pretty Big Commercial Director Without Losing My Soul (Or Maybe Just Part of It) by Bruce Van Dusen Brucevandusen.com You’ve probably seen more movies made by Bruce Van Dusen than any other director alive. 1977. New York City. Cool and crime-ridden, cheap and wild. Bruce Van Dusen shows up in town with a film degree and $150 to his name. He wants to make movies. So he does. The only ones anyone will pay him to make? Little ones. Thirty seconds long. Commercials. He has no idea what he’s doing and the money sucks. But he’s a director. He quickly learns he has the two things he needs to succeed in the fickle world of commercial-making: a talent for telling short, emotional stories, and the hustle to fight for every job no matter how small. He still has no idea what he’s doing—not that anyone needs to know that. He just keeps making it up as he goes along. He gets hired by a client on life support in the most depressing hospital in New York. Gets peed on by a lion. Abused by Charles Bronson. Explains peristalsis to a Tony winner. Makes a movie and goes to Sundance. Goes back to little movies when it bombs. Keeps hustling, shooting anything. Gets married, has kids. Pushes, shoves, survives. Gets divorced. Survives some more. Is an asshole, pays the price, finally learns when and how to be an asshole and becomes one of the industry’s stars. Years go by and it’s not what he expected. It’s harder, weirder, and funnier. But it worked out. It worked out great, actually. About Bruce Van Dusen Bruce Van Dusen has directed over a thousand commercials, three movies and a documentary. Over the course of his career, all sorts of weird stuff happened to him. Maybe the weirdest was that he had a very productive, four-decade long career. And now he's written a book about it. 60 Stories About 30 Seconds comes out 9/15/20 from Post Hill/Simon & Schuster. Van Dusen was born in Detroit and lives in New York City.

6 Okt 202053min

The Trump Women: Part of the Deal by Nina Burleigh Interview Ninaburleigh.com New York Times bestselling author and award-winning journalist, Nina Burleigh, explores “the stark details of the forces that shaped [Donald] Trump’s thinking about women” (The New York Times) in this comprehensive, provocative, and critical account of the six women who have been closest to Trump. Previously published as Golden Handcuffs. Has any president in the history of the United States had a more fraught association with women than Donald Trump? He flagrantly cheated on all three of his wives, brushed off multiple accusations of sexual assault, publicly ogled his eldest daughter, bought the silence of a porn star and a Playmate, and proclaimed his now-infamous seduction technique: “grab ’em by the pussy.” The Trump Women is a provocative and “comprehensive exposé” (Kirkus Reviews) of Trump’s relationship with the women who have been closest to him—his German-immigrant grandmother, Elizabeth, the uncredited founder of the Trump Organization; his Scottish-immigrant mother, Mary, who acquired a taste for wealth as a maid in the Andrew Carnegie mansion; his wives—Ivana, Marla, and Melania (the first and third of whom are immigrants); and his eldest daughter, Ivanka, groomed to take over the Trump brand from a young age. Also examined are Trump’s two older sisters, one of whom is a prominent federal judge; his often-overlooked younger daughter, Tiffany; his female employees; and those he calls “liars”—the women who have accused him of sexual misconduct. Nina Burleigh is a New York Times best-selling author of six lively, acclaimed works of creative nonfiction. Her latest book, on Trump and women, was published in October 2018. She has written hundreds of works of journalism, essays and book reviews, on a wide array of topics including culture, politics, gender issues, science, and the environment. Her books share a theme of examining the tension between belief and science, religion and rationality in post-Enlightenment life, including 1830s American politics, among post-revolutionary French scientists in Egypt, Cold War era CIA conspiracy theories, fake Biblical archaeology in Jerusalem today, and the role of faith versus science in an Italian courtroom. Two books explore the relationship between art, nature, history, and science. In Mirage, she told the story of the scientists and artists behind the first great study of modern Islam and ancient Egypt, Description de l'Egypte, a landmark work of art and publishing produced by the scientists who went to Egypt with Napoleon in 1800. Her book Unholy Business is a Maltese Falcon style crime caper about a gang of forgers accused of applying new technology to alter and sell archaeological relics. A fellow of the Explorers Club, she has covered stories on six continents. She has published works about the Arctic and the Antarctic, the Amazon, where she wrote an essay about women, nature, and the human culture along the Amazon River in Peru and ayahuasca culture in Iquitos, posh Lagos, racism and rhino poaching in South Africa. She has written cover stories for Newsweek on Trump and Women, Trump as a tool of the New York billionaires, Trump and Evangelicals, Trump and the Law, Facebook and political big data mining, the #metoo movement, the melting of Antarctica, sea level rise in Florida, asteroid defense schemes and other current events. She has judged the J. Anthony Lukas Prize Project Awards for nonfiction, and won several awards for her journalism and books. She was writer in residence at the Siena Art Institute in 2013 attached to the Above/Below Ground project with Mark Dion and Amy Yoes, including a symposium on the Art and Science of The Expedition. She was a Dora Maar Fellow in the arts in Menerbes, France, in 2014, where she worked on a novel. Mirage was selected by The New York Times as an editors' choice and won the Society of Women Educators' Award.

5 Okt 20201h 3min

The Presidents vs. the Press: The Endless Battle between the White House and the Media from the Founding Fathers to Fake News by Harold Holzer An award-winning presidential historian offers an authoritative account of American presidents' attacks on our freedom of the press. “The FAKE NEWS media,” Donald Trump has tweeted, “is not my enemy, it is the enemy of the American People!” Has our free press ever faced as great a threat? Perhaps not—but the tension between presidents and journalists is as old as the republic itself. Every president has been convinced of his own honesty and transparency; every reporter who has covered the White House beat has believed with equal fervency that his or her journalistic rigor protects the country from danger. Our first president, George Washington, was also the first to grouse about his treatment in the newspapers, although he kept his complaints private. Subsequent chiefs like John Adams, Abraham Lincoln, Woodrow Wilson, and Barack Obama were not so reticent, going so far as to wield executive power to overturn press freedoms, and even to prosecute journalists. Theodore Roosevelt was the first president to actively manage the stable of reporters who followed him, doling out information, steering coverage, and squashing stories that interfered with his agenda. It was a strategy that galvanized TR’s public support, but the lesson was lost on Woodrow Wilson, who never accepted reporters into his inner circle. Franklin Roosevelt transformed media relations forever, holding more than a thousand presidential press conferences and harnessing the new power of radio, at times bypassing the press altogether. John F. Kennedy excelled on television and charmed reporters to hide his personal life, while Richard Nixon was the first to cast the press as a public enemy. From the days of newsprint and pamphlets to the rise of Facebook and Twitter, each president has harnessed the media, whether intentional or not, to imprint his own character on the office. In this remarkable new history, acclaimed scholar Harold Holzer examines the dual rise of the American presidency and the media that shaped it. From Washington to Trump, he chronicles the disputes and distrust between these core institutions that define the United States of America, revealing that the essence of their confrontation is built into the fabric of the nation. About Harold Holzer Harold Holzer, one of the country's leading authorities on Abraham Lincoln and the political culture of the Civil War era, serves as chairman of the Lincoln Bicentennial Foundation. He has authored, co-authored, and edited forty-two books, including Emancipating Lincoln, Lincoln at Cooper Union, and three award-winning books for young readers: Father Abraham: Lincoln and His Sons, The President Is Shot!, and Abraham Lincoln, the Writer. His awards include the Lincoln Prize and the National Humanities Medal. He lives in New York City.

4 Okt 202053min

Didn't See That Coming: Putting Life Back Together When Your World Falls Apart by Rachel Hollis msrachelhollis.com Fear. Grief. Loss. Betrayal. Rachel Hollis has felt all those things, and she knows you have too. Now, she takes you to the other side. With her signature humor, heartfelt honesty, and intimate true-life stories, number one New York Times best-selling author Rachel Hollis shows listeners how to seize difficult moments for the learning experiences they are and the value and growth they provide. Rachel Hollis sees you. As the millions who read her number one New York Times best sellers Girl, Wash Your Face and Girl, Stop Apologizing, attend her RISE conferences and follow her on social media know, she also wants to see you transform. When it comes to the “hard seasons” of life - the death of a loved one, divorce, loss of a job - transformation seems impossible when grief and uncertainty dominate your days. Especially when, as Didn’t See that Coming reveals, no one asks to have their future completely rearranged for them. But, as Rachel writes, it is up to you how you come through your pain - you can come through changed for the better, having learned and grown, or stuck in place where your identity becomes rooted in what hurt you. To Rachel, a life well-lived is one of purpose, focused only on the essentials. This is a small book about big feelings: Inspirational, aspirational, and an anchor that shows that darkness can co-exist with the beautiful.

3 Okt 202047min

The Perfect Fascist: A Story of Love, Power, and Morality in Mussolini’s Italy by Victoria De Grazia Victoriadegrazia.com “As Fellini did in film, The Perfect Fascist takes us into the dark and complicated heart of Italian fascism…It is an extraordinary story that illuminates the ways in which the all-consuming nature of fascism distorted Italian society and destroyed the lives of individuals. I could not put it down.” ―Margaret MacMillan, author of Paris 1919 “With lyrical precision, The Perfect Fascist reveals how ideology corrupts the truth, how untrammeled ambition destroys the soul, and how the vanity of white male supremacy distorts emotion, making even love a matter of state.” ―Sonia Purnell, author of A Woman of No Importance Through the story of one exemplary fascist―a war hero turned commander of Mussolini’s Black Shirts―the award-winning author of How Fascism Ruled Women reveals how the personal became political in the fascist quest for manhood and power. When Attilio Teruzzi, Mussolini’s handsome political enforcer, married a rising young American opera star, his good fortune seemed settled. The wedding was a carefully stage-managed affair, capped with a blessing by Mussolini himself. Yet only three years later, after being promoted to commander of the Black Shirts, Teruzzi renounced his wife. In fascist Italy, a Catholic country with no divorce law, he could only dissolve the marriage by filing for an annulment through the medieval procedures of the Church Court. The proceedings took an ominous turn when Mussolini joined Hitler: Lilliana Teruzzi was Jewish, and fascist Italy would soon introduce its first race laws. The Perfect Fascist pivots from the intimate story of a tempestuous seduction and inconvenient marriage―brilliantly reconstructed through family letters and court records―to a riveting account of Mussolini’s rise and fall. It invites us to see in the vain, loyal, lecherous, and impetuous Attilio Teruzzi, a decorated military officer, an exemplar of fascism’s New Man. Why did he abruptly discard the woman he had so eagerly courted? And why, when the time came to find another partner, did he choose another Jewish woman as his would-be wife? In Victoria de Grazia’s engrossing account, we see him vacillating between the will of his Duce and the dictates of his heart. De Grazia’s landmark history captures the seductive appeal of fascism and shows us how, in his moral pieties and intimate betrayals, his violence and opportunism, Teruzzi is a forefather of the illiberal politicians of today.

2 Okt 202043min