289 – Jason Cooper: Balancing the “Day Gig” with a Thriving Home Studio, Cymbals that Work in the Studio, The Good & Bad of Social Media
Working Drummer1 Okt 2020

289 – Jason Cooper: Balancing the “Day Gig” with a Thriving Home Studio, Cymbals that Work in the Studio, The Good & Bad of Social Media

Jason Cooper is a native of Memphis TN and played his first professional gig at 11 years old. Since then, he has gone on to play in many local bands and has travelled the country playing for numerous acts. He has also played in almost 40 professional theater productions including Dream Girls, Footloose, The Sound of Music, Mary Poppins and Into the Woods. He has also done numerous recording sessions for artists in the US, Canada and throughout Europe. Jason worked at the Memphis Drum shop from 1999 to 2006. While at Memphis Drumshop, he teched for Dennis Chambers, Sonny Emory, Herman Matthews, Alex Acuna, Billy Ward, Peter Erskine, Will Kennedy, Virgil Donati, Akira Jimbo Keith Carlock and many others. He even changed a drumhead for Tony Williams once. – Very cool. After many years of slugging away in the unpredictable world of the music business, Jason decided to take a break from it all and go back to school and earn a degree that lead to a job as an x-ray technician. Today he splits his time between his “day job” and maintaining a solid roster of clients from all over the world providing drum tracks from his home studio – Old Lantern Studio. A project of note includes the Neal Bowen Trio which will have an EP out soon. In this episode, Jason talks about: * Working as an x-ray technician and leaving room for drumming * His decision to go back to school and get a “day job”* Learning to produce the best drum tracks he can from his home studio* Cymbal selection in the studio* The good and the bad of social media This episode is sponsored by Beier Drums

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462 - Matt Muckle:  Drumming for Kingdom Come, Shedding Negative Energy from your Life, Finding Your Own Voice

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458 - Richard Martinez: The Wilson/Spivack Method, Adapting to the Ever Changing L.A. Scene

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