IFH 603: How Indie Film Super Troopers Made Millions with Jay Chandrasekhar

IFH 603: How Indie Film Super Troopers Made Millions with Jay Chandrasekhar

Today on the show we have director, writer, comedian, and actor Jay Chandrasekhar has contributed to and appeared in a wide variety of critically acclaimed television programs and films throughout his career.

Chandrasekhar assembled the sketch comedy troupe Broken Lizard, which includes Kevin Heffernan, Steve Lemme, Paul Soter, and Erik Stolhanske. Together they performed comedy across the nation until they set their sights on producing television and feature films.

Under his Broken Lizard banner, Jay directed and co-wrote Fox Searchlight Picture’s comedy cult classics Super Troopers, Super Troopers 2, Club Dread, and Warner Bros’ Beerfest. He also directed the Broken Lizard comedy special, Broken Lizard Stands Up.

Super Troopers hit theaters in February 2002 and went on to gross $23 million with glowing audience reviews (and $80 million on home video.)

Jay continued on to direct The Dukes of Hazard, direct and star in Millennium Entertainment’s The Babymakers, and appear in DreamWorks’ comedy hit, I Love You, Man. Recently, Chandrasekhar published his book, Mustache Shenanigans: Making Super Troopers and Other Adventures in Comedy that gives a behind the scenes look at the making of Super Troopers.

In addition to his feature film work, Chandrasekhar has directed various TV shows, including several episodes of the Emmy Award winning series Arrested Development, Community, Chuck, The Grinder, Up All Night, Happy Endings, New Girl, and Psych. More recently, Jay has also directed episodes of Fresh Off the Boat, The Goldbergs, Speechless, and Schooled.

His new film is Easter Sunday.

Stand-up comedy sensation Jo Koy (Jo Koy: In His Elements, Jo Koy: Comin’ in Hot) stars as a man returning home for an Easter celebration with his riotous, bickering, eating, drinking, laughing, loving family, in this love letter to his Filipino-American community. Easter Sunday features an all-star comedic cast that includes Jimmy O. Yang (Silicon Valley series), Tia Carrere (True Lies, Wayne’s World films), Brandon Wardell (Curb Your Enthusiasm series), Tony nominee Eva Noblezada (Broadway’s Hadestown), Lydia Gaston (Broadway’s The King and I), Asif Ali (WandaVision), Rodney To (Parks and Recreation series), Eugene Cordero (The Good Place series), Jay Chandrasekhar (I Love You, Man), Tiffany Haddish (Girls Trip) and Lou Diamond Phillips (Courage Under Fire).

Easter Sunday, from DreamWorks Pictures, is directed by Jay Chandrasekhar (Super Troopers, The Dukes of Hazzard), from a script by Ken Cheng (series Wilfred, Betas). The film is produced by Rideback’s Dan Lin (The Lego Movie franchise, It franchise) and Jonathan Eirich (Aladdin, The Two Popes), and is executive produced by Jo Koy, Jessica Gao, Jimmy O. Yang, Ken Cheng, Joe Meloche, Nick Reynolds and Seth William Meier. The film will be distributed by Universal Pictures domestically. Amblin Partners and Universal will share international distribution rights.

Jay also just launched a new app designed to give the power of reviews back to the people. It's call Vouch Vault.

"When my film, Super Troopers, showed at Sundance, it played to big laughing crowds. But when it was released to the public, the reviews were only so-so. On Rotten Tomatoes, Super Troopers, got a 38%-fresh aggregate score from less than a hundred reviewers. With the public, though, the film garnered a 90% fresh rating from more than 250,000 non-reviewers. This 38% reviewer-number stuck in my craw. I remember thinking, “Who are these reviewers, these strangers with outsized power, and why are we listening to them? Seriously. When’s the last time you walked up to a stranger and said, “Hey, what movie should I see?”

Our goal with Vouch Vault is to take recommendation power from anonymous strangers and give it to the people whose tastes you know and trust."

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Episoder(966)

IFH 095: How to Break-Through Your Fear & Shoot Your First Feature Film

IFH 095: How to Break-Through Your Fear & Shoot Your First Feature Film

How to Break-Through Your Fear & Shoot Your First Feature FilmFear, the one thing that stops most indie filmmakers from moving forward and following their dreams. Fear of shooting their fist feature film, writing that screenplay, making that short film or just taking the first few steps towards their goals.Fear has been a strange bedfellow of mine throughout my career. It has slowed and out right stopped my progress. It has taken many years of failures to final realize I have nothing to fear. As they say:"We stopped checking for monsters under the bed when we realized they were inside of us."Breaking through the FearI finally decided to "feel the fear and do it anyways". Directing a full blown feature film always seemed like this huge, monstrous mountain I had to climb. It was like going to hike Mt. Everest when I never even climb a mountain before.Then I figured out that that a feature film didn't have to be a "huge, monstrous mountain" and that many filmmakers started off shooting smaller films before climbing Mt. Everest. Chris Nolan shot The Following before he made Memento and then the The Dark Knight Trilogy.In that spirit I ventured off into uncharted territory with the making of my first feature film This is Meg. Below is the story on how I got that film started.LINKS AND RESOURCES MENTIONED IN THIS EPISODEThis is MegIFH 075: What Does It Really Take to Make in Hollywood with Sebastian TwardoszSebastian Twardosz - EmailBill and Ted's Excellent AdventureSteven Spielberg's 1941Robert Rodriguez Mexico TrilogyRebel without a Crew: Or How a 23-Year-Old Filmmaker With $7,000 Became a Hollywood PlayerSPONCERSVideoBlocks.com - (IFH Discount SAVE $50)Werner Herzog Master ClassAaron Sorkin Master ClassFreeFilmBook.com (Download Your FREE Filmmaking Audio Book)KILLER RESOURCES!!!INDIE FILM SYNDICATE FilmBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

30 Aug 201625min

IFH 094: From Dusk Till Dawn to Nickelodeon with Director Joe Menendez

IFH 094: From Dusk Till Dawn to Nickelodeon with Director Joe Menendez

From Dusk Till Dawn to Nickelodeon with Director Joe MenendezThis week on the show we have the very talented director Joe Menendez. Joe is an award-winning filmmaker of both a successful feature film director and a prolific television director/producer as well -- having moved seamlessly between both mediums his entire career. Joe Menendez has directed over 95 hours of television (both single and multi-camera), written a handful of teleplays, produced several TV series and films, and has directed eight feature films and TV movies so far. He is a multi-genre veteran of drama, action, comedy, family entertainment, horror and rom-com. His numerous and varied credits show that he is a skilled craftsman and an accomplished, versatile storyteller.For this reason I had to have him on the show. Joe Menendez is currently in post-production on Nickelodeon's  LEGENDS OF THE HIDDEN TEMPLE, an action-adventure TV movie he directed for Nickelodeon, based on the popular game show of the same name, from the 1990s.His last feature, the action/comedy, LADRONES (THIEVES), was released by Pantelion Films October 9th, 2015, and received a CinemaScore of "A". LADRONES is the sequel to his 2007 feature film LADRON QUE ROBA A LADRON (TO ROB A THIEF), which opened at the time to a record-grossing opening weekend at the box-office for a Spanish-language film in the U.S.Joe Menendez has directed multiple episodes of the one-hour drama FROM DUSK TILL DAWN: The Series for Robert Rodriguez and his El Rey Network, multiples of the new Amazon Series JUST ADD MAGIC and the Prequel Series plus the "uncensored" episodes for the 2nd season of HULU's hit drama series EAST LOS HIGH.I also wanted to have him on the show to discuss what's it like working with a filmmaking legend like Robert Rodriguez. He did not disappoint. His stories are AMAZING! Get ready and enjoy my conversation with Joe Menendez.LINKS AND RESOURCES MENTIONED IN THIS EPISODEJoe Menendez - Official SiteJoe Menendez - IMDBFrom Dusk Till Dawn: The SeriesLegends of the Hidden TempleLadronesSPONCERSVideoBlocks.com - (IFH Discount SAVE $50)Werner Herzog Master ClassAaron Sorkin Master ClassFreeFilmBook.com (Download Your FREE Filmmaking Audio Book)KILLER RESOURCES!!!INDIE FILM SYNDICATE Filmmaking CommunityIFH's Online Film SchoolSix Secrets to get into Film Festivals for FREE!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

25 Aug 20161h 33min

IFH 093: How to Brand, Market and Build an Audience Using Social Media & Marketing Hustle

IFH 093: How to Brand, Market and Build an Audience Using Social Media & Marketing Hustle

How to Brand, Market and Build an Audience Using Social Media & Marketing HustleSo I had the plesure of speaking at the HollyShorts! Film Festival at a "fireside chat" with my brotha from another mutha RB Blotto from Stage32.com. We sat down and discussed How to Brand, Market and Build an Audience Using Social Media & Marketing Hustle. I had a ball and as promised I recorded the evening for those of you who couldn't make it. Check it out below:You’ve got an amazing script, now what? The first step is to identify your audience and create a brand for yourself that you can leverage when crowdfunding or selling your film. Once your film is done, the next step is marketing and promotion. Join us for a fireside chat with Writer/Director and Indie Film Hustle founder, Alex Ferrari, and RB Blotto, Stage32.com founder, as they offer best practices on building an audience, creating a brand, marketing yourself and your film, and finally, getting the word out via social media, which is crucial to your success.Sit back and enjoy this knowledge bomb filled episode. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Aug 20161h 55min

IFH 092: Why Having No Money Makes You a Better Filmmaker

IFH 092: Why Having No Money Makes You a Better Filmmaker

What is this guy talking about? No money = better filmmaker? He must be nuts. We'll I'll have to disagree with you. As I  am going through my adventure on the making of my first feature film THIS IS MEG, I have discovered that is the truth.  Having less resources has made me a better filmmaker. When you have no money and limited resources you discover new and creative ways to solve problems. The creative ways end up on the screen and that is where innovation comes from. Doing something people say is nuts. Credit: QuoteAddicts"No one can stop you from doing exactly what you want to do. If you can accept that the cavalry won't come, and if you can be the cavalry, it gives you a chance to be happy." - Mark DuplassWhen I announced I was going to direct This is Meg with a micro budget I can't tell you how many people said I was nuts. BTW, I love it when people do that, it lights my fire. I still think most of the cast and crew still don't know how we're going to pull this off. In this podcast I go over the techinques I used to not only get the ball rolling but also get the film shot and edited. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

15 Aug 201631min

IFH 091: What Filmmakers Can Do About the Diversity Problem in Hollywood

IFH 091: What Filmmakers Can Do About the Diversity Problem in Hollywood

This podcast episode comes straight from the heart. Diversity in the film industry is a problem. The numbers do not lie.Original Source: Fusion.netOriginal Source: GirlTalkHQ.comThe film business needs to have many points of views and not just a select few. The more points of views you have, the better the industry as a how will be. Filmmakers can not use their gender or race as an excuse for "not making it". The diversity problem in Hollywood is SLOWLY getting better. Ava DuVernay, the director of Selma, has become the first African-American Female director to helm a major studio film with a $100 million dollar budget. (Source: Business Insider)Original Source: The Hollywood Reporter and The Ralph J. Bunche Center for African American StudiesTheir are many examples of the industry changing. Robert Rodriguez, Guillermo del Toro, Tyler Perry, Spike Lee, Alejandro González Iñárritu, Ava DuVernay, Gale Anne Hurd, Kathryn Bigelow, Sofia Coppola, and many more have cracked the diversity wall. Original Source: FusionNow that being said, I'm not saying it has been easy for the filmmakers I've listed. It was DAMN HARD! Things are changing but very slowly. I've never allowed being latino stop me from creating my own opportunities. Indie Filmmakers have to create their own opportunities and stop waiting around for "Hollywood" to give it to them. I hope this episode inspires filmmakers to go out and make it happen...no matter what! Keep hustlin' my friends!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

4 Aug 201617min

IFH 090: Life After Winning Sundance with Diane Bell

IFH 090: Life After Winning Sundance with Diane Bell

Life After Winning Sundance with Diane BellI always talk about not counting on the "lottery ticket" mentality that so many filmmakers today count on. Winning Sundance is not a distribution plan. Well I was involved in a project, written and directed by Diane Bell, that did just that. It won not one but two awards at Sundance. She didn't count on winning, hell she didn't think in her wildest dreams that she would even be accepted. Here's the story.In 2010, 16 feature films were selected out of 1,058 submissions to be screened in the US Dramatic Competition at the Sundance Film Festival.  Diane Bell's OBSELIDIA was one of them.  It was made for less than $140,000, it had no movie stars in it, and none of the cast or crew had connections to Sundance.  And yet it was picked out of the slush pile, and selected to premier on this world stage, alongside movies that had cost 100 times as much with big name movie stars and recognized directors.OBSELIDIA, premiered in the US Dramatic Competition at the Sundance Film Festival 2010, where it won the Alfred P. Sloan Award and the award for Excellence in Cinematography. It was nominated for two Independent Spirit Awards 2011, including one for Best First Screenplay. It won acclaim at festivals around the world, including being named as Best of Fest at the Edinburgh Film Festival, Best Narrative Feature at Ashland Independent Film Festival, and winning the Youth Jury Prize for Best Film at the Valladolid Festival, Spain.If you ever wanted to know what it was like to be accepted and win awards at the Sundance Film Festival sit back and enjoy on conversation with Diane Bell.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

28 Jul 20161h 40min

IFH 089: How To Write A Screenplay with Fight Club Screenwriter Jim Uhls

IFH 089: How To Write A Screenplay with Fight Club Screenwriter Jim Uhls

We I have a MAJOR treat for the tribe this week. I have no other than Jim Uhls, the master screenwriter behind David Fincher's "Fight Club", one of the greatest films in my generation, in my humble option.When Chuck Palahniuk's Fight Club was making the rounds in Hollywood, it was a tough sale to be adapted for the screen. But then Brad Pitt got involved; add David Fincher and Ed Norton, throw Jim Uhls into the mix and you've got a modern classic.Jim’s sceenwriting credits include of course the modern classic “Fight Club” the feature-film "Jumper" the NBC television film "Semper Fi" and the SyFy miniseries "Spin".In this remarkable discussion Jim Uhls breaks the first rule of Fight Club: He talks about it, working with David Fincher, why he hates outlines and why you should interview your characters. Step inside the mind of the man who figured out how to conquer Hollywood as he lays down knowledge bomb after knowledge bomb in this eye opening interview.Towards the end of the interview Jim gives easily the GREATEST ADVICE ON HOW TO BECOME A WORKING SCREENWRITER I'VE EVER HEARD! This podcast is not to be missed.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

20 Jul 20161h 21min

IFH 088: Why Filmmakers are Always So F*ckin' Broke & What They Can Do to Change It

IFH 088: Why Filmmakers are Always So F*ckin' Broke & What They Can Do to Change It

I'm truly PISSED OFF guys and am tired of seeing my fellow indie filmmakers and artist struggle to make a living doing what they love. I decided to put together a lists of steps that every indie filmmaker needs to do in order to thrive in the film business.Since this website is call INDIE FILM HUSTLE the terminology I'll be using will be aimed at filmmaking or screenwriting but all of these concepts can be applied to any art form.PLEASE NOTE: If you were to ever listen to a podcast of mine, this is the one. I'll be laying out the steps in the article but I go MUCH DEEPER into each one on the podcast. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

18 Jul 201655min

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