IFH 692: How I Wrote Erin Brockovich with Susannah Grant

IFH 692: How I Wrote Erin Brockovich with Susannah Grant

In the male-dominated world of Hollywood, Susannah Grant has emerged as a powerful force, breaking barriers and reshaping the landscape of screenwriting. With her unique storytelling abilities and uncompromising vision, Grant has become a trailblazer, paving the way for women in the film industry.

Born on January 4, 1963, in New York City, Grant developed a passion for storytelling at a young age. She attended Amherst College, where she studied English and received her Bachelor of Arts degree. Grant's love for writing and storytelling drove her to pursue a career in screenwriting, and she enrolled in the prestigious American Film Institute in Los Angeles.

Grant's breakthrough moment came in 1995 when she wrote the screenplay for the critically acclaimed film, "Pocahontas." Her heartfelt and emotionally resonant script earned her widespread recognition, including an Academy Award nomination for Best Adapted Screenplay. This achievement placed Grant in an elite category, as she became one of the few women to receive such recognition in the film industry.However, it was her work on the film "Erin Brockovich" in 2000 that solidified her position as a groundbreaking screenwriter. Grant's masterful script, based on a true story, portrayed the journey of Erin Brockovich, a determined legal assistant who takes on a corporate giant. The film, directed by Steven Soderbergh and starring Julia Roberts, became a critical and commercial success, earning Grant her second Academy Award nomination.Grant's screenwriting prowess lies in her ability to tell stories that resonate deeply with audiences. Her characters are flawed, complex, and relatable, capturing the essence of the human experience.

Whether it's exploring themes of justice, resilience, or personal growth, Grant's writing delves into the core of the human condition, leaving a lasting impact on viewers.Beyond her skillful storytelling, Grant's contribution to the industry extends to her advocacy for women in film. She has been a vocal supporter of gender equality and has actively fought against the gender disparity that exists within the industry. Grant believes in creating opportunities for female filmmakers and has mentored and championed aspiring women writers, directors, and producers, encouraging them to tell their stories and make their mark in Hollywood.In addition to her screenwriting work, Grant has ventured into directing. In 2007, she made her directorial debut with the film "Catch and Release," which she also wrote. While the film received mixed reviews, it showcased Grant's versatility as a storyteller and her willingness to take creative risks.Grant's impact on the film industry cannot be overstated.

Through her groundbreaking work and unwavering commitment to her craft, she has inspired a new generation of female storytellers, empowering them to shatter the glass ceiling and claim their rightful place in the world of cinema.As the landscape of Hollywood continues to evolve, Susannah Grant remains a steadfast figure, pushing boundaries, challenging conventions, and amplifying the voices of underrepresented communities. Her dedication to storytelling and advocacy serves as a guiding light, reminding us of the transformative power of cinema and the importance of diverse perspectives.In a time when the call for inclusivity and gender equality is louder than ever, Susannah Grant's legacy stands as a testament to the strength, resilience, and creativity of women in film. Through her remarkable career, she has proven that a powerful story knows no gender and that the talent and passion of women in the industry are indispensable. Susannah Grant's impact will continue to be felt for generations to come as she paves the way for a more inclusive and representative film industry.

Please enjoy my conversation with Susannah Grant.




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Episoder(978)

IFH 273: Movie Theaters are DEAD...Not So Fast with Phil Contrino

IFH 273: Movie Theaters are DEAD...Not So Fast with Phil Contrino

Are movie theaters dead? Every summer there is a barrage of articles announcing the death of the movie theater experience. Those articles state the new generation is not interested in going to the movies anymore, that they stream everything.This kind of rhetoric has been spouted off since television was invented. Then it was VHS, then DVDs and not streaming. Movie theaters have always been able to find a happy home and compliment the new movie screening technology of the day. Today on the show we have Phil Contrino from N.A.T.O,  the National Association of  Theatre Owners. Phil and I discuss the movie-going experience. What theaters are doing right and where they can improve. We also discuss what place indie films have in the modern day movie theater experience.I've always had a ​love for the movies. It's like a church for me. Whenever I've been in a tough place in my life I go to the movies to escape, think and see what comes to me. It's almost meditative. I truly hope they'll always be a form of the communal movie going experience and I have a feeling there will be.​ Enjoy my conversation with Phil Contrino.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

23 Okt 201845min

IFH 272: How to Sell Ancillary Products for Your Indie Film (Pool Party Massacre) with Drew Marvick

IFH 272: How to Sell Ancillary Products for Your Indie Film (Pool Party Massacre) with Drew Marvick

For years now I've been preaching how filmmakers need to create ancillary products for their indie films. (listen to this episode for more on that.) Today's guest has done an amazing job at doing just that. Drew Marvick is the writer/director of the 80's style horror indie film Pool Party Massacre.Drew not only made his film, which took over a year to complete, but decided to target his core audience and sell amazing assortments​​ of products based on his film. The audience ate it up. Drew and I break down how he came up with his marketing plan, how he sources his classic VHSs, where he had that killer poster made, his sales numbers and how the hell he had an action figured made for a low budget horror film. BTW, check out the amazing artwork he had designed for Pool Party Massacre.Enjoy my eye-opening conversation with Drew Marvick.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

22 Okt 20181h 16min

IFH 271: Going Undercover and Directing for VICE with Natalia Leite

IFH 271: Going Undercover and Directing for VICE with Natalia Leite

Today's guest is writer/director Natalia Leite. This director is one of the bravest filmmakers I've ever met. Her work on the VICE documentary ‘Life as a Truck-Stop Stripper was breathtaking. Not only did she direct the piece but one of the subjects in the film as well.Enjoy my conversation with Natalia Leite.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Okt 201854min

IFH 270: Changing the World with Your Documentary with Susan Kucera

IFH 270: Changing the World with Your Documentary with Susan Kucera

Today on the show we have documentarian, Susan Kucera. Here new film Living in the Future's Past stars Academy Award® winner Jeff Bridges.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Okt 201829min

IFH 269: IFHTV - The World's 1st Streaming Service for Filmmakers & Screenwriters

IFH 269: IFHTV - The World's 1st Streaming Service for Filmmakers & Screenwriters

The wait is over! This is what I've been working on for months. May I introduce you to IFHTV (Indie Film Hustle TV), the world's first streaming service dedicated to filmmakers, screenwriters, creatives and content creators.I wanted to create a place where film creatives and storytellers could be informed and inspired, no matter where you lived in the world. When I was younger I would hunt for any content on filmmaking, behind the scenes, screenwriting, etc. Combing through DVDs, Laserdiscs and even VHS.IFHTV is the natural evolution of Indie Film Hustle. My mission is to help as many creatives, filmmakers and screenwriters on their artist path. I hope to grow the platform into a Netflix-style place for people to learn and be inspired.IFHTV will not only be an educational platform but it will also stream content covering the film business, acting, filmmaking, post-production, screenwriting, storytelling:Feature FilmsDocumentariesSeriesDocumentary FilmmakingSocial Media and MarketingDistributionCinematographyFilm HistoryExclusive InterviewsExclusive IFHTV Original Content and ShowsInspirational Films as wellIFHTV will launch worldwide November 1, 2018. It will be accessible on over 1000 devices including iOS devices, Android devices, MACs, PCs, streaming media boxes such as Roku, Apple TV, Chromecast, and Nexus Player.The launch special will be $10.99 for 90 days. On Feb 1, 20,19 the price will go to $13.99. Take a listen to this episode to get all the low down on what I'm doing with IFHTV, including content, films, and documentaries we'll be launch with. Thanks for your support and I really hope you love IFHTV as much as I do.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

3 Okt 201816min

IFH 268: Leaving the Money to Chase that Filmmaking Dream with Drew Waters

IFH 268: Leaving the Money to Chase that Filmmaking Dream with Drew Waters

Have you ever been in a job you hate? Would you leave a stable job to follow your dream? Meet producer, director and actor Drew Waters. He did just that. Drew became an entrepreneur with three retail businesses and a commercial/residential construction company with partners. One day he woke up at the age of 30 and realized I wasn't fulfilled with what he was doing, so he thought back to the moment he was the happiest.That moment turned out to be a time, nearly ten years earlier when he was in Japan and was shooting a commercial. That realization led him to the decision to pursue a career in the entertainment industry.The next week he sold the companies to his partner and started acting/directing /producing. His first film was a D horror movie made for $3,500 That sold and was followed up by another D horror film that was made for $1,500.From there he made a 30k film in 10 days that sold to a distributor for a 50k MG.  Now after 14 years, 60+ acting credits, 7 produced films later and working with some of the best people in the business, he opened his own production company Argentum Entertainment. Together with his producing partner, he created, directed, produced his first $2m film called New Life. Following a limited theatrical release, it now has worldwide distribution and is selling well.I wanted to have Drew on to tell his story of how to follow your dream no matter what. He took a gambled and it paid off.Enjoy my inspirational conversation with Drew Waters.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

26 Sep 20181h

IFH 267: The RAW TRUTH - Self Distribution vs Traditional Distribution

IFH 267: The RAW TRUTH - Self Distribution vs Traditional Distribution

LET'S GET READY TO RUMBLE, self-distribution vs traditional distribution!!! I wanted to finally create an HONEST resource for indie filmmakers to learn the TRUTH about both forms of distributing their films.I get into the weeds on this one and talk about my experience self-distributing my film, This is Meg, what my experience was working with multiple domestic and international distribution companies and give examples on how and why self-distribution is a great path just not for every film.It's a knowledge bomb packed episode so get ready to take some notes. Knowledge is power. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

21 Sep 201844min

IFH 265: Indie Film Producing - The Craft of Low Budget Filmmaking with Suzanne Lyons

IFH 265: Indie Film Producing - The Craft of Low Budget Filmmaking with Suzanne Lyons

Today on the show we have returning champion producer Suzanne Lyons. Suzanne was one of my first guests (IFH 015) on the podcast. Her episodes are some of my most downloaded episodes so I had to have her back on to talk shop.Suzanne will go over a ton of information on how to produce an indie feature film. She covers:The dos and don'ts of Low Budget FilmmakingWhat is Soft Prep?ContractsWorking with unionsThe hell of deliverablesand much moreWe also discuss Suzanne's new course Indie Film Producing Masterclass:Here's some info on the Indie Film Producing Masterclass:Have you ever wondered what it really takes to produce an independent film? How raise money, dealing with contracts, SAG agreements and putting together sales presentations for investors? Then this masterclass is for you.Award-winning film producer Suzanne Lyons is about to take you from script to screen and beyond in this Mastermind workshop. After producing a number of bigger budget features Suzanne thought producing the SAG ultra-low and modified budget films would be a piece of cake. Boy, was she wrong? Wearing 100 different hats was a challenge and she learned so much. And now she will be sharing all that great info with you.In this Mastermind workshop, you’ll learn from her experience and benefit from her success. Suzanne will take you through a structured crystal, clear step by step process that will actually make low budget filmmaking easy and fun!This workshop is unique in that it will literally guide you through the entire process of making your film. From her own hands-on experience, she will be addressing every detailed facet of filmmaking.“Suzanne has that rare ability to combine artistic creativity and smart business sense… she’s proven that by taking a SAG ultra-low budget and somehow squeezing out a quality film that looks like it cost a million!” Academy Award® Winner Mark L. Smith, Writer/Director “Séance” Writer, “The Revenant”“Suzanne is brilliant… take her workshop and put her suggestions to work and you’ll be amazed at the extraordinary results you’ll produce.” Ross Grayson Bell, Producer “Fight Club”From option a screenplay, development, designing your business plan, opening your film company, hiring your line producer and director. Finessing your budget, schedule and film timeline. Being smart about contracts and paperwork. Casting and working with actors. The details of pre, principle, and post, choosing your sales agent, preparing for film delivery and festivals, and so so so much more.You'll also get a BONUS PACK of the real world used contracts, agreements and business plans word and PDF worth over thousands.Enjoy my conversation with producer Suzanne Lyons.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

11 Sep 20181h 8min

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