IFH 692: How I Wrote Erin Brockovich with Susannah Grant

IFH 692: How I Wrote Erin Brockovich with Susannah Grant

In the male-dominated world of Hollywood, Susannah Grant has emerged as a powerful force, breaking barriers and reshaping the landscape of screenwriting. With her unique storytelling abilities and uncompromising vision, Grant has become a trailblazer, paving the way for women in the film industry.

Born on January 4, 1963, in New York City, Grant developed a passion for storytelling at a young age. She attended Amherst College, where she studied English and received her Bachelor of Arts degree. Grant's love for writing and storytelling drove her to pursue a career in screenwriting, and she enrolled in the prestigious American Film Institute in Los Angeles.

Grant's breakthrough moment came in 1995 when she wrote the screenplay for the critically acclaimed film, "Pocahontas." Her heartfelt and emotionally resonant script earned her widespread recognition, including an Academy Award nomination for Best Adapted Screenplay. This achievement placed Grant in an elite category, as she became one of the few women to receive such recognition in the film industry.However, it was her work on the film "Erin Brockovich" in 2000 that solidified her position as a groundbreaking screenwriter. Grant's masterful script, based on a true story, portrayed the journey of Erin Brockovich, a determined legal assistant who takes on a corporate giant. The film, directed by Steven Soderbergh and starring Julia Roberts, became a critical and commercial success, earning Grant her second Academy Award nomination.Grant's screenwriting prowess lies in her ability to tell stories that resonate deeply with audiences. Her characters are flawed, complex, and relatable, capturing the essence of the human experience.

Whether it's exploring themes of justice, resilience, or personal growth, Grant's writing delves into the core of the human condition, leaving a lasting impact on viewers.Beyond her skillful storytelling, Grant's contribution to the industry extends to her advocacy for women in film. She has been a vocal supporter of gender equality and has actively fought against the gender disparity that exists within the industry. Grant believes in creating opportunities for female filmmakers and has mentored and championed aspiring women writers, directors, and producers, encouraging them to tell their stories and make their mark in Hollywood.In addition to her screenwriting work, Grant has ventured into directing. In 2007, she made her directorial debut with the film "Catch and Release," which she also wrote. While the film received mixed reviews, it showcased Grant's versatility as a storyteller and her willingness to take creative risks.Grant's impact on the film industry cannot be overstated.

Through her groundbreaking work and unwavering commitment to her craft, she has inspired a new generation of female storytellers, empowering them to shatter the glass ceiling and claim their rightful place in the world of cinema.As the landscape of Hollywood continues to evolve, Susannah Grant remains a steadfast figure, pushing boundaries, challenging conventions, and amplifying the voices of underrepresented communities. Her dedication to storytelling and advocacy serves as a guiding light, reminding us of the transformative power of cinema and the importance of diverse perspectives.In a time when the call for inclusivity and gender equality is louder than ever, Susannah Grant's legacy stands as a testament to the strength, resilience, and creativity of women in film. Through her remarkable career, she has proven that a powerful story knows no gender and that the talent and passion of women in the industry are indispensable. Susannah Grant's impact will continue to be felt for generations to come as she paves the way for a more inclusive and representative film industry.

Please enjoy my conversation with Susannah Grant.




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Episoder(978)

IFH 256: Desiderata: Blueprint for Being a Successful Filmmaker, Screenwriter and Person

IFH 256: Desiderata: Blueprint for Being a Successful Filmmaker, Screenwriter and Person

We have a special show this week. I've always have loved the poem Desiderata and thought it would be of value to the IFH Tribe. I hope reading or listening to Desiderata brought a bit of light and hope to you on your filmmaking or screenwriting journey. Keep that dream alive and I'll speak to you next week!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

26 Jul 20185min

IFH 255: Behind the Curtain of Blackmagic Design with President Dan May

IFH 255: Behind the Curtain of Blackmagic Design with President Dan May

If you are an avid listener of this podcast you know how much I LOVE Blackmagic Design products. From giving away Davinci Resolve for free to releasing a 4K Pocket Camera with RAW, Blackmagic is truly in the corner of every filmmaker. Their motto is..."Power to the people!"I always wanted to know how and why they make such amazing products for filmmakers at such ridiculously affordable prices. Today's guest, Dan May - President of Blackmagic Design, would be the man to ask. I go deep into the weeds on how the company works, why they make their products so accessible to so many people and why they care so much about the little guy.Just to clarify, no I was not paid for this interview at all. I really wanted to get into the mind of one of my favorite camera and post-production companies. We also talk a little bit about gear.Enjoy this rare look behind the curtain at Blackmagic Design with President Dan May.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

24 Jul 20181h 4min

IFH 254: What Does a First Assistant Director Really Do? with Brandon Riley

IFH 254: What Does a First Assistant Director Really Do? with Brandon Riley

What does a First Assistant Director actually do on set? Do you need one? The short answer is YES! I've directed with no First Assistant Directors, with bad 1st Assistant Directors, and with world-class First ADs and trust me I rather work with the latter. Today's guest is First Assistant Director, Brandon Riley. Brandon started out in the entertainment industry working as an Assistant Director and later joined the DGA. With a vast knowledge of how a set operates and functions, Brandon has since gone on to produce, line produce and UPM features and TV projects. Brandon is a natural born leader who aims to lead every show in a calm assertive manner. He prides himself in aiming to create an environment where both cast and crew are treated well and have an enjoyable experience on set.  Brandon is one who continually tries to bring the best out in others and always pushes for excellence in every area. He has a passion for problem-solving and is an invaluable team player.Enjoy my conversation with Brandon Riley.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Jul 201848min

IFH 253: No Film School Needed - Direct & Sell Six Features in Two Years with Elizabeth Blake-Thomas

IFH 253: No Film School Needed - Direct & Sell Six Features in Two Years with Elizabeth Blake-Thomas

I have an inspirational treat for you today. On the show, we have writer/producer/director Elizabeth Blake-Thomas. She has recently financed, written, directed and sold six feature films in the past two years, with no professional film school training. Elizabeth has been involved in the creative industries for over 30 years. Studying drama from a young age led her to run theatre schools, train other students and companies and work in various creative industries, culminating in where she is now, a director and writer.When I heard her story I had to hunt her down and find out how she did it. BTW, she's not stopping, Elizabeth is currently in prep for three more feature films. Talk about hustle. She is the definition of the phrase "INDIE FILM HUSTLE." Enjoy my conversation with Elizabeth Blake-Thomas.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Jul 201841min

IFH 252: Rebel without a Crew - $7000 Feature Film Robert Rodriguez Style with Alejandro Montoya Marin

IFH 252: Rebel without a Crew - $7000 Feature Film Robert Rodriguez Style with Alejandro Montoya Marin

Today on the show we have writer/director Alejandro Montoya Marin. He had the pleasure of being selected to be a director on Robert Rodriguez's Rebel without a Crew Television Show. If you've been following me at all over the past three years you'll know how much of a fan I am of Robert Rodriguez (check out How to Make Rodriguez's Guacamole Gun). Here's some info on the show.Armed with a ridiculously low budget and just 14 days to shoot his movie, Robert Rodriguez created El Mariachi an award-winning film that changed independent filmmaking. The 12-part "Rebel Without a Crew: The Series" follows Scarlet Moreno, Alejandro Montoya Marin, Bola Ogun, Josh Stifter, and Bonnie-Kathleen "BK" Ryan as they shoot their own feature-length film in 2 weeks with a budget of only $7,000.I had a ball talking with Alejandro Montoya Marin about filmmaking, working with Robert Rodriguez, his experience being on a reality show and making his film MONDAY for $7000 and in 14 days.Enjoy my conversation with Alejandro Montoya Marin.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

3 Jul 201843min

IFH 251:  How to Get Your Indie Film on Netflix with Neil Ames

IFH 251: How to Get Your Indie Film on Netflix with Neil Ames

Today on the show we have Neil Ames from Distribber. Neil is the Netflix Yoda over at Distribber. He's been working with Netflix since before they were a streaming juggernaut. I wanted Neil to come on the show and pull back the curtain on the inner workings of Netflix. We discuss:What Netflix is looking for?How to submit an indie film to Netflix?How does Netflix decide what to license?What you can do as a filmmaker to have a better chance of getting on Netflix.What Netflix typically pays for acquisitionsand a ton more.So if you ever wanted to get your film on Netflix get ready to take some notes, my friend. Enjoy my conversation with Neil Ames.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

28 Jun 201850min

IFH 250: The Secret to Making Money with an Independent Film

IFH 250: The Secret to Making Money with an Independent Film

We are here! Episode #250! I can't believe we got here. I'm humbled that the IFH Tribe has allowed me to continue this show for almost three years now. I wanted to do something special for episode #250 so today I'm going to talk about The Secret to Making Money with an Independent Film. After being a part of over 60 features films and studying hundreds more I've noticed a few things that filmmakers should avoid.This is not all just doom and gloom I promise. I also go over what I think the future of independent film is and how you can be a part of it. So please enjoy this episode and I hope it's of value to you on your filmmaking journey. Keep on hustlin'!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

26 Jun 201828min

IFH 249: How to Breakdown the Door in Hollywood with Carole Kirschner

IFH 249: How to Breakdown the Door in Hollywood with Carole Kirschner

Today's guest is Carole Kirschner. Carole was at CBS Comedy and then hired as Vice President of Steven Spielberg’s first Amblin Television. During that time, Carole heard more than 3,000 pitches, bought hundreds of scripts, and was involved in developing dozens of television series.In all, she probably read about 5,000 scripts. She created the CBS Diversity Institute Writers Mentoring Program, which she has run for 14 years.  Soon after, Carole was asked to help Jeff Melvoin (creator of the WGA Showrunner Training Program) develop the program’s curriculum. She has also been running that program for the past 13 years.Carole Kirschner wrote a book revealing the “inside,” unwritten truth about what it takes to succeed in this business. Hollywood Game Plan: How to Land a Job in Film, TV and Digital Entertainment has been enthusiastically received and is used in many colleges and universities across the country. We discuss breaking into the business, working with Steven Speilberg and how to create a career in Hollywood.Enjoy my conversation with Carole Kirschner.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

21 Jun 20181h 3min

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