IFH 705: How to Tell Your Internal Story with Jen Grisanti

IFH 705: How to Tell Your Internal Story with Jen Grisanti

Today on the show we have Hollywood Story/Career Consultant and former Studio Executive Jen Grisanti. Grisanti is also a Writing Instructor for Writers on the Verge at NBC, a former studio executive, a blogger for The Huffington Post and author of Story Line: Finding Gold in Your Life Story, TV Writing Tool Kit: How To Write a Script That Sells, and her recent book Change Your Story, Change Your Life: Using Shamanic and Jungian Tools to Achieve Personal Transformation.Over twenty years ago, Jen Grisanti started her career as an assistant to Aaron Spelling, who served as her mentor for 12 years.

She quickly climbed the ranks and eventually ran Current Programs at Spelling Television Inc., covering all of Spelling’s shows including Beverly Hills, 90210, Melrose Place and Charmed. In 2004, Grisanti was promoted to Vice President of Current Programs at CBS/Paramount where she covered numerous shows including Medium, Numbers, NCIS, 4400 and Girlfriends.

In January 2008, Grisanti launched Jen Grisanti Consultancy, Inc., a highly successful consulting firm dedicated to helping talented writers break into the industry. Drawing on her years of experience as a studio executive where she gave daily notes to executive producers/showrunners, Grisanti personally guides writers to shape their material, hone their pitches and focus their careers.Since launching her consulting firm, Jen Grisanti worked with over 1000 writers specializing in television, features, and novels. Due to her guidance, over ninety of her clients have staffed as writers on television shows, fifty-three have sold pilots, and six of those pilots have gone to series.

Enjoy my conversation with Jen Grisanti.

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Episoder(986)

IFH 026: Is Film School Really Worth the Cost?

IFH 026: Is Film School Really Worth the Cost?

Is Film School Really Worth the Cost?Let me start by saying that I’m a big believer in education and constant learning throughout life. I believe that the only way to truly experience the amazing thin...

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IFH 024: How I Made Over $90,000 Selling my Short Film

IFH 024: How I Made Over $90,000 Selling my Short Film

So I directed a small action short film a few years back called "BROKEN." I shot the film on MiniDV Tape (yes I'm old) on the Panasonic DVX 100a, the indie film workhorse of its day. My team and I fil...

17 Nov 201517min

IFH 023: Crowdfunding Your Indie Film Like a Pro with Emily Best

IFH 023: Crowdfunding Your Indie Film Like a Pro with Emily Best

Crowdfunding has always been a mystery to me. I never really understood how indie filmmakers can raise $50,000, $100,000 or $1,000,000 to make their films. I tried once with the "if I built they will ...

12 Nov 201558min

IFH 022: Does Your Indie Film Have a Audience?

IFH 022: Does Your Indie Film Have a Audience?

I'm never surprised anymore when I speak to filmmakers and ask them one simple but powerful question, does your film have an audience?I usually just get a blank stare. This is probably the most import...

10 Nov 201513min

IFH 021: Wakaliwood: Introducing Uganda's Quentin Tarantino Isaac Nabwana with Alan Hofmanis

IFH 021: Wakaliwood: Introducing Uganda's Quentin Tarantino Isaac Nabwana with Alan Hofmanis

Imagine you were back in the early 1900’s, when the film industry was a newborn. People were learning and experimenting with the new technology of moving pictures.Craftsmen were excited about discover...

5 Nov 201554min

IFH 020: Why Indie Filmmakers Should NOT Shoot 4k!

IFH 020: Why Indie Filmmakers Should NOT Shoot 4k!

An issue I see come up again and again is indie filmmakers shooting a format that they can't handle in post production. Currently the big buzz word is "Ultra High Definition."Technically, "Ultra High ...

3 Nov 201516min

IFH 019: How to Make a Terrifying Horror Film with Edwin Pagan

IFH 019: How to Make a Terrifying Horror Film with Edwin Pagan

Making scary independent horror films in the current marketplace is difficult to say the least. Today’s sophisticated audiences are getting harder and harder to scare every dayWhen many filmmakers sta...

29 Okt 20151h 26min

IFH 018: Don't Only Hire a DP because they own a RED Camera!

IFH 018: Don't Only Hire a DP because they own a RED Camera!

Now before I get a bunch of hate mail please let me explain. I love cinematographers. You can;t make a movie without on. It's by far one of the toughest positions on set. The pressure is immense.With ...

27 Okt 201513min

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