276 – Otis Brown III: Playing with Esperanza Spalding and Joe Lovano, The New School Environment, Racial Justice in Jazz
Working Drummer2 Jul 2020

276 – Otis Brown III: Playing with Esperanza Spalding and Joe Lovano, The New School Environment, Racial Justice in Jazz

Otis Brown III is a Grammy-nominated jazz drummer, composer, and recording artist who is a go-to session and touring sideman. He is best-known for his work with Joe Lovano in Us Five, and Esperanza Spalding, though he has been on dozens of sessions and is as noteworthy for backing singers as he is instrumentalists. Brown III was born in Hackensack, New Jersey. His mother was a vocal music teacher and choir director, and his father a school band instructor and noted percussionist who played with Al Green and James Brown. The younger Brown III began his musical studies on alto saxophone at the age of seven under his father’s tutelage, and showed early promise. He played not only in school but in church. After moving to Newark where he attended high school, he played alto in jazz orchestra and snare drum in the marching band, both of which were directed by his dad. Brown III attended Delaware State University where he came under the tutelage and mentorship of jazz trumpeter Donald Byrd, an influence that would prove to be profound. After completing his studies at Delaware State, he earned a scholarship to New School for Jazz and Contemporary Music in New York — his classmates included pianist Robert Glasper, saxophonist John Ellis, vocalist Bilal Oliver, and trumpeter Kenyon Harrold. In New York, Brown III studied with Larry Goldings, Lewis Nash, Horacio “El Negro” Hernandez, Carl Allen, and others.In this episode, Otis talks about Check out Beier Snare’s here – https://www.beierdrums.com In this episode, Otis talks about: * Reconnecting with some of the music that inspired him early on* Growing up the son of musicians and music educators* The accessibility of heroes in New York* His experience at The New School, and his perspective on music education* His thoughts on racial justice in the music world, and how music can and should deliver a message

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340 - Shawn Zorn: Memphis Over Nashville, Playing with Mike Doughty and Other Songwriters

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339 - Dave Moraata: Drumming for Saving Abel, Finding His Own Voice in a Town Like Nashville, Learning from Podcasts!

339 - Dave Moraata: Drumming for Saving Abel, Finding His Own Voice in a Town Like Nashville, Learning from Podcasts!

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338 - Sam Merrick: Resuming the "Hamilton" Tour, Building Cred in Multiple Cities, The Team Effort of a Sample Pack

338 - Sam Merrick: Resuming the "Hamilton" Tour, Building Cred in Multiple Cities, The Team Effort of a Sample Pack

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337 - Chuck Palmer: Applying Drumming Expertise to Produce, Write, Arrange, Conduct and Create, Collaborating with Cellist Dave Eggar

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336 - Cameron Tyler: Carving a Niche in Las Vegas On and Off the Strip

336 - Cameron Tyler: Carving a Niche in Las Vegas On and Off the Strip

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335 - Bobby Jarzombek: From Fates Warning to George Strait, Splitting Duties Between Metal and Country

335 - Bobby Jarzombek: From Fates Warning to George Strait, Splitting Duties Between Metal and Country

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334 - George Sluppick: The Memphis Vibe, The Sample Pack Business Model,  Erasing Genre

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