Switched on Pop22 Okt 2024

The virtuosity of Stevie Wonder

Stevie Wonder may be our modern day Mozart. A child prodigy, he joined Motown as a preadolescent where he was marketed as “Little” Stevie Wonder. He wowed audiences with his virtuosic command of the piano, harmonica, drums and of course, vocals. At just 13, he had his first number one hit “Fingertips Part II.” It was an unusual chart topper, featuring a live recording of mostly improvised music with Wonder switching between instruments as the audience cheered him on. But Wonder’s musical potential was far more than a gimmick. In the 1970s, Wonder broke free from the confines of his initial recording contract, securing his artistic and financial freedom. Between 1971 and 1976, during what is now known as his "classic period," he released five of the most iconic albums in popular music, beginning with Music of My Mind and culminating in Songs in the Key of Life. These albums showcased his musical genius and included timeless songs that have become part of the modern pop canon, touching on themes of love, heartbreak, justice, and spirituality. Few child prodigies fulfill their potential as profoundly as Stevie Wonder. With the help of Wesley Morris, NYT critic and host of the spectacular audio series The Wonder of Stevie, Switched on Pop looks back on some of Stevie Wonder’s strongest compositions, exploring what makes him our contemporary musical maestro. Songs Discussed: Stevie Wonder - "Girl Blue" Stevie Wonder - "Superwoman (Where Were You When I Needed You)" Stevie Wonder - "Superstition" Stevie Wonder - "Golden Lady" Stevie Wonder - "Isn't She Lovely" Stevie Wonder - "I Wish" Stevie Wonder - "Sir Duke" Stevie Wonder - "As" Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Episoder(552)

The power of singing together (ft. Tiny Habits)

Throughout pop history, groups from The Ink Spots to the Beach Boys to Fleetwood Mac all forged their sound in the alchemy of vocal harmonies, harnessing the magic that happens when different voices j...

15 Sep 40min

Questionably Country

For the first time in history, five country songs were at the top of the Billboard Hot 100. Ella Langley, Morgan Wallen, Taylor Swift and Stella Lefty all have songs that range from two-stepping hits ...

1 Sep 34min

Phoebe Bridgers opens her Moleskine

Many of us keep a journal, but few of us are able to turn our unvarnished thoughts into cultural moments touching on love, death, and guitars quite like Phoebe Bridgers. Her new album Lost Weekend isn...

25 Aug 36min

We have Confessions to make...

Madonna has returned this summer with Confessions II: an album full of huge hooks, pounding bass, and sincere emotion. It’s the queen of pop's first record in seven years, and serves as a sequel to he...

18 Aug 39min

A piano lesson that will change how you listen (ft. Lang Lang)

For many people – including Charlie and Nate – studying classical piano as a child always felt like a chore. Now, as adults, there’s a newfound appreciation for classical music, but the art form isn’t...

11 Aug 36min

IV. Take It to the Bridge (ft. Tayla Parx)

Bridges open up the world of a song: they're a breath of fresh air and a point of contrast, typically delivered right before the final chorus. But sometimes they accomplish even more, changing the who...

4 Aug 42min

III. Preaching to the Chorus (ft. Cypress Hill and Trevor Horn)

The chorus was once the part of the song that brought us together, the place we gathered to sing. Now it's the most engineered thirty seconds in music. Legendary producer Trevor Horn and hip-hop icon ...

28 Jul 50min

II. Justice for the verse (ft. Audrey Hobert)

Everybody sings the chorus, but superfans quote the verse. On this episode of Switched on Pop, Charlie and Nate trace the verse from Shakespeare through opera to TikTok, and songwriter Audrey Hobert s...

21 Jul 33min