200 – Chris McHugh, “Best Of” Roundtable: Seth Rausch, Harry Miree, Travis McNabb & Hubert Payne
Working Drummer16 Jan 2019

200 – Chris McHugh, “Best Of” Roundtable: Seth Rausch, Harry Miree, Travis McNabb & Hubert Payne

To celebrate our 200th episode, we invited four of our favorite past guests – Seth Rausch, Travis McNabb, Hubert Payne, and Harry Miree – to participate in a roundtable discussion. We then did an extended interview with Chris McHugh. The show was recorded and filmed at The Drum Pad in Nashville at Drum Paradise. Seth Rausch is a skillful drummer currently working as the touring drummer for Keith Urban. Other artists he’s worked for include Gary Allan, Joe Nichols, Phil Vassar, and Little Big Town. While he was with Little Big Town, he had the opportunity to record on two of their records and work with producer Jay Joyce. He continues to collaborate and record with some of Nashville’s top writers, musicians, and producers. Travis McNabb is best known as a longtime member of the band Better Than Ezra, and brings his style and integrity to every situation. In mid-2007, He became the full-time touring and recording drummer with Grammy-award winning act Sugarland. He puts his years of recording and engineering experience to use in his own home studio and in recent years he’s been the drummer for country artist, Frankie Ballard. Hubert Payne excelled at football in high school and college and won two State Championships. His athletic skills as well as superb drumming skills continue to inspire. He has worked with many nationally-touring country artists that include Love & Theft, David Nail, Casey James, and since early 2015, Little Big Town. Harry Miree has built a successful YouTube channel where he covers many topics like “The True Life of a Side Musician, Open Handed Techniques, alternatives to playing a Cajon and many other useful videos. He has over 76,000 subscribers and is currently the touring drummer for LoCash. In this podcast, the roundtable panel talks about: * Goals and intentions for 2019 * Physical and psychological challenges * What listening means to them * Memorable mistakes and lessons learned from them Chris McHugh is one of the most sought-after drummers in the Nashville recording scene. His playing can be heard on thousands of recordings dating back to the mid-1980s. He has worked with some of the biggest names in music, including Keith Urban, Rascal Flatts, Michael Bolton, Blake Shelton, Toby Keith, LeAnn Rimes, Brooks & Dunn, Reba McIntire, Faith Hill, Kenny Rogers, Jars of Clay, Trace Adkins, Jewel, Garth Brooks, Carrie Underwood, Kelly Clarkson, Lionel Richie, and countless others. In this podcast, Chris talks about: * How his playing has changed conceptually over the years * What it means for your playing to have character * Being mentored by Larry Londin, and the current state of mentorship in Nashville * The homogenization of the recording industry (Nashville vs. L.A.) *

Episoder(549)

277 – Allen Jones: Drumming for Will Hoge, “DIY Touring”, Horror Stories from the Road

277 – Allen Jones: Drumming for Will Hoge, “DIY Touring”, Horror Stories from the Road

Growing up in southern Mississippi, Allen Jones spend his formative years creating his own music career through “DIY touring” and discovering his love of music and drumming. Since his move to Nashville, Tennessee he has played and/or recorded with Americana singer/songwriter Will Hoge and Lilly Hiatt, among others. In this episode, Allen talks about: * Tapping into the underground music scene even from a small town in Mississippi* “DIY Touring”* Growing your music community organically * Horror stories from the road* Moving to Nashville* Being excited about the music you’re playing * Recording the last two Will Hoge records BEIER SNARE AD INFO AND LINKS BELOW Check out Beier Snare’s here – https://www.beierdrums.com Mark Beckett is the drummer featured on the “snare drum of the week” David Northrup is the 2nd drummer in the Beier ad. You can find his solo CD here. Allen endorses Sabian Cymbals and Evans Drumheads

9 Jul 20201h 57min

276 – Otis Brown III: Playing with Esperanza Spalding and Joe Lovano, The New School Environment, Racial Justice in Jazz

276 – Otis Brown III: Playing with Esperanza Spalding and Joe Lovano, The New School Environment, Racial Justice in Jazz

Otis Brown III is a Grammy-nominated jazz drummer, composer, and recording artist who is a go-to session and touring sideman. He is best-known for his work with Joe Lovano in Us Five, and Esperanza Spalding, though he has been on dozens of sessions and is as noteworthy for backing singers as he is instrumentalists. Brown III was born in Hackensack, New Jersey. His mother was a vocal music teacher and choir director, and his father a school band instructor and noted percussionist who played with Al Green and James Brown. The younger Brown III began his musical studies on alto saxophone at the age of seven under his father’s tutelage, and showed early promise. He played not only in school but in church. After moving to Newark where he attended high school, he played alto in jazz orchestra and snare drum in the marching band, both of which were directed by his dad. Brown III attended Delaware State University where he came under the tutelage and mentorship of jazz trumpeter Donald Byrd, an influence that would prove to be profound. After completing his studies at Delaware State, he earned a scholarship to New School for Jazz and Contemporary Music in New York — his classmates included pianist Robert Glasper, saxophonist John Ellis, vocalist Bilal Oliver, and trumpeter Kenyon Harrold. In New York, Brown III studied with Larry Goldings, Lewis Nash, Horacio “El Negro” Hernandez, Carl Allen, and others.In this episode, Otis talks about Check out Beier Snare’s here – https://www.beierdrums.com In this episode, Otis talks about: * Reconnecting with some of the music that inspired him early on* Growing up the son of musicians and music educators* The accessibility of heroes in New York* His experience at The New School, and his perspective on music education* His thoughts on racial justice in the music world, and how music can and should deliver a message

2 Jul 20201h 26min

275 – Peter Retzlaff: Teaching at The Collective School of Music in NYC, Exposure to Multiple Cultures Through Music, Important Mentors in His Early Years

275 – Peter Retzlaff: Teaching at The Collective School of Music in NYC, Exposure to Multiple Cultures Through Music, Important Mentors in His Early Years

Peter Retzlaff is a New York City-based drummer. As a performer, Peter is equally at home in jazz, rock, funk, Brazilian, Afro-Cuban, Afro-Caribbean, odd meter, and New Orleans drumming styles. Peter has played with Kenny Werner, Greg Osby, Diane Schuur, Ray Vega, Maynard Ferguson, Pete McCann, Kim Bock, Loren Stillman, The BMI Big Band, The Jamie Begian Big Band, and his own group, Steeplechase recording artists Flow.   As an educator, Peter is Director of Curriculum and a full-time instructor at The Collective School Of Music (formerly known as The Drummer’s Collective). In addition, Peter teaches at the New School in New York City.  Peter is the author of two books, Turn It Up And Lay It Down: Baby Steps To Giant Steps and Contemporary Jazz Styles For Drums.  Peter received a B.A. in Jazz and Commercial Music and a B.A. in Business Administration from Capital University. He has also received a M.M. in Jazz Studies from the Manhattan School of Music and is the recipient of three National Endowment for the Arts Grants.  Check out Beier Snare’s here – https://www.beierdrums.com Featured Beier snare recording is Eddie Bayers drumming for Scotty Simpson In this episode, Peter talks about: * Why he moved from Columbus Ohio to New York City* Teaching at The Collective School Of Music* The books he published* The influence and inspiration of growing up in Columbus Ohio* The influence of diverse cultures in music* Teaching in New York in the midst of Covid-19 Peter endorses Innovative Percussion, Zildjian, Remo, and Canopus

25 Jun 20201h 35min

274 – Repost! The Black Drummers of Nashville 2017 Encore Edition: Building Relationships Upon the Common Ground of Music, Creating a Support System

274 – Repost! The Black Drummers of Nashville 2017 Encore Edition: Building Relationships Upon the Common Ground of Music, Creating a Support System

In this episode we have the opportunity to share the unique perspective of a group of talented black musicians who make their living in Nashville, Tennessee. They share stories of resilience and realism in an unpredictable work environment. Our guests include Keio Stroud, Derek Phillips, Jeremy Roberson, Marcus Finnie and Hubert Payne. Their respective artist gigs include Big and Rich, Chase Rice, Hank Williams Jr., Kirk Whalum, Little Big Town as well as other live and studio work that keeps these drummers busy. In this podcast, this round table discusses: * Building relationships upon the common ground of music* Being the only black person at an arena gig* Influencing the culture on and off the kit* Learning how to develop thick skin* Being mistaken as the band’s security* The influence of urban music in country music* Hands = knowledge / Ears = wisdom* Creating a support system Recommended resources: Duncan Trussell Podcast with guest Mehcad Brooks (ep 387) Drummers Resource Podcast with Host Daniel Glass – Black Sounds Matter pt 1 Drummers Resource Podcast with Host Daniel Glass – Black Sounds Matter pt 2 Black Lives Matter

18 Jun 20201h 40min

273 – Charlie Hunter: Master of the Hybrid Guitar, His Favorite Drummers, Valuing Uniqueness Over Versatility

273 – Charlie Hunter: Master of the Hybrid Guitar, His Favorite Drummers, Valuing Uniqueness Over Versatility

With a career spanning three decades and almost 20 albums, Charlie Hunter consistently ups his game as an innovative writer and bandleader. He has worked with the likes of Norah Jones , Mos Def, John Mayer, D’Angelo and countless others. He is widely considered the authority on the seven and eight – string guitar, and continues to stun audiences with his ability to simultaneously bust out tasty bass parts, melodic leads and swinging rhythms. Hunter has previously recorded for the venerable Blue Note label, Concord, Ropeadope, GroundUP and others. His recent independent venture is steered by his motivation to release music that most inspires him. Critics have touted his genius technique, but it’s his profound artistic sensibility that propels his original music. Hunter’s signature style of writing and performing has secured his place as one of today’s great guitarists. In this episode, Charlie talks about: * Developing his three-part playing style* The drummers he’s played with over the years, and what they have in common* The key to effective duo playing* Projects with singers Kurt Elling and Lucy Woodward, and why Derrek Phillips is the drummer for both* “The music education industrial complex” and how it is especially a disservice to drummers * Using quarantine to dismantle and reconstruct his playing and approach* How the live music industry could be reimagined from the ground up

11 Jun 20201h 18min

272 – Grady Saxman: Drumming, Engineering & Producing, Techniques for Small Room Recordings, Studio Etiquette

272 – Grady Saxman: Drumming, Engineering & Producing, Techniques for Small Room Recordings, Studio Etiquette

In the short time he’s been in Nashville Grady Saxman has gained a solid reputation in Nashville Tennessee as a Drummer, engineer and producer. From just drum tracks and demo recordings to singles, ep’s and fully produced records, Grady’s credits include many indie artists and writers to higher profile artists like Luke Combs and Uncle Kracker. In this episode, Grady talks about:  * His path to engineering and producing* The distinction between phase and polarity * Recording techniques for small rooms* The importance of mixing yourself when tracking * Playing drums on a Luke Combs single * Moving into the role of producer* The importance of being tech savvy in the modern scene * Studio etiquette

4 Jun 20201h 29min

271 – Fabio De Oliveira: Playing with George Ezra, Combining Pop Drumset and Brazilian Percussion, Looking for Balance After Covid

271 – Fabio De Oliveira: Playing with George Ezra, Combining Pop Drumset and Brazilian Percussion, Looking for Balance After Covid

Raised in London to Brazilian parents, and described as having the perfect mix of Brazilian passion and British sensibility, Fabio’s natural feel and broad understanding of various musical styes makes him one of London’s most versatile and in demand drummer/percussionists. In 2011 Fabio graduated with a First Class Honors Degree in Music Performance and Production from the London Centre Of Contemporary Music. In 2014 Fabio landed the job as stickman for number one selling artist George Ezra, giving him the opportunity to tour extensivley performing on some of the world’s biggest stages including Glastonbury Pyramid Stage, Madison Square Gardens, Montreux Jazz Festival, Coachella Music Festival and The Brits. Fabio has also backed George Ezra on TV shows such as Saturday Night Live, The Tonight Show with Jimmy Fallon, Ellen, Jimmy Kimmel, Conan O’Brien, The Late Show with James Corden, The Graham Norton Show, Alan Carr Chatty Man and Top Of The Pops. In this episode, Fabio talks about * What he’s been working on during lockdown* Translating non-drumset sounds to the drumset* His Brazilian heritage, and growing up as part of London’s Brazilian community* The positive and constructive environment of the London Centre of Contemporary Music* How making friends and getting gigs are one and the same* The importance of a supportive partner* Ways he’s going to adjust his professional priorities and life balance moving forward  Fabio endorses Istanbul Agop Cymbals, Vic Firth, Remo, Protection Racket, Porter & Davies, and Roland.

28 Mai 20201h 16min

270 – James Beier: Beier Drums, Bringing Back the 15″ Snare, An Honest and Personal Approach to Business

270 – James Beier: Beier Drums, Bringing Back the 15″ Snare, An Honest and Personal Approach to Business

But every once in a while there’s an opportunity to discuss the business of creating the tools that we all love. And, the lessons that we all can take away from such a discussion. James Beier talks about his process, work flow and what motivated him to build a snare drum that fit his vision of what a snare could be for the working drummer. With confidence, I’d say he’s done that and more. In addition to building a “workhorse” durable snare, he has single handedly reintroduced the 15” snare back into the drumming world. In this episode, James talks about: * James’ personal approach to introducing his drums to people * How he started Beier drums* Detailed description of what he offers* His amazing 4×15” snare* Creating a business and a work load that works for him* The importance of listening to others “One of the few traditionally manufactured instruments left in the industry today” “Beier Drums introduces a very alternative snare drum, something that may sign the time. As we all know-13, 12 and 10 inch snare drums have established the majority type of the used snares as current alternatives to the classical 14 inch standard over the years. Now, thanks to Beier, the 15 inch snare will be a valid alternative too” “A Timeless, Traditional, Classic, Original & Unchanging Series Of Snare Drums” “The only drum company ever to specialize in Steel for snare drums, and dedicate itself to the revitalization of it in the world of drums…”

21 Mai 20201h 8min

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