200 – Chris McHugh, “Best Of” Roundtable: Seth Rausch, Harry Miree, Travis McNabb & Hubert Payne
Working Drummer16 Jan 2019

200 – Chris McHugh, “Best Of” Roundtable: Seth Rausch, Harry Miree, Travis McNabb & Hubert Payne

To celebrate our 200th episode, we invited four of our favorite past guests – Seth Rausch, Travis McNabb, Hubert Payne, and Harry Miree – to participate in a roundtable discussion. We then did an extended interview with Chris McHugh. The show was recorded and filmed at The Drum Pad in Nashville at Drum Paradise. Seth Rausch is a skillful drummer currently working as the touring drummer for Keith Urban. Other artists he’s worked for include Gary Allan, Joe Nichols, Phil Vassar, and Little Big Town. While he was with Little Big Town, he had the opportunity to record on two of their records and work with producer Jay Joyce. He continues to collaborate and record with some of Nashville’s top writers, musicians, and producers. Travis McNabb is best known as a longtime member of the band Better Than Ezra, and brings his style and integrity to every situation. In mid-2007, He became the full-time touring and recording drummer with Grammy-award winning act Sugarland. He puts his years of recording and engineering experience to use in his own home studio and in recent years he’s been the drummer for country artist, Frankie Ballard. Hubert Payne excelled at football in high school and college and won two State Championships. His athletic skills as well as superb drumming skills continue to inspire. He has worked with many nationally-touring country artists that include Love & Theft, David Nail, Casey James, and since early 2015, Little Big Town. Harry Miree has built a successful YouTube channel where he covers many topics like “The True Life of a Side Musician, Open Handed Techniques, alternatives to playing a Cajon and many other useful videos. He has over 76,000 subscribers and is currently the touring drummer for LoCash. In this podcast, the roundtable panel talks about: * Goals and intentions for 2019 * Physical and psychological challenges * What listening means to them * Memorable mistakes and lessons learned from them Chris McHugh is one of the most sought-after drummers in the Nashville recording scene. His playing can be heard on thousands of recordings dating back to the mid-1980s. He has worked with some of the biggest names in music, including Keith Urban, Rascal Flatts, Michael Bolton, Blake Shelton, Toby Keith, LeAnn Rimes, Brooks & Dunn, Reba McIntire, Faith Hill, Kenny Rogers, Jars of Clay, Trace Adkins, Jewel, Garth Brooks, Carrie Underwood, Kelly Clarkson, Lionel Richie, and countless others. In this podcast, Chris talks about: * How his playing has changed conceptually over the years * What it means for your playing to have character * Being mentored by Larry Londin, and the current state of mentorship in Nashville * The homogenization of the recording industry (Nashville vs. L.A.) *

Episoder(550)

110 – Russ Miller: Recording for Soundtracks, Touring With International Artists, Finding A Coach

110 – Russ Miller: Recording for Soundtracks, Touring With International Artists, Finding A Coach

Russ Miller is internationally known as one of the top drummers of today. As a Multi-Platinum recording artist, he has played on multiple Grammy award winning recordings with combined sales of over 26 million copies. His musical versatility has led him to work with an incredible list of over 50 international artists from legends like Ray Charles, The Fifth Dimension, Natalie Cole, Tina Turner & Bobby Caldwell through modern stars, Nelly Furtado, The Psychedelic Furs, Hilary Duff, Steve Perry, Andrea Bocelli, Kavita Krishnamurthy, Daniel Bedingfield and Meredith Brooks. As a star of the Los Angeles studio scene, the Modern Drummer Magazine Readers Poll has repeatedly voted Russ in the top 5 Studio Drummers in the world, including the 2015 Poll, where he was voted the #3 Session drummer. He has performed on more than 300 albums (including many #1 Billboard hits like Nelly Furtado’s “Whoa Nelly” and Hilary Duff’s “Metamorphosis”). Russ has also recorded for many T.V. shows and over 60 international movies (such as #1 box office titles like “Chicken Little”, “Fracture”, “Lakeview Terrace”, “Resident Evil Apocalypse”, “Percy Jackson” and the “Boondock Saints” series of movies, just to name a few). Along with his many sideman recording credits, he has been a staple on T.V. “house bands”. Such as “American Idol”, for all of their “Mentoring Sessions”. Russ also has four critically acclaimed solo albums, Cymbalism, Arrival and the Arrival Live concert DVD/CD and his latest “Chagada3” with the Arrival Trio. In addition, Russ performs educational clinics throughout the world. In October of 2014, Russ was awarded an “Honorary PHD” for “ sustained lifetime accomplishments that have benefited Drumming artistry and the Global Drumming community”, from the Shanghai Conservatory of Music, in Shanghai, China. He also has authored two books: The Drum Set Crash Course and Transitions, along with his three videos, “Arrival-Behind The Glass” from Hudson Music, The Drum Set Crash Course and The Drum Set Crash Course Tuning Edition from Alfred Publications. A 7-time Modern Drummer readers poll winner, Russ’ solo projects were also voted the #1 educational books and videos in the world (2001-2004). In this episode, Russ talks about: Russ’s current gigs including Andrea Bocelli, India superstar Kavita Krishnamurthy and his band Arrival Recording on TV and Movie sound tracks Russ’s approach to world music Being a life long student and finding a “coach” The YouTube effect Gig opportunities in technology Creating your own voice Russ Miller’s interest in product development Explaining the Mapex Design Lab series Russ endorses: Mapex Drums, Zildjian, Remo, Vic Firth, Porter & Davies Tactile monitoring, Hercules stands, May E/A Mics, Prologix, SKB cases, Arrel Audio Electronics, Puresound Snares, Korg and Meinl music instruments This episode is sponsored by Mapex Drums

2 Apr 20171h 15min

109 – YonRico Scott: Playing in The Derek Trucks Band, The Musical Legacy of Detroit, Approaching the Drumset with a Percussionist’s Mind

109 – YonRico Scott: Playing in The Derek Trucks Band, The Musical Legacy of Detroit, Approaching the Drumset with a Percussionist’s Mind

Yonrico Scott has been a fixture on the Atlanta scene and in Southern music in general for decades. He was born and raised in Detroit, where he began touring and recording as a teenager. His interest in percussion brought him to The University of Kentucky where he earned a Bachelor’s degree in classical music. After college, he moved to Atlanta and quickly felt like he was home. In the late 90’s he joined the band led by guitar prodigy Derek Trucks with whom he recorded several albums and toured extensively for a decade. He was also a member of Southern super group The Royal Southern Brotherhood, co-led by Devon Allman, Mike Zito and Cyril Neville. YonRico has just released Life of a Dreamer, his fifth album as a leader. In this Podcast, Yonrico talks about Recording “Life of a Dreamer” at ZAC Recording Studios in Atlanta with engineer Tony Terrabone Recognizing when a unique drum part is called for vs. something more obvious Playing congas and percussion in funk, R&B, and pop settings as opposed to Salsa, and the subliminal power of a shaker How he was shaped by the musical culture and history of Detroit. Studying percussion at Kentucky State University and the University of Kentucky, and approaching the drumset more like orchestral percussion. His time in The Derek Trucks Band, and what he and Derek learned from each other. Sentiments on his recently departed friend and Allman Brothers drummer, Butch Trucks. Yonrico Scott endorses Pearl Drums, Ziljian Cymbals, Vic Firth Sticks, and LP Percussion. This episode is sponsored by Mapex.

29 Mar 20171h 15min

108 – Rob Mitchell: Drumming and World Traveling with Sixpence None the Richer, Staying Mentally Healthy on the Road

108 – Rob Mitchell: Drumming and World Traveling with Sixpence None the Richer, Staying Mentally Healthy on the Road

Rob Mitchell has built an impressive resume list of gigs throughout his decades in Nashville, Tennessee. Currently, Rob continues to hold down the drummers chair with the band, Sixpence None the Richer. Due to their light touring schedule, Rob finds time to work with singers like at James Otto, Chuck Wicks, Wes Cunningham and Chris Carmack from the TV show “Nashville”. Rob stays busy in Nashville’s vibrant studio scene recording everything from demos to independent projects. Originally from Baton Rouge, Louisiana, Rob moved to Nashville in the mid 80’s to study music at Belmont University. During his time at the Belmont, Rob received the type of professional experience he needed to maintain steady work as a professional musician. In this episode, Rob talks about: Working with Sixpence None the Richer World travel and playing shows around the world in places like Japan, Buenos Aires, and Jacarta, Indonesia Receiving “real world experience” in college Taking charge from the drum chair when needed The challenges of promoting yourself online Sharing a house with drummer Kevin Murphy! Being prepared for what the music business offers Staying mentally healthy on the road and dealing with “down time” This episode is sponsored by Mapex Drums

22 Mar 20171h 18min

107 – Wayne Salzmann: Living and Drumming in Austin, Gigging Early and Often, Partnership Between College Program and Pro Scene, The Importance of “The Hang”

107 – Wayne Salzmann: Living and Drumming in Austin, Gigging Early and Often, Partnership Between College Program and Pro Scene, The Importance of “The Hang”

Wayne Salzmann has been at the top of the Austin scene for nearly a decade. Even before graduating from the University of Texas at Austin with a Master’s degree in jazz performance, he was working his way into the many musical circles Austin has to offer. He has since compiled a long list of performance credits including Steve Miller, Kris Kristofferson, Joe Satriani, Mike Stern, Joe Bonamassa, Bobby Mcferrin, Jeff Coffin, and Oz Noy. He also holds down regular gigs with his own trio and with Austin favorites Bob Schneider and Eric Johnson, and is a member of the adjunct jazz faculty at UT Austin. In this episode, Wayne talks about: Why Austin is the self-proclaimed “live music capital of the world,” and why it’s a destination for musicians from all regions and backgrounds The small but mighty jazz program at UT Austin, and how he uses the Austin scene as a training ground for his students. His early musical life in Stevens Point, WI, the town that was the basis for That 70’s Show Creating a live music scene in his small college town where there wasn’t one before Receiving a grant to travel to New York for an independent study project with Bill Stewart, Billy Martin, Joey Barron and Ari Hoenig. His gigs with real-life guitar hero Eric Johnson, singer-songwriter Bob Schneider, and his own groups, The Wayne Salzmann Trio and Groove Society. Wayne Salzmann endorses Zildjian cymbals, Vic Firth sticks, Evans heads, and DW Drums, pedals, and hardware. This episode is sponsored by Mapex drums.

16 Mar 20171h 2min

106 – Nick Ruffini from Drummer’s Resource & WDP Host’s Zack Albetta and Matthew Crouse: Drumming Podcast Host Roundtable, Adapting to Major Life Changes and Transitions

106 – Nick Ruffini from Drummer’s Resource & WDP Host’s Zack Albetta and Matthew Crouse: Drumming Podcast Host Roundtable, Adapting to Major Life Changes and Transitions

In this episode Working Drummer hosts Zack Albetta and Matthew Crouse have a unique opportunity to join forces with Nick Ruffini from Drummer’s Resource to have a “host-full” conversation. We take a break from our normal interviews and spend some time to talk about ourselves and some major transitions all three of us are going through. In this podcast, Nick, Zack and Matt talk about: Adapting to major life changes and transitions Changing the Narrative of what its like to be a working musician Finding non-playing gigs in the music business “Shedding the ego related badge of only playing for a living'” Nick Ruffini’s anticipated transition to San Francisco Zack Albetta’s transition to Atlanta after a year Matt’s transition from life as a touring drummer to finding work closer to home in Nashville Being selective about work The pitfalls of comparing ourselves with other people This episode is sponsored by Mapex Drums

8 Mar 20171h 10min

105 – Tony Austin: Playing with Kamasi Washington, The West Coast Get Down, Redefining West Coast Jazz

105 – Tony Austin: Playing with Kamasi Washington, The West Coast Get Down, Redefining West Coast Jazz

Tony Austin was born and raised in Los Angeles. He is one of two drummers (the other being Ronald Bruner Jr.) who are part of The West Coast Get Down, a collective of LA musicians making their mark on the modern jazz scene. The collective’s flagship is saxophonist Kamasi Washington’s recent release, “The Epic,” a three disc set of compositions involving dozens of musicians and ranging from free jazz to soul to electronica, on which Tony played multiple roles as drummer, engineer and producer. As a kid, Tony was part of the Big Brothers program and was mentored by Roger Linn, a pioneer inventor of electronic musical instruments including the MPC60 drum machine. He credits Roger with nurturing his interest in music and re e maintains that relationship to this day. In this episode, Tony talks about: Growing up in North Hollywood and learning about music, electronics, and recording from Roger Linn The origins and mission of The West Coast Get Down The unique, “co-op” approach to recording Kamasi Washington’s “The Epic” Playing double drums with Ronald Bruner Jr. His friendship, musical partnership, and current duo project with bassist Miles Mosley Carving out creative and profitable projects for yourself, not just being at the mercy of the sideman hustle The experiences he had as a kid under the mentorship or Roger Linn Tour managing and playing with groups that performed on military bases in Iraq and Afghanistan. Tony Austin endorses Tama drums, Zildjian cymbals, Vic Firth drumsticks, and Remo drumheads. This episode is sponsored by Sonor.

1 Mar 20171h 12min

104 – Black Drummers Of Nashville Round Table: Building Relationships Upon the Common Ground of Music, Creating a Support System

104 – Black Drummers Of Nashville Round Table: Building Relationships Upon the Common Ground of Music, Creating a Support System

In this episode we have the opportunity to share the unique perspective of a group of talented black musicians who make their living in Nashville, Tennessee. They share stories of resilience and realism in an unpredictable work environment. Our guests include Keio Stroud, Derek Phillips, Jeremy Roberson, Marcus Finnie and Hubert Payne. Their respective artist gigs include Big and Rich, Chase Rice, Hank Williams Jr., Kirk Whalum, Little Big Town as well as other live and studio work that keeps these drummers busy. In this podcast, this round table discusses: Building relationships upon the common ground of music Being the only black person at an arena gig Influencing the culture on and off the kit Learning how to develop thick skin Being mistaken as the band’s security The influence of urban music in country music “Kanye Twitty” “Don’t step on the money” – AKA the melody – Keb Mo Hands = knowledge / Ears = wisdom Driving the band Creating a support system This episode is sponsored by Sonor drums

22 Feb 20171h 37min

103 – Andy Sanesi: From Avant Garde Jazz to Pop, Altering Your Cymbals, Making the Most of a Steady

103 – Andy Sanesi: From Avant Garde Jazz to Pop, Altering Your Cymbals, Making the Most of a Steady

Andy Sanesi is a New York native who has spent the last decade in L.A. His time in New York was highlighted by playing with saxophonist John Zorn but the quality of life in L.A. and the opportunity to do better than just scrape by drew him west. He got busy soon after moving, thanks to a few friends in L.A.’s latin, jazz, fusion and rock scenes, and eventually landed the gig with Missing Persons, a drum chair originally occupied by Terry Bozzio. In this podcast, Andy talks about: Growing up with the jazz influence of his dad and the pop/rock influence of his older sisters How a John Zorn tribute show in college led to actually playing with Zorn Not being the best at any one thing, but really good at many things How working his way onto the LA scene hinged on just a few key contacts Playing in Missing Persons, and making that drum chair his own The difference between being told what to play and told how to play The tools and techniques he uses to alter the sound of his cymbals His long-standing weekly steady with the Julian Coryell Trio at Trip in Santa Monica His (and Zack’s) favorite cocktail  Andy Sanesi endorses DW drums, Aquarian drumheads, Sabian cymbals, Vic Firth drumsticks, and Humes & Berg cases. This episode is sponsored by Sonor drums

16 Feb 201759min

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