169 – Brandon Goodwin: Leading an Original Jazz Group, Workshopping with Delfeayo Marsalis, The Montreal Scene

Milton Sledge is a session drummer best known for a string of sessions in Muscle Shoals, Alabama as well as several albums with country super-star Garth Brooks. With Garth, Milton wrote and played drums on several key albums including the self-titled 1987 Capitol release, “No Fences,” “Ropin’ The Wind” and “The Chase.” Milton can be heard on many recordings including those of: John Anderson, Barbara Mandrell, Tracey Lawrence, Jo Dee Messina, Randy Travis, The Amazing Rhythmn Aces, Asleep at the Wheel, Mark Chesnutt, Paul Overstreet, Bryan White, Becky Hobbs, Crystal Gayle, Neal McCoy, Juice Newton, Eddie Rabbitt, The Statler Brothers, Gene Watson, Kathy Mattea, Emmylou Harris, George Jones, Alabama, Hal Ketchum, Shenendoah, Trisha Yearwood, Pam Tillis, Chris LeDoux, Vince Gill, Toby Keith and Garth Brooks, just to name a few. As a songwriter, Milton has written for Pat Alger and Bruce Bouton along with Garth Brooks. Milton has played drums on over 30 number 1 singles and the albums that he has played on have sold over 180 million copies. In October of 2016, Milton along with the hand picked group of musicians dubbed “The G-Men” were inducted into the Musicians Hall of Fame for their work and creative contributions to almost every Garth Brooks recording. Originally from Decatur, Alabama, Milton grew up in the Clements community, west of Athens, AL, not far from Muscle Shoals, an area known for its wide variety of music. After graduation from high school and a stint in the Army Band, Milton returned to the Shoals area to attend college and study music at the University of North AL. While in college there, Milton started to pursue his dream of playing in the recording studios of Muscle Shoals. He worked his way through the ranks and worked regularly in the studios there for 4-5 years. Soon he began to receive more and more calls for recording sessions in Nashville. This prompted him to move there in 1984, where he has been a mainstay in the Nashville recording studios ever since. In February of 2014, Milton moved back to his hometown of Athens to “give back” by offering his expertise/assistance to local musicians. He is once again an active part of the music scene in the Shoals area, as well as Nashville. Since his return, he has been writing with various songwriters and playing at local venues. As well as producing. He has also played with the Muscle Shoals All-Stars and recorded at Fame Studio, The Nutthouse, all in Muscle Shoals AL. In this episode, Milton talks about: Recording at the original Muscle Shoals Sound Studio at 3614 Jackson Highway Tuning the kit for different rooms The “Muscle Shoals sound” Recording all the Garth Brooks records Changes in the Nashville studio scene over the last 30 years Giving back, paying it forward Getting a good ear mix in the studio

31 Mai 20171h 11min

Evan Pazner is a native and life-long resident of New York City. For the last six years, he has been the touring drummer for Lee Fields & The Expressions, a truly old-school soul band. It’s not old school just because they got the right gear and the right sound, it’s old school because Lee Fields has been doing it for over four decades. Evan got into drums playing in bands with friends as a teenager, catching the tail end of a New York music scene in which some clubs allowed 15-year-olds to play there. After earning a liberal arts degree at NYU, he entered The New School for two years of intensive drum study with Jimmy Cobb, Joe Chambers, Billy Hart, Joey Baron, and others. Recently, when not traveling with Lee Fields, Evan has also been working on Broadway as a sub drummer for Cirque Du Soleil’s “Paramour.” In this podcast, Evan talks about: How he landed the gig with Lee Fields and what a straight-up soul band requires of the drummer, stylistically and technically How growing up in New York City shaped him as a musician and as a person His time at the New School, and why a degree wasn’t the point The most valuable lesson he got from Jimmy Cobb How there is no substitute for the confidence that comes from putting in the work and getting experience What has changed about New York since he was a kid, and what will never change How family life has made it easier to be in the moment, on stage and at home.

25 Mai 20171h 4min

Since the age of three, Derrek C. Phillips has had a deep passion for music. From that time he has carved out an exciting musical career as a performer, educator, and composer While attending high school, Phillips played snare drum for the Concord Blue Devils drum and bugle corps from 1990-93. In 1998, he received his bachelor’s degree in jazz studies at William Paterson University in Wayne, N.J. He studied privately with Horace Arnold, Yoron Israel, John Riley and Tony Williams. As an educator, he has also worked with several school bands and drums corps as a percussion and marching instructor, jazz and drum set clinician, composer, marching drill designer, and private tutor. He is currently the presiding drum set and ensemble instructor at both Middle Tennessee State University and Vanderbilt University. In the spring of 2014, Derek became the touring drummer for Hank Williams Jr. His drumming is featured on Vanessa Williams’ recording The Real Thing and Michael McDonald’s This Christmas. He has also worked with Rachael Lampa, Jonny Lang, Charlie Peacock, Mike Farris, the McCrary Sisters, Seth Walker, James Otto, Charlie Hunter, Jimmy Hall, Tommy Sims, Delbert McClinton, Dr. Lonnie Smith, Greg Osby, Joshua Redman and Kurt Elling. He has performed on the CBS Early Morning Show and A Prairie Home Companion with Garrison Keillor, BET (Black Entertainment Television) and throughout the United States, Canada, and Europe, as well as Brazil, Korea, South Africa, Turkey, India, Panama, the Caribbean, and Japan. In this episode, Derek talks about: Teaching at Middle Tennessee State University and Vanderbilt University Utilizing a curriculum when teaching Getting into drum corp and joining The Concord Blue Devils Master classes with Tony Williams Working with Charlie Hunter Touring with country legend Hank Williams Jr Derek endorses: Spaun Drums, Istanbul Cymbals, Evans Drumheads and Vater Sticks. ​

17 Mai 20171h 24min

At the helm of The Equinox Orchestra are tenor saxophonist and bandleader Jeremy Davis, lead vocalist Clay Johnson, and trumpet player, musical director and tour manager Tommy Brinson. Their combined efforts have gotten the 11-piece group on the road for a 2 month, 18,000 mile U.S. tour, the most ambitious undertaking in the band’s 15-year history. The three talked with their drummer and Working Drummer Podcast co-host Zack Albetta about their individual roles, the drummer’s role, their perspective as leaders of a group and owners of an enterprise. Equinox began as a traditional 18-piece instrumental big band playing performing whenever and wherever they could, but has evolved into a multi-faceted group with line-ups ranging from three to 25 playing everything from restaurants and bars to theatre shows and private events. Jeremy and Clay have recently sought to use Equinox for philanthropic causes in addition to their regular for-profit gigs. In this podcast, the guys talk about The types of gigs Equinox has played and what their goals are How Tommy ascended the ranks from regular sideman to musical director and tour manager Jeremy and Clay’s musical background leading up to Equinox The outsized role and responsibility of the big band drummer How bands and musicians can use their talents for causes they believe in Jeremy’s strategy to keep the band working – the more leads you chase down, the more will pan out How to create a band identity and monetize it, and how to attract multiple funding sources How to eat well on the road

10 Mai 20171h 26min

Angie Lese always wanted to be a drummer since she could remember. Growing up in Fort Wayne Indiana, she took to music early and studied flute throughout high school. It wasn’t until her college years that Angie decided to follow her drumming passion, bought a kit and taught herself how to play. After graduating and starting a career in meteorology, Angie moved to Louisville Kentucky and heavily pursued music. She played for a Sony recording artist, several cover bands, and was a session drummer as well. Her main band, CatFight (original pop/punk rock), received a strong local and regional following along with the support from Little Heart Records of Louisville, KY. In 2013 they released a self titles EP – CatFight. While that was taking off, Angie was offered a promotion in her meteorology career that prompted a move to Nashville Tennessee in 2012. After immersing herself in the Nashville music scene, Angie joined forces with artist Leticia Wolf, fellow Catfight member Erica Sellers, and two other musicians to form The Dead Deads, a heavy, hard rock/pop band. Having just formed in late 2013, The Dead Deads have garnered quite a bit of attention from Page Hamilton of Helmet/David Bowie, Chuck Garric of Alice Cooper, Tom Petersson of Cheap Trick to Lzzy Hale of Halestorm. As a result of The Dead Deads’ quick rise, Angie and her band have been on several national tours with acts like Halestorm, P.O.D., Bush, Chevelle along with the Motorboat and the Shiprocked cruises. They have recorded two full-length albums, “Rainbeau” (2014) and “For Your Obliteration” (2016), produced by Page Hamilton. In this podcast, Angela talks about: Current news with the Dead Deads Pros and cons of playing in an all girl band Recording and writing for the new Dead Deads record Transitioning from “regular jobs” to touring in a band Cultivating a strong fan base The benefits of an online presence The challenges of an all girl band Having hobbies and distractions in life to keep your headspace healthy Angela endorses TAMA drums, Sabian cymbals, Evans heads, Promark drumsticks, and Humes and Berg cases.

3 Mai 20171h 11min

Jermal Watson is a native of New Orleans and like so many musicians there, got his musical start playing in church. Growing up in New Orleans, he explains, young musicians learn songs and styles by ear and by the time you’re grown, all of the city’s musical languages – the swing feel of Preservation Hall, the street beats of the brass bands, the funk of The Meters and The Neville Brothers – are languages you just know. As a young drummer, Jermal was brought along on the scene by two of its elder statesmen, Russell Batiste and Gerald French and for decades now, he has been among The Crescent City’s first-call drummers. His resume includes The Dirty Dozen Brass Band, Big Sam’s Funky Nation, Eddie Roberts, and many more. For the past two years, he has also headed a percussion program at Encore Academy, in which almost 90 elementary school students participate. In this podcast, Jermal talks about: His elementary school percussion program Playing with the Dirty Dozen Brass Band Why learning songs by ear on the fly is particularly common in New Orleans How Russell Batiste and Gerald French helped him work his way onto the scene How New Orleans changes the playing of drummers who move there A project he was recently involved in called Attakid, a collaboration between New Orleans and San Francisco musicians Playing with Big Sam’s Funky Nation Where to go for live music in New Orleans (hint: it’s not Bourbon Street). The New Orleans style of recording Jermal Watson endorses Mapex Drums and Meinl Cymbals

26 Apr 201755min

Around The Kit with Joe Gansas For close to a year and a half, Joe Gansas has been hosting an online radio show focused on drummers and all things drums. This show is called Around The Kit. Joe digs deep into the life, career and background of each guest whether it’s a well known drummer like Kenny Aronoff or a lesser known drummer with important and relatable storys to tell. Joe has surrounded himself with a strong team that helps Joe create a thoughtful and consistent show week by week. A few highlights of Around The Kit include multiple guests every episode as well as tribute shows. Some of Joe’s guests include Simon Phillips, Dave Weckl and Cathy Rich. This show can be found www.aroundthekit.net. It airs 8-11:00pm eastern time every Sunday night In this episode, Joe talks about: His internet radio show – “Around The Kit” Drug addiction in our community Joe’s performance background and his influences The importance of listening The future of Around The Kit Asking important questions This episode is sponsored by Mapex Drums

19 Apr 20171h 12min

Carter McLean has been a New Yorker for most of his adult life. From his home base in Brooklyn, he commands a multi-pronged career as the drummer for The Lion King on Broadway, playing regularly with 8-string guitarist Charlie Hunter, and running his own educational website, Four Hands Drumming. In this podcast, Carter talks about: His first experiences in NYC – working at Manny’s Music, driving 12 hours for a $100 gig, going to Jeff “Tain” Watts’ jam session. His typical day, which almost always includes one or two Lion King shows Fighting the complacency that comes from a steady paycheck His educational website, Four Hands Drumming, and how the focus is practical musical concepts that everyone can apply Basic gear and techniques drummers can use to improve the quality of their videos His approach to micing drums and how using fewer mics gives the drummer more control and more responsibility to self-mix Playing with Charlie Hunter Carter McLean endorses Dunnett/George H. Way drums, Istanbul Agop Cymbals, Vic Firth sticks, Remo heads, DW Hardware, Tackle Instruments, BigFatSnareDrum, Beyerdynamic mics, and BAE mic pres. This episode is sponsored by Mapex.

12 Apr 201747min