059 – John Root: Understanding Styles, Diversifying Your Workload, Playing Lower Broadway Gigs in Nashville,
Working Drummer13 Apr 2016

059 – John Root: Understanding Styles, Diversifying Your Workload, Playing Lower Broadway Gigs in Nashville,

John defines what it means to be a working drummer in Nashville Tennessee. Since his move to Nashville in 1993 from Connecticut, John has covered it all from international touring to studio work to maintaining a steady stream of work in Nashville’s lower broadway district. John’s early influences include Neil Smith, Nigel Ollsen, Jim Keltner, Hal Blaine, Billy Cobham, Bill Bruford and all the Motown drummers. Shortly after high school, John worked with a ten-piece band that played international dance music that covered every imaginable style and shared a bill with “Sun Ra and his Omniverse Arkestra”. Within the first week of moving to Nashville in 1993, John got the gig as the Grand Ole Gospel Time staff drummer, which continued for three years of weekly Friday night live radio gigs at the Grand Ole Opry House. In the proceeding years, John’s experienced a range of international touring with artists that include Becky Hobbs, The Forrester Sisters, Rhonda Vincent and Hank Williams III, Highway 101, and Tammy Cochran. These tours at times coincided with national gigs with the Dukes of Hazard Reunion Tour, backing up Tom Wopat and John Schneider. John’s studio work has covered many styles including Christian, Country, Gospel, Bluegrass, Rock and Peruvian Pan Flute. Many of John’s live gigs are on “Lower Broadway” (the heart and soul of Nashville’s live music scene), which bring in an estimated 100,000 patrons monthly. John pulls from his years of experience in creating full time work for himself as well as defining success on his own terms. In this podcast, John talks about: Diversifying your work load Having a “conversation” in the studio Playing on lower Broadway in Nashville Getting paid as a tech in maintaining kits in 8 different clubs Overcoming classic pitfalls Getting used to house kits in the studio Keeping your commitments – “sub-etiquette” Understanding styles Meeting Steve Gadd in a Mapco John endorses Sonor drums, Paiste cymbals, Regal Tip sticks and Montineri drums

Episoder(558)

134 – Evan Stone: Bandleading and Producing, Taking a Lesson with Vinnie Colaiuta, The Importance of Tempo

134 – Evan Stone: Bandleading and Producing, Taking a Lesson with Vinnie Colaiuta, The Importance of Tempo

Based in Los Angeles but originally from Long Island, New York, Evan Stone (Drummer/Producer/Bandleader) currently fronts his original project the Translucent Ham Sandwich Band who released their debu...

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133 – Gintas Janusonis: Playing and Producing in New York, from Jazz to Hip Hop to “America’s Got Talent”

133 – Gintas Janusonis: Playing and Producing in New York, from Jazz to Hip Hop to “America’s Got Talent”

Gintas Janusonis is the son of Lithuanian immigrants and grew up in Milwaukee. Berklee brought him to the East Coast and he soon made the jump to New York, where he has been active as a drummer and pr...

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132 – Kent Slucher: 10 Years Drumming for Luke Bryan, Keeping Your Cool When Things Go Haywire, Playing With Power and Energy

132 – Kent Slucher: 10 Years Drumming for Luke Bryan, Keeping Your Cool When Things Go Haywire, Playing With Power and Energy

Kent Slucher was born in Louisville, Kentucky October 19, 1976. With an intensely musical ear he learned to appreciate music at a very young age. Some of the most influential bands for Kent growing up...

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131 – Matt Jorgensen: Juggling Roles, Making Art for Art’s Sake, Playing and Writing Authentically

131 – Matt Jorgensen: Juggling Roles, Making Art for Art’s Sake, Playing and Writing Authentically

Matt Jorgensen was born and raised in Seattle and caught the jazz bug in high school. It sent him to New York in 1992 to study at the recently formed New School, after which he worked around town unti...

30 Aug 20171h 13min

130 – Bob Breithaupt: Teaching at the University Level, Creating & Managing a Diverse Workload, Drawing From Experiences When Teaching

130 – Bob Breithaupt: Teaching at the University Level, Creating & Managing a Diverse Workload, Drawing From Experiences When Teaching

Robert Breithaupt is a veteran of over 40 years in music, as a performer, arts administrator, educator, author, musical contractor, entrepreneur, and visionary in the arts. Breithaupt has performed in...

23 Aug 20171h 16min

129 – Steve Fidyk: Laying a Foundation with Soph & Morello, Wrapping Up a 26-Year Army career, Putting Family First

129 – Steve Fidyk: Laying a Foundation with Soph & Morello, Wrapping Up a 26-Year Army career, Putting Family First

Steve Fidyk’s career has been a balance between military service in the Army Field and Army Blues bands, civilian life as a member or leader of various creative projects, and academia as an author, cl...

16 Aug 20171h 21min

128 – Seth Rausch: Drumming for Keith Urban, Recording with Little Big Town, Creating Unique Sounds in the Studio

128 – Seth Rausch: Drumming for Keith Urban, Recording with Little Big Town, Creating Unique Sounds in the Studio

Originally from upstate New York, Seth began playing drums at the age of three. By age nine, he was sitting in with local bands and even backing up his elementary school choir. He’s been in the Nashvi...

10 Aug 20171h 14min

127 – Justin Chesarek: Rustbelt Roots, Branching Out from Jazz, Leaving a Gig on Good Terms for the Future

127 – Justin Chesarek: Rustbelt Roots, Branching Out from Jazz, Leaving a Gig on Good Terms for the Future

Justin Chesarek has lived in Atlanta for almost a decade, where he has played with various jazz artists including Gary Motley,Joe Gransden, and singer/songwriter Sam Burchfield. Justin also teaches at...

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