069 – Scot Corey: Symphonic Percussionist, Keeping a Full Calendar as a Multi-Percussionist, Educator, Drumset and Steel Drum Player
Working Drummer25 Jun 2016

069 – Scot Corey: Symphonic Percussionist, Keeping a Full Calendar as a Multi-Percussionist, Educator, Drumset and Steel Drum Player

Scot Corey is a freelance drummer/percussionist who has performed as an ‘extra’ with the Nashville Symphony for over 17 years, including NSO’s Carnegie Hall Debut (2000), their Naxos recording of Piazzola’s Sinfonia Buenos Aires and their return to Carnegie Hall. He has served as adjunct percussion faculty at Trevecca Nazarene University since 2000 and is a founding member of the Matrix Percussion Trio which has provided free educational concerts to over 37,000 students in the greater Nashville area. He served as the percussion specialist at Freedom Intermediate and Middle schools (Franklin, TN) from 1997-99, and as percussion faculty at the Southeast Chamber Music Institute (grades 9-12) at Tennessee Tech University from 1998-2002. Scot began his professional career in 1985 at the age of 17 as drummer/percussionist for musical theater. To date, he has played more than 50 different shows, including many at Cumberland County Playhouse and TPAC. Scot’s training includes a BM (Performance) from the University of Illinois, where he studied with Frederick D. Fairchild and Thomas Siwe. He also received an MA (Education – Music) from Tennessee Technological University, where he studied with Joseph Rasmussen. Since moving to Nashville, Scot has maintained a very active schedule as a freelance drummer/percussionist. Gigs range from percussion (Nashville Symphony, Nashville Opera – Principal Percussion, Nashville String Machine, Gateway Chamber Orchestra, Parthenon Chamber Orchestra – Principal Timpani, Miss Tennessee Pageant Orchestra, and Nashville Chamber Orchestra – including Bonnaroo 2004) – to Drumset/Loops/Percussion (various recording sessions/live gigs and Green Hill Church, Mt. Juliet) – to steel drums to ethnic percussion (Som Brasileiro – nine-piece Brazilian band). Scot endoreses Pearl/Adams drums & percussion and Innovative Percussion sticks and mallets In this podcast Scot talks about: Teaching in the information age Learning how to handle being “thrown into the fire” (learning on your feet) Suplimenting drum set studies with multi-percussion studies Balancing work and family Taking chances early in life Playing with The Nashville Symphony Continuing to learn Playing percussion in a symphonic recording session Saying no to gigs with a “Red Flag”

Episoder(558)

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486 - Ken Coomer: Why Drummers make Great Producers, Touch and Feel Over Fancy Gear, Original Drummer with Wilco

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485 - Sam Merrick: Playing "& Juliet" on Broadway, Touring with Jalen Ngonda and Celisse, Splitting Time Between New York and Nashville

485 - Sam Merrick: Playing "& Juliet" on Broadway, Touring with Jalen Ngonda and Celisse, Splitting Time Between New York and Nashville

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484 - Joel Rothman: Legendary Author of Drum and Percussion Method Books, Using Humor when Writing, Connecting with Teachers

484 - Joel Rothman: Legendary Author of Drum and Percussion Method Books, Using Humor when Writing, Connecting with Teachers

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483 - Dave Brandwein: Playing with Forrest Blakk, Working His Way Up from Chicago to LA to Nashville, "Learning the Language of the Person in Charge",,

483 - Dave Brandwein: Playing with Forrest Blakk, Working His Way Up from Chicago to LA to Nashville, "Learning the Language of the Person in Charge",,

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482 - Chuck Fields: Drumming for Country Superstar Terri Clark, Putting Your Own Stamp on the Music, Touring Canada

482 - Chuck Fields: Drumming for Country Superstar Terri Clark, Putting Your Own Stamp on the Music, Touring Canada

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481 - Kent Aberle: Playing with Blackberry Smoke, Replacing the Late Brit Turner, Renewed Perspective After Loss

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480 - Dennis Holt: From Nashville to L.A. Back To Nashville, Studio Legend, Staying Active

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479 - Jamie Eblen: Playing on Broadway's "The Outsiders," Stylistic Authenticity in Music Theatre, Investing Yourself in a Process

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