The Monkees-More of the Monkees

30- The Who -A Quick One  (Reaction Records in the UK and Decca in the U.S ) Released December 9, 1966, Recorded August 30- November -1966 The Who's A Quick One (1966) is the band's second studio album and marks a significant step in their evolution. The album showcases the individual songwriting talents of each member: Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon, with Townshend emerging as the standout composer. The title track, "A Quick One, While He's Away," is a nine-minute mini-opera that foreshadows Townshend's later work on Tommy and is a clear highlight of the album. Known for its eclectic mix of styles, the album reached No. 4 on the UK Albums Chart but only No. 67 in the U.S. Despite not being universally considered their best work; the album was instrumental in solidifying The Who's reputation as one of the most innovative rock bands of the 1960s. The single "Happy Jack" also saw success, peaking at No. 3 in the UK and No. 24 in the US, marking the band's first significant American chart presence. A Quick One is significant for showcasing the growth of a band that would become one of the most celebrated in rock history. Curated Spotify Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=02cb54f0a19e4e3c Album on Spotify https://open.spotify.com/album/6f4mqM3RNAfO1t6XeeUa8P?si=hOzPkblNQOOI_qBFxhiXvw Album on YouTube https://youtube.com/playlist?list=PL47ACAF82B659E0AE&si=0i0zYZV_fSunEtx2

8 Sep 202416min

Buster Williams, a legendary jazz bassist, composer, and instructor, has played on numerous records with iconic musicians like Herbie Hancock, Chet Baker, Art Blakey, and Stan Getz, among others. Known for his work as both a sideman and a bandleader, Williams continues to inspire audiences with his performances and compositions. On September 28th, he will perform with his quartet at the Middlesex County Jazz Festival in New Brunswick. The quartet features Lenny White on drums, Steve Wilson on saxophone, and Brandon McCune on piano. The concert will showcase a repertoire primarily composed of Williams' original compositions. Interest in Williams grew after the 2019 documentary "Buster Williams: Bass to Infinity" highlighted his extensive career and personal journey. Now 82 years old, Williams remains dedicated to his craft, continually exploring the "infinite possibilities" of music. https://middlesexcountyjazzfestival.org/ https://busterwilliams.com/

2 Sep 20241h 1min

(S3-#29) Cream- Fresh Cream  (Reaction)  Released December 9, 1966. Recorded July-November 1966  Cream, formed in 1966, was one of the first supergroups. It consisted of three highly regarded musicians from the British blues and rock scenes: Eric Clapton (guitar, vocals), Jack Bruce (bass, lead vocals), and Ginger Baker (drums). Their debut album, Fresh Cream, released on December 9, 1966, blends blues covers and original compositions, showcasing the band's blues roots and groundbreaking sound. Fresh Cream includes a mix of original songs and blues standards like "Spoonful," "Rollin' and Tumblin," and "I'm So Glad." The album succeeded commercially, reaching number 6 on the UK charts and 39 in the US. Notable tracks include "I Feel Free," featuring strong vocal harmonies, and "Toad," one of the earliest rock tracks to feature a drum solo. Following the album's release, Cream quickly became one of the most influential bands of the late 1960s, known for their virtuosic performances and innovative blend of blues, rock, and psychedelic music. Despite their success, internal tensions led to the band's breakup in 1968, after which each member pursued a successful solo career. Cream's legacy endures as a pioneering force in rock music history. Curated Spotify Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=0b46147790924bfb Album on Spotify https://open.spotify.com/album/6iyKqDoL9pRSHUsDBYemlB?si=w0brXwJpR7SYxs1uN2-NkA Album on YouTube https://youtu.be/tsrmxWcodd0?si=iFbTG0RAwPPcQ6d1

1 Sep 202411min

#28-Buffalo Springfield-Self-Titled  Original Released October or December 1966? Without “For What It’s Worth,” then Re-released in March 1967 - Recorded between July 18-September 11-1966 (ATCO)  Buffalo Springfield's self-titled debut album, initially released by Atco Records in late 1966, introduced the world to the band's distinctive blend of folk, rock, country, and psychedelia. The original release, recorded between July and September 1966, lacked a major hit but gained significant attention after a March 1967 re-release added the protest anthem "For What It's Worth." Inspired by the Sunset Strip riots, this song became a defining track of the 1960s. The band was formed in Los Angeles in 1966 and featured Stephen Stills, Neil Young, Richie Furay, Bruce Palmer, and Dewey Martin. Their music was marked by rich harmonies, shifting lead vocals, and layered guitar work. The album's tracks explore themes of self-reflection and relationships, with standout songs like "Nowadays Clancy Can’t Even Sing" and "For What It's Worth." Despite their brief existence, Buffalo Springfield made a lasting impact on music. Internal conflicts and lineup changes led to their breakup in 1968. Afterward, members pursued successful careers: Stills with Crosby, Stills & Nash, Young as a solo artist, and Furay with Poco. Their legacy remains as pioneers of a sound that influenced rock music for years. Full Album YouTube  : https://youtu.be/1eD-8NTwP9I?si=omLhl8gszwcGg-hI Full Album Spotify: https://open.spotify.com/track/1qRA5BS78u3gME0loMl9AA?si=f5a282e8f75c4b46 Curated Playlist Spotify:  https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=4559f6bc82dc47e3

22 Aug 202420min

The Kinks -Face to Face Released October 28, 1966.Recorded mainly from mid-April to June 1966, except “I’ll Remember” (October 1965).  (Pye Records in the UK and Reprise in the US) Face to Face (1966) by The Kinks marked a major shift in the band's style, moving from their earlier harder-driven sound to a more nuanced blend of baroque and pop music hall influences. This was the first album to feature only Ray Davies' compositions, showcasing his observational and satirical songwriting, which explored themes of English culture, social class, and personal struggles. Despite containing the hit single "Sunny Afternoon," the album initially received a lukewarm reception, particularly in the U.S. However, it has since gained critical acclaim and is now seen as pivotal in The Kinks' evolution. Notable tracks include "Party Line," "Dandy," “Little Miss Queen of Darkness,” and "Too Much on My Mind," with the album reflecting the band's growing maturity and experimentation. Face to Face is considered a milestone in 1960s rock, setting the stage for The Kinks' future successes. Spotify Link To Album https://open.spotify.com/album/1SbqioSVe6TgXudiKMKEaB?si=svhTQE_sSbSRoeUWb2Y7og YouTube Link to Album https://youtu.be/AhblfjqfF4c?si=1jo85drAPxAj80n4 Curated Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=3ca8897e2d7a43ff

15 Aug 202416min

Alvester Garnett Interview Alvester Garnett is a top-tier jazz drummer, celebrated for his swing, passion, and professionalism. His career began in Richmond, Virginia, where early influences included Ellis Marsalis and the jazz program at Virginia Commonwealth University. After moving to New York, Garnett quickly made a name for himself, working with legends like Betty Carter and Abbey Lincoln. He was the only drummer from the Thelonious Monk competition invited to Betty's Jazz Ahead program, which launched his career. Garnett has since collaborated with notable artists such as Pharoah Sanders, Dee Dee Bridgewater, and Benny Golson. He also became the regular drummer for violinist Regina Carter, who later became his wife. In September, Garnett will lead his band, The Artworks Ensemble, at the Central Jersey Jazz Festival in Somerville, NJ. The performance will feature original compositions and include special guest trombonist Papo Vázquez, alongside Bruce Williams, Charlie Sigler, Brandon McCune, and Santi Debriano. This performance highlights Garnett’s ongoing commitment to jazz and his ability to blend leadership with collaboration. Alvester Garnett will lead his band, The Artworks Ensemble, at the Central Jersey Jazz Festival on September 15th in Somerville, NJ. The performance will feature original compositions and include special guest trombonist Papo Vázquez, alongside Bruce Williams, Charlie Sigler, Brandon McCune, and Santi Debriano. https://centraljerseyjazzfestival.com/

13 Aug 20241h 2min

#S3-26 Simon and Garfunkel -Parsley, Sage, Rosemary, and Thyme  Released October 24, 1966- Recorded Between December 1965 and August 1966 (Columbia Records)  Parsley, Sage, Rosemary, and Thyme is Simon & Garfunkel's third studio album, showcasing a blend of folk-rock, acoustic, and introspective songs. It includes classic tracks like "Homeward Bound" and "Scarborough Fair," as well as the lesser-known hit "The Dangling Conversation." The album highlights Paul Simon's songwriting craftsmanship, thought-provoking lyrics, and innovative arrangements, perfectly complemented by the duo’s harmonies. This record marked a significant evolution in their music. It expanded the possibilities of folk-based music, influencing future songwriters and reinforcing Simon & Garfunkel's enduring legacy in music history. YouTube Playlist https://youtu.be/V1IRDT8TInY?si=euk08ojJWSIo0qnX Spotify Playlist https://open.spotify.com/album/1sh32o99zA04PJIUJUpEj7?si=VXKahQuvRLacGUM34ge1Qw Curated Season Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=570634dc82084781 https://youtube.com/playlist?list=PLqkHb3duD6BTd4l7sJzo2RPeMTpYmqZqU&si=EJPbzwpx6tcGWk1_

7 Aug 202420min

(S3-25) The 13th Floor Elevators - The Psychedelic Sounds Of The 13th Floor Elevators (International Artists Label) Released October 17, 1966, Recorded between January 3rd and October 11, 1966  Formed in Austin, Texas, in December 1965, the 13th Floor Elevators were pivotal in the psychedelic rock movement. Their debut album, The Psychedelic Sounds of the 13th Floor Elevators (1966), is noted as one of the first to describe its music as "psychedelic." Featuring the hit single "You're Gonna Miss Me," the album blended raw garage rock with folk blues and surreal elements. Roky Erickson's gritty vocals, Stacy Sutherland's reverb-drenched guitar, and Tommy Hall's electric jug playing created a distinctive sound that influenced many future musicians. Despite commercial challenges and internal struggles, the band's innovative approach significantly impacted the evolution of rock music, helping shift it from pop roots to a more artistic expression. You Tube (Full Album) https://youtube.com/playlist?list=PLL-NbN8uTOiiWCx_-GC5xB7BH2z5nTJ8m&si=zRBAvq614zAvu_d6 Spotify (Full Album) https://open.spotify.com/album/2afQ7u8n1CzNBAHjl6OQCG?si=fDrFC4cZT-6e26bbeHRzSA Curated Playlist https://open.spotify.com/playlist/7I6dzYc5UJfko8unziRMWf?si=ba8099bd98b548af

1 Aug 202416min