Auto-Tune always and forever
Switched on Pop24 Des 2024

Auto-Tune always and forever

Popular music changes all the time, but there’s been one consistent element in practically everything released in the last two decades: Auto-Tune is everywhere. What started as a simple audio processing tool in the 1990s has become the dominant force in music. Artists are training to sing with Auto-Tune; songs sound like Auto-Tune. Like it or hate it, Auto-Tune is everywhere. And to be clear, most people like it. On this episode of The Vergecast music journalist and Switched on Pop co-host Charlie Harding tells us the story of Auto-Tune. (Disclosure: Switched on Pop is part of the Vox Media Podcast Network, as is The Vergecast.) It starts, of all places, in the oil and gas industry. It involves artists like Cher and T-Pain, spreads like wildfire throughout the music business, and quickly becomes so utterly ubiquitous that you probably notice when Auto-Tune isn’t used more than when it is. As we barrel toward whatever the “AI era” of music will be, we also look for clues in Auto-Tune’s story that point to what’s coming next. We talk about the distinct sound that comes from tools like Suno and Udio, how artists will use and abuse AI, and whether we should be worried about what it all means. We haven’t yet found the “Believe” of the AI music era, but it’s probably coming. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Episoder(552)

The power of singing together (ft. Tiny Habits)

The power of singing together (ft. Tiny Habits)

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Questionably Country

Questionably Country

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Phoebe Bridgers opens her Moleskine

Phoebe Bridgers opens her Moleskine

Many of us keep a journal, but few of us are able to turn our unvarnished thoughts into cultural moments touching on love, death, and guitars quite like Phoebe Bridgers. Her new album Lost Weekend isn...

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We have Confessions to make...

We have Confessions to make...

Madonna has returned this summer with Confessions II: an album full of huge hooks, pounding bass, and sincere emotion. It’s the queen of pop's first record in seven years, and serves as a sequel to he...

18 Aug 39min

A piano lesson that will change how you listen (ft. Lang Lang)

A piano lesson that will change how you listen (ft. Lang Lang)

For many people – including Charlie and Nate – studying classical piano as a child always felt like a chore. Now, as adults, there’s a newfound appreciation for classical music, but the art form isn’t...

11 Aug 36min

IV. Take It to the Bridge (ft. Tayla Parx)

IV. Take It to the Bridge (ft. Tayla Parx)

Bridges open up the world of a song: they're a breath of fresh air and a point of contrast, typically delivered right before the final chorus. But sometimes they accomplish even more, changing the who...

4 Aug 42min

III. Preaching to the Chorus (ft. Cypress Hill and Trevor Horn)

III. Preaching to the Chorus (ft. Cypress Hill and Trevor Horn)

The chorus was once the part of the song that brought us together, the place we gathered to sing. Now it's the most engineered thirty seconds in music. Legendary producer Trevor Horn and hip-hop icon ...

28 Jul 50min

II. Justice for the verse (ft. Audrey Hobert)

II. Justice for the verse (ft. Audrey Hobert)

Everybody sings the chorus, but superfans quote the verse. On this episode of Switched on Pop, Charlie and Nate trace the verse from Shakespeare through opera to TikTok, and songwriter Audrey Hobert s...

21 Jul 33min

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