Shakespeare and Folktales

Shakespeare and Folktales

You probably know where Shakespeare got the ideas for his plays. The Histories come from Holinshed’s Chronicles. Caesar and other Roman plays depend on Plutarch’s Lives. The Comedy of Errors comes from Plautus’s Menaechmi. Troilus and Cressida borrows from the Illiad. The Winter’s Tale repackages Robert Greene’s Pandosto. But what if we told you that a number of his plays draw inspiration from folktales, versions of which exist not only in England, but all over the world? Charlotte Artese’s new book, Shakespeare and the Folktale, anthologizes some of the folktales that made their way into Shakespeare’s plays. For example, Lear includes elements of a story sometimes called “Love Like Salt,” part of a larger tradition of Cinderella stories. The Merchant of Venice plays out much like a Chilean folktale called “White Onion.” Wacky tales of twins predate not only Shakespeare, but also Plautus. We talk to Artese about some of these stories and about how she became interested in folklore’s influence on Shakespeare (it involves Led Zeppelin). She is Chair of the English Department at Agnes Scott College in Atlanta. Shakespeare and the Folktale was published by Princeton University Press in 2019. Artese is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast. Published February 18, 2020. © Folger Shakespeare Library. All rights reserved. This podcast episode, “The Strangest Tale That Ever I Heard,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. We had technical helped from Andrew Feliciano at Voice Trax West in Studio City, California, and Kevin Rinker at public radio station WABE in Atlanta, Georgia.

Episoder(297)

Shakespeare LOL: All Mirth and No Matter

Shakespeare LOL: All Mirth and No Matter

"I was born to speak all mirth and no matter." (Much Ado About Nothing, 2.1.323) Let's face it: Modern audiences sometimes go from roaring with laughter to scratching their heads when it comes to enj...

20 Mar 201527min

Shakespeare in Translation

Shakespeare in Translation

"Bless thee, Bottom, bless thee! Thou art translated!" (A Midsummer Night's Dream, 3.1.120-121) What happens when Shakespeare’s work is translated into foreign languages? Is it still Shakespeare? Or ...

20 Mar 201524min

Punk Rock Shakespeare

Punk Rock Shakespeare

"Here will we sit and let the sounds of music / Creep in our ears" (The Merchant of Venice, 5.1.63-64) How can young people connect with Shakespeare? It's a question that confronts each generation. ...

20 Mar 201514min

Shakespeare Outdoors

Shakespeare Outdoors

"Under the greenwood tree / Who loves to lie with me / And turn his merry note / Unto the sweet bird’s throat, / Come hither, come hither, come hither. / Here shall he see / No enemy / But winter and ...

20 Mar 201531min

In Search of the Real Richard III

In Search of the Real Richard III

"I, that am rudely stamped..." (Richard III, 1.1.16) Shakespeare not only talked about his own times; he also wrote history plays that showed us the past—though it was a past filtered through the pol...

20 Mar 201529min

Actresses on Shakespeare

Actresses on Shakespeare

"All the world’s a stage, And all the men and women merely players." (As You Like It, 2.7.146-147) In Shakespeare's time, only men appeared on stage, with teenage boys playing the women's parts. Tod...

20 Mar 201520min

The Robben Island Shakespeare

The Robben Island Shakespeare

While Nelson Mandela was incarcerated on South Africa's Robben Island, one of the other political prisoners managed to retain a copy of Shakespeare's complete works, which was secretly circulated thro...

20 Mar 201518min

Designing Shakespeare

Designing Shakespeare

“And I hope here is a play fitted.” —A MIDSUMMER NIGHT'S DREAM (1.2.63) There's an old Broadway saying (sometimes attributed to Richard Rodgers) that "No one ever walked out of a theater humming the ...

25 Feb 201518min

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