Directing Shakespeare
No two theater directors approach Shakespeare’s plays in the same way. When it comes to setting, blocking, costuming, casting, and cutting, there are countless ways directors can shape Shakespeare to make his works their own. It’s with this sense of infinite possibility in mind that we invited two theater directors to join us for a conversation about how they approach Shakespeare. What goes in to directing one of Shakespeare’s plays? Where does a director start? What do directors think about as they kick off rehearsals? Laura Gordon is a Milwaukee-based freelance theater director. She has directed at theaters including Utah State University, the Utah Shakespeare Festival, Santa Cruz Shakespeare, the Notre Dame Shakespeare Festival, and the American Players Theatre. Vivienne Benesch is the Artistic Director of PlayMakers Rep at the University of North Carolina in Chapel Hill. She has directed at the Shakespeare Theatre of New Jersey, the Chautauqua Theater Company and Conservatory, The Juilliard School, and, in 2019, Folger Theatre, where she staged Love's Labor's Lost. Gordon and Benesch are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast. Published July 21, 2020. © Folger Shakespeare Library. All rights reserved. This podcast episode, “A Bill of Properties Such as Our Play Wants,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. We had technical help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California.

Episoder(298)

King Lear and Mao’s China, with Nan Z. Da

King Lear and Mao’s China, with Nan Z. Da

Nan Z. Da, in her book The Chinese Tragedy of King Lear, finds unsettling parallels between Shakespeare’s play and 20th-century China under Mao Zedong. Da, a literature professor at Johns Hopkins Uni...

19 Mai 202531min

Top Pop Songs of the 1600s

Top Pop Songs of the 1600s

What were the top musical hits of Shakespeare’s England? What lyrics were stuck in people’s heads? What stories did they sing on repeat? The 100 Ballads project is a deep dive into the hits of early ...

6 Mai 202539min

The Yorkist Pretender, with Jo Harkin

The Yorkist Pretender, with Jo Harkin

Who was Lambert Simnel—the boy who nearly claimed the Tudor throne? In late 15th-century England, identity wasn’t just a matter of birth—it could be a political weapon, a tool for rebellion, and somet...

22 Apr 202535min

Surekha Davies on the Making of Monsters

Surekha Davies on the Making of Monsters

Historian Surekha Davies joins us to explore how ideas of wonder, race, and the monstrous shaped European thought in the age of empire. These weren’t just abstract concepts—they were embedded in scien...

7 Apr 202533min

Reimagining Judith Shakespeare with Grace Tiffany

Reimagining Judith Shakespeare with Grace Tiffany

Judith Shakespeare’s life is a mystery. While history records her as the younger daughter of William Shakespeare and Anne Hathaway, much of her story remains untold. In her new novel, The Owl Was a Ba...

25 Mar 202535min

Julia Armfield Reimagines King Lear in a Drowning World

Julia Armfield Reimagines King Lear in a Drowning World

How does Shakespeare’s King Lear resonate in a world facing climate catastrophe? Novelist Julia Armfield explores this question in Private Rites, a novel set in a near-future London reshaped by rising...

11 Mar 202529min

Lauren Gunderson on the Women of Hamlet

Lauren Gunderson on the Women of Hamlet

What if Gertrude had more power than we thought? What if Ophelia’s fate wasn’t sealed from the start? And what does it really mean to mother a prince who might be losing his mind? Playwright Lauren G...

24 Feb 202534min

Shakespeare’s Narrative Poems

Shakespeare’s Narrative Poems

How did early modern England understand race and how has that influenced our thinking? Race is often considered a recent construct, but Shakespeare’s works—both his plays and poetry—reveal a diverse ...

6 Feb 202533min

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