Going Out On Your Own Terms With JON TOOGOOD From SHIHAD

Going Out On Your Own Terms With JON TOOGOOD From SHIHAD

Interview by Kris Peters
For the better part of three decades New Zealand rock outfit Shihad have ruled the proverbial roost, with albums like The General Electric, Pacifier, and even their most recent offering Old Gods showcasing an unflinching course of rock DNA to satisfy even the harshest of critics.
Songs like My Minds Sedate, Pacifier, Home Again and Tear Down Those Names became the go-to-songs on pub jukeboxes everywhere, but it was in the live domain where Shihad excelled. Frontman Jon Toogood's energy and vibrancy each time the band hit the stage has always been infectious, enabling Shihad to thrive on a variety of levels to a mixed bag of audiences.
Put simply, they deservedly command respect in the same league of bands like AC/DC, Rose Tattoo and Grinspoon in the annals of Australian/New Zealand rock history.
But, as inevitably happens to everything, Shihad's time is drawing to an end, choosing to go out on their own merits instead of waiting for the axe of public expectation to fall. With a series of farewell shows planned between Australia and New Zealand before the band's official changing of the guard in their hometown of Wellington on March 15, Toogood sat down with HEAVY to say goodbye.
The Shihad way.
"At the moment people are saying 'these shows must be emotional'," he smiled, "but it's more like, no, these shows are wicked because we've rehearsed hard, and we're playing a lot of stuff that's quite challenging and quite different to what we've played in the past. Obviously we're going to have to play the bangers - which is totally cool because we love those songs and there's reasons why they are bangers - but we're doing deep dives into records that we've never done before. It keeps you on your toes. We're not gonna be phoning these shows in. We have to work, which is great, and I like that."
In the full interview, Jon talks more about the shows and what to expect, the reasons behind calling it a day, the New Zealand shows late last year and how the fans reacted, maintaining energy and enthusiasm for performing as he gets older, playing The General Electric and Pacifier in full at select shows, what he will miss most about being in Shihad and more.

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Backstage chats with ALL TIME LOW At GOOD THINGS 2025

Backstage chats with ALL TIME LOW At GOOD THINGS 2025

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11 Des 13min

Living In A Perfect World With STEVE TULIPANA From SEASON TO RISK

Living In A Perfect World With STEVE TULIPANA From SEASON TO RISK

In 1994, Season to Risk had been on tour for the past four years, playing as a young opening band on legendary shows with Killdozer, Unsane, Neurosis, Prong and Killing Joke. Their first album had sold well, with songs charting on radio and getting music video airtime on MTV and Canada's Much Music. There was an opportunity to take advantage of the popular wave of alt rock and nu metal dominating the air waves and being signed unexpectedly to major label Columbia Records put them in the position that they had amazing support as artists, but also someone to answer to and the machine must be fed.The band decided instead to work with Martin Bisi (producer of Sonic Youth, Foetus, Swans, Cop Shoot Cop) and use their major label money to deliver a punishing post hardcore masterpiece of crushing noise rock, In A Perfect World. The album has become a cult classic and over the course of the past 30 years, some of the songs off In A Perfect World became mainstays in live shows.And now, Season To Risk have decided the time is right to revisit that timeless album, having In A Perfect World remastered by Duane Trower (Weights & Measures Soundlab), creating a reissue that gains new clarity without losing its raw urgency. Released on Record Store Day in the United States, In A Perfect World has been rejigged to embrace the modern sound, with Season To Risk using the experience to harness their focus and energy into live shows and a new record.Singer Steve Tulipana joined HEAVY to take us behind the scenes. We start by asking if the nerves are any different, releasing the same album three decades later."I mean, it's weird," he smiled, "It's 30 years old, which is kind of a trip obviously for us. To think about how much time has passed… It doesn't feel like 30 years ago by any means, which is over half my life. I'm more nervous because we have some US dates we're going to start. It's a pretty gruelling little run of shows we're doing, and we haven't done that in many, many years. So that's got me nervous, more than the record coming out".Going into In A Perfect World back in 1994, Season To Risk had just finished four years on the road and were understandably more than a little jaded. We ask Steve if this had any effect on the finished product."Yes, I do think we were (jaded)," he nodded. "So a lot of the material from the first record - and it's a cleaner record for sure - we were young, and it was our first material that you take a bunch of years to write. Then you get signed, and then it was delayed forever. We were always trying to challenge ourselves, and we were wanting to be more… it's not like it was incredibly conscious. I mean, we didn't want to sell out, but we were trying to find this heavy thing. We had some road on us, and we had some life experience on us at that point so it was darker and things were a little more fucked up. To be candid, I was a little more fucked up in my head, but that's the experience you go through, right?"In the full interview, Steve focused on the reissue of In A Perfect World, reflecting on the surreal nature of the album's 30-year anniversary. The remastering process was highlighted, with improvements made by guitarist Duane Trower being explained, although digital rights for a remastered version have not been granted by Sony, leaving fans without a digital option for now.The conversation also explored the band's artistic evolution, with Steve discussing their maturation and the incorporation of new elements like synthesizers in their upcoming material. The importance of clarity in lyrics while maintaining a unique sound was emphasized. We spoke about the release of a new album, with the aim for completion by the first quarter of the next year.Steve discussed the natural evolution of Season To Risk and how it has impacted their music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

11 Des 23min

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10 Des 8min

Backstage chats with WINDWAKER At GOOD THINGS 2025

Backstage chats with WINDWAKER At GOOD THINGS 2025

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10 Des 11min

Bringing The Discovery Down Under With CAMERON LOSCH From BORN OF OSIRIS

Bringing The Discovery Down Under With CAMERON LOSCH From BORN OF OSIRIS

Interview by Angela CroudaceAfter years of anticipation, Born of Osiris are finally set to return to Australia this coming March and for drummer Cameron Losch, the excitement is doubled. While the band last toured the country six years ago, Cameron himself hasn’t performed on Australian soil for roughly a decade due to an injury during their previous run. “I am just so excited. It’s been way too long,” he says, reflecting on how much he loved every visit in the past.Some of his clearest memories include being pranked about “drop bears” moments after landing, and wandering through bushland stunned by wild kangaroos an experience far removed from his Midwest home. This time, he’s hoping for more of those uniquely Australian moments, plus a chance to reconnect with fans face-to-face, something he’s grown to treasure deeply on recent tours.Australia will also be among the first to witness a major milestone: the 15-year anniversary celebration of The Discovery. The band is performing eight tracks from the beloved album, reworked with fresh flair. Cameron promises surprises, intensity, and some of the most challenging drumming of his career.Sharing the bill with the crushing Signs of the Swarm, Born of Osiris’ March run is shaping up to be an unmissable blend of nostalgia, evolution, and explosive energy. Australia, get ready, they’re coming back stronger than ever.BORN OF OSIRIS and SIGNS OF THE SWARM 2026 Australian Tour DatesWednesday 18th March ADELAIDE, Lion Arts FactoryThursday 19th March MELBOURNE, Max WattsFriday 20th March BRISBANE, Brightside OutdoorsSaturday 21st March SYDNEY, Manning BarTickets From: https://thephoenix.au/born-of-osiris-2026/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

10 Des 26min

Backstage chats with LORNA SHORE At GOOD THINGS 2025

Backstage chats with LORNA SHORE At GOOD THINGS 2025

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